Mrs. Mills - Knees-Up Party - Music For Pleasure - Folk
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Out of Stock |
Track ListingA1 Knees Up Mother BrownA2 Jolly Good Company A3 Down At The Old Bull And Bush A4 Bye Bye Blackbird A5 Yellow Submarine A6 Don\'t Dilly Dally On The Way A7 The Man On The Flying Trapeze A8 Bill Bailey Won\'t You Please Come Home A9 Lambeth Walk B1 Y Viva Espana B2 Oh, Oh, Antonio B3 Cokey Cokey B4 For Me And My Gal B5 How Ya Gonna Keep \'Em Down On The Farm B6 Waiting For The Robert E. Lee B7 He\'d Have To Get Under-Get Out And Get Under B8 Can-Can Media Condition » Very Good Plus (VG+) Sleeve Condition » Very Good (VG) |
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| Artist | Mrs. Mills | ||
| Title | Knees-Up Party | ||
| Label | Music For Pleasure | ||
| Catalogue | MFP 50230 | ||
| Format | Vinyl Album | ||
| Released | 1975 | ||
| Genre | Folk |
Other Titles by Mrs. Mills
• Music For Anytime •
Information on the Folk Genre
Folk music is a term for musical folklore. The term, which originated in the 19th century, has been defined in several ways: as music transmitted by word of mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. Since the middle of the 20th century, the term has also been used to describe a kind of popular music that is based on traditional music. Fusion genres include folk rock, electric folk, folk metal, and progressive folk music.The post World War 2 folk revival in America and in Britain brought a new meaning to the word. Folk was seen as a musical style, the ethical antithesis of commercial "popular" or "pop" music, while the Victorian appeal of the "Volk" was often regarded with suspicion. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959: in 1970 the term was dropped in favour of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". The term "folk", by the start of the 21st century, could cover "singer song-writers, such as Donovan and Bob Dylan, who emerged in the 1960s and much more" or perhaps even "a rejection of rigid boundaries, preferring a conception, simply of varying practice within one field, that of 'music'.
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