Audrey Hall - One Dance Won't Do / Eight Little Notes - Germain Records - Dub
|
Out of Stock |
Track ListingA One Dance Won\'t DoB Eight Little Notes Media Condition » Very Good Plus (VG+) Sleeve Condition » Very Good Plus (VG+) |
|
Artist | Audrey Hall | ||
Title | One Dance Won't Do / Eight Little Notes | ||
Label | Germain Records | ||
Catalogue | DGTR-7 | ||
Format | Vinyl 12 Inch | ||
Released | 1986 | ||
Genre | Dub |
Other Titles by Audrey Hall
• Smile • Smile • Smile • Smile • I Want To Know What Love Is • One Dance Won't Do • One Dance Won't Do • One Dance Won't Do • One Dance Won't Do • One Dance Won't Do • One Dance Won't Do / Eight Little Notes • One Dance Won't Do / Eight Little Notes - plain genric sleeve • Smile •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Sugar Bullet • Tackhead • Stock, Aitken & Waterman • Concrete Nation • Sly & Robbie • Movement 98 • Zeke Manyika • Border Crossing • Majestic 12 • F.A.B. • Beats International • Monyaka • Oui 3 • Peace Orchestra • Larry Pee • Platinum Radics & Governor Tiggy • Intelligent Hoodlum • Unitone Rockers & Black Steel • Lazyboy • The Maytals • The Whitfield Express • Cashmere • Kieser.Velten • Raz Ohara • Goat Dance • Frantic Language • Bomb The Bass & Carlton • Cheshire Cat • DJ Shadow • Yosser's Gang • Bad Street Boy • Faze Action • Walkner.Möstl • Delaney's Rhythm Section • Red Dragon • Carey Johnson • Audioweb • Terranova • Gregory Isaacs • |
Some Other Artists on the Germain Records Label• Audrey Hall & Dean Fraser • Freddie McGregor • Ruddy Thomas • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
Data from the Discogs music database. Submit a Release.