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Sweet Exorcist - Clonk - Warp Records - Techno

Sweet Exorcist - Clonk - Warp Records - Techno
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Track Listing

A Clonk (Freebass) (7:48)
B Clonk (Homebass) (7:41)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Sweet Exorcist
Title Clonk
Label Warp Records
Catalogue WAP 9
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by Sweet Exorcist

C.C.E.PTestoneCC EPClonkClonkPer Clonk (Remix)Per Clonk (Remix)Per Clonk (Remix)PopconeSpirit Guide To Low TechTestoneTestoneTestone


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldEskimos & EgyptThe Chemical BrothersMobySven VäthLuke SlaterWestBamSlamJbsFormatCarl CoxDave ClarkeSubterfugeDavid RoiseuxRoel ButzenBeat In TimeScotti DeepBob BrownStacey PullenKerosene SapianoSubculture (4)Cristian VogelTechnomaniaDynamite Ken IshiMark SummersSound ExcitersDoi-OingLostDonato CapozziEmpirionMike DearbornA Guy Called GeraldDJ Dan & Needle DamageTony Crooks

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Some Other Artists on the Warp Records Label

Maxïmo ParkRed SnapperNightmares On WaxSquarepusherCoco Steel & LovebombJamie LidellJimi TenorPrefuse 73BroadcastREQV.L.A.D.Alexander's AnnexePhoeneciaTwo Lone SwordsmenSympleticBrothomstatesMilaneseAntipop ConsortiumMira CalixChok RockBlack MojoFreeformLFOTricky DiscoCoco Steel&LovebombBeansJohn CallaghanAphex TwinMike InkRACThe StepKenny LarkinPrefuse 73 & Books, TheSpeedy JChris ClarkRhythm InventionEternalDSRForgemastersSabres Of Paradise, The

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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