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CJ Bolland - Camargue (The Remixes) - R & S Records - Techno

CJ Bolland - Camargue (The Remixes) - R & S Records - Techno
Out of Stock

Track Listing

Black Side
A1 Camargue (Summer Mix)
A2 Camargue (Beyond The Mind\\\'s Eye Mix)
Silver Side
B1 Camargue (Galaxy Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist CJ Bolland
Title Camargue (The Remixes)
Label R & S Records
Catalogue RS 93022
Format Vinyl 12 Inch
Released 1993
Genre Techno

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Other Titles by CJ Bolland

It Ain't Gonna Be MeIt Ain't Gonna Be MeRavesignal IIIThe Analogue TheatreCamargue (The Remixes)Camargue (The Remixes)Camargue (The Remixes)It Ain't Gonna Be MeIt Ain't Gonna Be MeLive At UniverseLive At Universe 30-04-93Ravesignal IIIRavesignal IIIRavesignal IIIRavesignal Vol. II


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808 StateDJ DanThe ProdigyThe ShamenUnderworldSven VäthMobyEskimos & EgyptThe Chemical BrothersLuke SlaterWestBamFormatDave ClarkeJbsSlamCarl CoxDynamite Bob BrownBeat In TimeStacey PullenScotti DeepSapianoMark SummersKerosene David RoiseuxSubterfugeTechnomaniaSubculture (4)Ken IshiSound ExcitersCristian VogelRoel ButzenDoi-OingEmpirionDJ Dan & Needle DamageLostDonato CapozziMorpheus Mike DearbornNeomorph

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Some Other Artists on the R & S Records Label

JaydeeLemon DModel 500Word UpBoom Boom SatellitesTommy GeeEbizooKen IshiiShanksSpiritual CombatAvenue AThursday ClubCapricornArmitage ShanksSecond Storey & AppleblimCircular SunburstRadical RobPraga KhanSpeed JackDons Of QuixoteMescalinum UnitedMental OverdrivePsycho DrumsDigital VampAphex TwinTuneFredBrainstormPulseSpace OperaHellFuture/Past & BalilAir FrogJosh WinkSpace TraxWax DoctorProgram 2 BeltramJoey BeltramRising High CollectiveLocust

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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