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Kraftwerk - The Man Machine - Fame - Electro

Kraftwerk - The Man Machine - Fame - Electro
Price £30.00

Track Listing

A1 The Robots (6:11)
A2 Spacelab (5:51)
A3 Metropolis (5:59)
B1 The Model (3:38)
B2 Neon Lights (9:03)
B3 The Man Machine (5:28)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Kraftwerk
Title The Man Machine
Label Fame
Catalogue FA 41 3118 1
Format Vinyl Album
Released 1985
Genre Electro

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Other Titles by Kraftwerk

The Man-Machine - reissueComputer WorldThe Model / Computer LoveTour De FranceTour De France - new reissueAutobahn new sealed 180g vinylAutobahn - (Generic Sleeve)Computer Love / The ModelComputer World new sealedExpo RemixKraftwerkKraftwerk 2Man MachineMan Machine (Re-issue)Minimum Maximum Live Sampler

Some Other Artists in the Electro Genre

Paul HardcastleMantronixWhodiniTotal ContrastLovebug StarskiMasqueradeBreak MachineInfadelsStrafeThe Kartoon KrewMalcolm McLaren & The McLarenettesShannonBreekout Krew, TheTriscoDSMNejaMirwaisHerbie HancockMatthew EErik TravisHarold FaltermeyerDerek BNewcleusNeville BrothersA Number Of NamesThemrocVarious Whodini / Kool Moe Dee / DJ Jazzy Jeff /Steady BJunkie XLLes Rythmes DigitalesSpace 2000Midnight StarMankeyWhoa!Princess SuperstarDC AllstarsBrooklyn, Bronx&Queens Band, TheFreeezTiefschwarzSoft CellBasic Sound

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Some Other Artists on the Fame Label

Dr. HookDon McLeanGary U.S. BondsLittle River BandCliff RichardJethro TullThompson TwinsAmerica Julie CovingtonCliff Richard & The DriftersSpyro GyraIan Dury And The BlockheadsTom Robinson BandJapanIron MaidenPink FloydWhitesnakeEddie CochranFats DominoAlan Parsons Project, TheTina TurnerMarc Bolan & T. RexAverage White BandKate Bush

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Information on the Electro Genre

Electro (electro-funk, dance or electro-boogie) is a genre of electronic music directly influenced by the use of TR-808 and funk records. Records in the genre typically have electronic sounds and some vocals are delivered in a deadpan, mechanical manner, often through a vocoder or other electronic distortion.

From its origins, the definition of the electro sound is the use of drum machines as the rhythmic base of a track; however as the style has evolved, and with the advent of computer usage in electronic music, the use of drum machines has become less and less practical and widespread. Electro drum patterns tend to be electronic emulations of breakbeats, with kick drums, and usually a snare or clap accenting the downbeat. The difference between electro drumbeats and breakbeats (or breaks) is that electro tends to be more mechanical, while breakbeats tend to have more of a human-like feel, like that of a live drummer. The definition however is somewhat ambiguous in nature due to the various use of the term.

Staccato, percussive drumbeats tend to dominate electro; with beats once mostly provided by the Roland TR-808 drum machine, the advent of computers in electronic music has outdated this old school method and are now used by the majority of electro producers the world over. The TR-808, created in 1980, has an immediately recognizable sound, and through the use of samples remains somewhat popular in electro and other genres to the present day. Other electro instrumentation is generally all-electronic, favoring analog synthesis, bass lines, sequenced or arpeggiated synthetic riffs, and atonal sound effects all created with synthesizers. Heavy use of effects such as reverbs, delays, chorus or phasers along with eerie synthetic ensemble strings or pad sounds emphasize the common science fiction or futuristic theme of the lyrics and/or music. Most electro is instrumental, but a common element is vocals processed through a vocoder. Additionally, speech synthesis may be used to create robotic or mechanical lyrical content. Some earlier electro features rapping, but that lyrical style has become less popular in the genre from the 1990s onward.

Data from the Discogs music database. Submit a Release.