Subterfuge - Liquid Poetry - Infonet - Techno
Track ListingA1 Liquid Poetry
A2 The City
AA1 Almost In A Dream
AA2 Liquid Remix
Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
|Format||Vinyl 12 Inch|
Other Titles by Subterfuge
• Prana • Liquid Poetry • Prana • I.D. Sanctuary • Liquid Poetry • Prana • Tresor 5 •
Some Other Artists in the Techno Genre• 808 State • DJ Dan • Redhead • The Chemical Brothers • The Prodigy • WestBam • Sven VÃ¤th • Dave Angel • The Shamen • Eskimos & Egypt • System 7 • Slam • Moby • Format • Luke Slater • Underworld • Carl Cox • Jbs • Beat In Time • Sound Exciters • Dynamite • David Roiseux • Lost • Scotti Deep • Dave Clarke • Sapiano • Technomania • Ignition Technician • Stacey Pullen • Roel Butzen • Ken Ishi • Mark Summers • Cristian Vogel • Paul Langley • Andreas Kremer • Bob Brown • Frankie Bones • Josh Wink • A Guy Called Gerald • Unknown Artist •
Some Other Artists on the Infonet Label• Sons Of The Subway • Bandulu • Thunderground • Shyman&DJ Ljk • Eddie Fowlkes • Syzygy • Space DJz • Shyman & DJ Ljk •
Information on the Techno GenreTechno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist societyâ€”particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.