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Deejay Punk-Roc - Chicken Eye - Independiente - Nu Skool Breaks

Deejay Punk-Roc - Chicken Eye - Independiente - Nu Skool Breaks
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Track Listing

A1 I Hate Everybody (4:29)
A2 Far Out (4:00)
A3 No Meaning (4:39)
A4 Dead Husband (3:54)
A5 Dedicated (1:52)
A6 All You Ladies (5:13)
B1 The World Is My Ashtray (4:53)
B2 My Beatbox (5:31)
B3 Busted Speaker (4:10)
B4 Punks (0:08)
B5 Ro

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Not Graded
Artist Deejay Punk-Roc
Title Chicken Eye
Label Independiente
Catalogue ISOM5LPD
Format Vinyl Double Album
Released 1998
Genre Nu Skool Breaks

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Other Titles by Deejay Punk-Roc

Far OutDead HusbandFar OutMy BeatboxMy BeatboxOne More BumpBlow My MindBlow My MindChickenEyeDead HusbandDead HusbandDead Husband / The World Is My Ashtray / All You Ladies (2 x 12Far OutFar OutFar Out


Some Other Artists in the Nu Skool Breaks Genre

SuperbangdeluxeLexi LoveSeizmicGenotypeFatlinersRennie PilgremDean MuhsinSkinflintMad HubanM. Welch & T. RyanMcMillan & TabLen LewisMr LoopezO.B. OneJoy KitikontiHyperHighly SkilledHigh PrimeGoddard & WilsonFor?eFreq NastyFreestylersDark Globe/La-LigaAngelo D'OnorioApexApollo Kids (The)Ben Coulpland & Dj QuestBreakneckBroadway Danny RoseCass & SlideChris CarterDark GlobeFranceDeep ImpactDJ Hyper vs Dylan RhymesDJ Mutiny & AmazireeDowntown CrewDubwiseEr-BartoFC Kahuna

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Some Other Artists on the Independiente Label

BlackoutJody LeiFirstbornLisa MaffiaSupermen Lovers, TheTravisGlasgow Gangster FunkJD & Dready DJ Punk RocChristophe Monier & DJ Pascal R & ImpulsionImpulsionVitroFaceSo Solid CrewDeejay Punk-Roc & OnyxCream CartelJDWhite Rose MovementSupermen Lovers, The & Mani HoffmanAaliyahArchiveChristophe Monier & Pascal R & ImpulsionThe Supermen LoversMartina Topley-BirdThe Supermen Lovers & Mani HoffmanSupermen Lovers (The)

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Information on the Nu Skool Breaks Genre

Nu skool breaks (often abbreviated to nuskool or breaks) is a term used to describe a sub-genre of breakbeat. The sub-genre is usually characterized by its darker and heavier bass lines that are normally dominant throughout the track. Typically, tracks range between 125 to 140 bpm.

Origins

The term is widely attributed to Rennie Pilgrem and Adam Freeland, who used it to describe the sound at their night Friction, which was launched at Bar Rumba in 1996, with promoter Ian Williams. In 1998, the label was used on two compilations, Nu Skool Breaks, Volume 1 and 2, compiled with Danny McMillan and released through UK based Kickin Records. The first volume of these was recorded live at the aforementioned London club night Friction.


Artists

Recognised nu skool producers include Plump DJs, NAPT, Ãœberzone, Freq Nasty, Ils, Stanton Warriors, Aquasky and Hybrid. The major producers have remixed and/or produced tracks for acts such as Orbital, Fatboy Slim, 'N Sync, Kelis and New Order. Much of the music of The Prodigy, especially their more recent work, can be classified as Nu Skool Breaks.

In the UK the scene is currently dominated by the Stanton Warriors, Plump DJs and NAPT. Up coming noteworthy acts include B.S.D, Beat Assassins, Plaza De Funk and Far Too Loud. In the USA, known for its more acid-based breaks sound, the sound has gained popularity, especially on the West Coast. North American artists include Pillform, Keith Mackenzie and Ãœberzone. Australia also has a burgeoning scene with popular artists including Kid Kenobi and Dopamine.


Tear-out / hardcore breaks

Tearout breaks emerged with the birth of Hardcore Beats Records - the sound, while following the intricate drum programming of nuskool, featured more of the aggression of modern drum and bass instrumentation, sometimes applying hoover and reese basslines. In their song "Stereo:Typical", Ctrl-Z and Screwface claim to be "pioneers of the tear-out sound"; other notable artists include Antiform, The Autobots and Dual Calibre.