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Moby - I Like To Score - Mute - Techno

Moby - I Like To Score - Mute - Techno
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Track Listing

A1 Novio (2:37)
A2 James Bond Theme (Moby\'s Re-Version) (3:21)
A3 Go (3:59)
A4 Ah-Ah (2:23)
A5 I Like To Score (2:20)
A6 Oil 1 (4:49)
B1 New Dawn Fades (5:32)
B2 God Moving Over The Face Of The Waters (5:44)
B3 First Cool Hive (5:39)
B4 Nash (1:21)
B5 Love Theme (4:35)
B6 Grace (5:24)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Moby
Title I Like To Score
Label Mute
Catalogue STUMM 168
Format Vinyl Album
Released 1997
Genre Techno

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Other Titles by Moby

Into The Blue (Junior Vasquez Remixes)Move - The MixesBodyrock (Remix)Everyday It's 1989 / The StarsEverytime You Touch MeEverytime You Touch MeHoneyHoney (Remixes)Hymn.Alt.Quiet.VersionIn This World (Remixed)In This World (Remixed)In This World (Remixes)In This World - (DISC 1 ONLY)Into The BlueInto The Blue


Some Other Artists in the Techno Genre

808 StateDJ DanThe ShamenThe ProdigyUnderworldSven VäthThe Chemical BrothersEskimos & EgyptSlamLuke SlaterJbsDave ClarkeWestBamFormatCarl CoxBob BrownMark SummersDynamite OrbitalScotti DeepStacey PullenKerosene Beat In TimeCristian VogelSubculture (4)SubterfugeTechnomaniaTony CrooksKen IshiDavid RoiseuxSound ExcitersSapianoRoel ButzenMike DearbornDJ Dan & Needle DamageA Guy Called GeraldAccess 58Morpheus LostDonato Capozzi

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Some Other Artists on the Mute Label

ErasureLuke SlaterRenegade SoundwaveYazooDepeche ModeFortran 5PeachWirBarry AdamsonSlick SixtyNitzer EbbMoby & Deborah HarryHoodwinkDesiyaMoby & Moby & KelisFortran 5 & Larry GrahamDepeche Mode Photo BookMark StewartAssembly, TheHe SaidAdd N To (X)GoldfrappLaibachLiaisons DangereusesFad GadgetInspiral CarpetsThe AssemblyDave Gahan

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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