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Artie Shaw And His Orchestra - Did Someone Say A Party? - MCA Coral - Jazz

Artie Shaw And His Orchestra - Did Someone Say A Party? - MCA Coral - Jazz
Price £7.50

Track Listing

A1 They Can\'t Take That Away From Me
A2 My Funny Valentine
A3 September Song
A4 I\'ll Be Seeing You
A5 Long Ago (And Far Away)
A6 All The Things You Are
B1 It Could Happen To You
B2 These Foolish Things (Remind Me Of You)
B3 I Remember You
B4 That Old Black Magic
B5 More Than You Know
B6 In The Still Of The Night


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Artie Shaw And His Orchestra
Title Did Someone Say A Party?
Label MCA Coral
Catalogue CP 104
Format Vinyl Album
Released
Genre Jazz

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Other Titles by Artie Shaw And His Orchestra

Begin The BeguineConcerto For ClarinetConcerto For ClarinetConcerto For Clarinet: The Best Of Artie ShawThe Broadcast YearsThe Helen Forrest YearsThe String YearsArtie Shaw And His Orchestra With Oran 'Hot Lips' Page, Roy 'Little Jazz' Eldridge Vol 2 (1941-1945)


Some Other Artists in the Jazz Genre

Stan Kenton And His OrchestraStan KentonFrank SinatraWoody HermanBenny GoodmanLouis ArmstrongThe Dave Brubeck QuartetTed Heath And His MusicThe Manhattan TransferElla FitzgeraldErroll GarnerHerb Alpert & The Tijuana BrassCount BasieDuke Ellington And His OrchestraWoody Herman And His OrchestraCharlie ParkerHarry James And His OrchestraThe Modern Jazz QuartetFats WallerThe Dutch Swing College BandHarry James Cleo LaineDuke EllingtonMiles DavisSyd Lawrence And His OrchestraStéphane GrappelliHerb AlpertShorty Rogers And His GiantsArtie ShawOscar PetersonDavid SanbornShorty RogersDave BrubeckMezzoforteColeman HawkinsBix BeiderbeckeStan GetzKid Ory And His Creole Jazz BandAcker BilkEydie Gormé

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Some Other Artists on the MCA Coral Label

Buddy HollyBob Crosby And His Orchestra & The BobcatsBill Anderson Danny Kaye Tommy DorseyGlen GrayElla Fitzgerald And Her Savoy EightEddie Condon And His OrchestraOsibisaBing CrosbyLouis Armstrong

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Information on the Jazz Genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.


In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.

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