Wavelab - Inertia E.P. - Bellboy Records - Techno
Track ListingA1 Out Of Control
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
|Format||Vinyl 12 Inch|
Some Other Artists in the Techno Genre• 808 State • DJ Dan • Subterfuge • Dave Angel • The Chemical Brothers • Redhead • WestBam • Sven VÃ¤th • The Shamen • The Prodigy • Moby • Jbs • Format • Luke Slater • Slam • System 7 • Underworld • Carl Cox • Eskimos & Egypt • Sound Exciters • Lost • Bob Brown • Stacey Pullen • David Roiseux • Cristian Vogel • Dynamite • Subculture (4) • Andreas Kremer • Ken Ishi • Josh Wink • Sapiano • Mark Summers • Scotti Deep • Frankie Bones • Technomania • Beat In Time • Dave Clarke • Paul Langley • Roel Butzen • A Guy Called Gerald •
Some Other Artists on the Bellboy Records Label• Mark Finnie • Chris Cowie • Scan Carriers • Alexander Koning • Eaon Elvis Pritchard • Richard Beck • Bulkhead • 808 State • Ross Couch • DJ Misjah • Vegas Soul • Stonemaker • F2 • Canyon •
Information on the Techno GenreTechno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist societyâ€”particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.