Format:
Genre:
Year:
Stock Level:
Keywords:
[ reset ]

Tackhead - Dangerous Sex - SBK Records - Dub

Tackhead - Dangerous Sex - SBK Records - Dub
Price £5.00

Track Listing

A1 Dangerous Sex (Extension Mix)
A2 Sex Overdubs
B Repetition (Repetition)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Tackhead
Title Dangerous Sex
Label SBK Records
Catalogue 12 SBK 7014
Format Vinyl 12 Inch
Released 1990
Genre Dub

<< Back

Other Titles by Tackhead

Class RockDangerous SexDangerous SexDangerous Sex (Remix)The Game (You'll Never Walk Alone)


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemSugar BulletBeats InternationalBorder CrossingMajestic 12Stock, Aitken & WatermanZeke ManyikaF.A.B.Movement 98MonyakaOui 3Concrete NationSly & RobbieGoat DanceThe Whitfield ExpressLazyboyLarry PeeUnitone Rockers & Black SteelIntelligent HoodlumPlatinum Radics & Governor TiggyPeace OrchestraNew KingdomCashmereKieser.VeltenRaz OharaFrantic LanguageBomb The Bass & CarltonCheshire CatDJ ShadowYosser's GangBad Street BoyFaze ActionWalkner.MöstlDelaney's Rhythm SectionThe MaytalsRed DragonCarey JohnsonAudiowebTerranovaGregory Isaacs

More from Dub >>

Some Other Artists on the SBK Records Label

2 In A RoomVanilla IceJon SecadaCrown Heights AffairBoogie Box HighKatrina And The WavesRiffPartners In KrymeD.L. KoolHistoryEveryday PeopleLonnie GordonYa Kid KRhythm Of LifeWilson PhillipsMotor City Techno MobVanilla Ice & Naomi CampbellVernell FosterA.T.C.BlurFreestyle OrchestraVagabond JoyFreestyle Orchestra & D'borahDeRuvoMister Mixi & Skinny Scotty Featuring Dizzy DTechnotronicHistory & Q-TeeForemost Poets

More from SBK Records >>

Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.