Skeeter Davis - Love Takes A Lot Of My Time - RCA Victor - Folk
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Price | £7.50 |
Track ListingA1 Love Takes A Lot Of My TimeA2 I Can\'t Seem To Say Goodbye A3 Fire And Rain A4 Mama Your Big Girl\'s \'Bout To Cry A5 You\'ve Got A Friend B1 Hello Darlin\' B2 If You Could Read My Mind B3 He Wakes Me With A Kiss Every Morning (And He Loves Me To Sleep Every Night) B4 You Call This Love (I Call It Hate) B5 Amazing Grace Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
Artist | Skeeter Davis | ||
Title | Love Takes A Lot Of My Time | ||
Label | RCA Victor | ||
Catalogue | LSA 3054 | ||
Format | Vinyl Album | ||
Released | 1972 | ||
Genre | Folk |
Other Titles by Skeeter Davis
• Bring It On Home • The Hillbilly Singer • Skeeter Davis • The Best Of Skeeter Davis • The Best Of Skeeter Davis • You've Got A Friend •
Information on the Folk Genre
Folk music is a term for musical folklore. The term, which originated in the 19th century, has been defined in several ways: as music transmitted by word of mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. Since the middle of the 20th century, the term has also been used to describe a kind of popular music that is based on traditional music. Fusion genres include folk rock, electric folk, folk metal, and progressive folk music.The post World War 2 folk revival in America and in Britain brought a new meaning to the word. Folk was seen as a musical style, the ethical antithesis of commercial "popular" or "pop" music, while the Victorian appeal of the "Volk" was often regarded with suspicion. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959: in 1970 the term was dropped in favour of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". The term "folk", by the start of the 21st century, could cover "singer song-writers, such as Donovan and Bob Dylan, who emerged in the 1960s and much more" or perhaps even "a rejection of rigid boundaries, preferring a conception, simply of varying practice within one field, that of 'music'.
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