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Audrey Hall - One Dance Won't Do / Eight Little Notes - Germain Records - Dub

Audrey Hall - One Dance Won't Do / Eight Little Notes - Germain Records - Dub
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Track Listing

A One Dance Won\'t Do
B Eight Little Notes


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Audrey Hall
Title One Dance Won't Do / Eight Little Notes
Label Germain Records
Catalogue DGTR-7
Format Vinyl 12 Inch
Released 1986
Genre Dub

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Other Titles by Audrey Hall

SmileSmileSmileSmileI Want To Know What Love IsOne Dance Won't DoOne Dance Won't DoOne Dance Won't DoOne Dance Won't DoOne Dance Won't DoOne Dance Won't Do / Eight Little NotesOne Dance Won't Do / Eight Little Notes - plain genric sleeveSmile


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemSugar BulletTackheadStock, Aitken & WatermanConcrete NationSly & RobbieMovement 98Zeke ManyikaBorder CrossingMajestic 12F.A.B.Beats InternationalMonyakaOui 3Peace OrchestraLarry PeePlatinum Radics & Governor TiggyIntelligent HoodlumUnitone Rockers & Black SteelLazyboyThe MaytalsThe Whitfield ExpressCashmereKieser.VeltenRaz OharaGoat DanceFrantic LanguageBomb The Bass & CarltonCheshire CatDJ ShadowYosser's GangBad Street BoyFaze ActionWalkner.MöstlDelaney's Rhythm SectionRed DragonCarey JohnsonAudiowebTerranovaGregory Isaacs

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Some Other Artists on the Germain Records Label

Audrey Hall & Dean FraserFreddie McGregorRuddy Thomas

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

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