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The Shamen - En-Tact - One Little Indian - Techno

The Shamen - En-Tact - One Little Indian - Techno
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Track Listing

A1 Human NRG (3:21)
A2 Progen (4:06)
A3 Possible Worlds (3:44)
A4 Omega Amigo (4:41)
A5 Evil Is Even (Edit) (4:20)
B1 Hyperreal (4:31)
B2 Lightspan (5:46)
B3 Make It Mine (3:55)
B4 Oxygen Restriction (3:48)
B5 Hear Me O My People (Edit) (5:11)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Good Plus (G+)
Artist The Shamen
Title En-Tact
Label One Little Indian
Catalogue TPLP22
Format Vinyl Album
Released 1990
Genre Techno

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Other Titles by The Shamen

Boss DrumHyperrealHyperrealHyperreal (Rmx)L.S.I. (Love Sex Intelligence)L.S.I. (Love Sex Intelligence)Make It MineMake It MineMove Any Mountain (Progen 91)Move Any Mountain (Progen 91)Move Any Mountain - Progen 91Phorever PeoplePro>genPro>genShow Of Strength EP


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldSven VäthEskimos & EgyptMobyThe Chemical BrothersWestBamCarl CoxJbsSlamLuke SlaterFormatDave ClarkeCristian VogelScotti DeepRoel ButzenKerosene SubterfugeDavid RoiseuxBob BrownBeat In TimeStacey PullenSapianoSubculture (4)Ken IshiMark SummersDynamite Sound ExcitersTechnomaniaTony CrooksA Guy Called GeraldEmpirionLostDonato CapozziMike DearbornNeomorphDoi-OingDJ Dan & Needle Damage

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Some Other Artists on the One Little Indian Label

BazShamen, TheEskimos & EgyptSoul Family SensationManchildKelli AliBjörkLinda CliffordFinitribeEmiliana TorriniCredit To The NationCorrina JosephSugarcubes, TheManbreakPharmacy AllstarsThe PopinjaysSecret KnowledgeCurtis Lynch JrPopinjays, TheCrispin J.Glover And D\\\'MusikSkunk AnansieL. KageCompulsionRairbirdsFifth AmendmentBjörkCrispin J. GloverSupreme Love GodsThe SugarcubesOUTCASTKelli AliDJ Flex & Ken NorrisHeart Throbs, TheBig Hard Excellent FishSensationChumbawamba & Credit To The NationShamenChumbawamba & DiYNemetonCurtis Lynch Junior

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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