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Sugar Bullet - World Peace (Armageddon Mix) - Virgin - Dub

Sugar Bullet - World Peace (Armageddon Mix) - Virgin - Dub
Price £2.00

Track Listing

A World Peace (Armageddon Mix)
B1 World Peace (Welcome To The Terrordome Mix)
B2 Demonstrate In Mass (One Nation Under A Dope Mix)


Media Condition » Very Good (VG)
Sleeve Condition » Very Good (VG)
Artist Sugar Bullet
Title World Peace (Armageddon Mix)
Label Virgin
Catalogue VSTX 1266
Format Vinyl 12 Inch
Released 1990
Genre Dub

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Other Titles by Sugar Bullet

RiseRiseWorld PeaceWorld PeaceWorld PeaceWorld Peace (Armageddon Mix)World Peace (Armageddon Mix)World Peace (Freestyle)Rise


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemTackheadStock, Aitken & WatermanOui 3Majestic 12Movement 98Zeke ManyikaBorder CrossingConcrete NationF.A.B.MonyakaBeats InternationalPeace OrchestraFrantic LanguageThe Whitfield ExpressLazyboyUnitone Rockers & Black SteelIntelligent HoodlumTerranovaPlatinum Radics & Governor TiggyGoat DanceGregory IsaacsThe MaytalsRaz OharaCashmereKieser.VeltenLarry PeeOosh The ConceptSly & RobbieBomb The Bass & CarltonCheshire CatAudiowebCarey JohnsonDJ ShadowYosser's GangRed DragonBad Street BoyFaze ActionWalkner.Möstl

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Some Other Artists on the Virgin Label

Culture ClubMike OldfieldPhil CollinsSimple MindsMai TaiFeargal SharkeyHeaven 17Well RedDanny WilsonBoy GeorgeThe Human LeagueJanet JacksonFrazier ChorusLoose EndsWorking WeekHabitScritti PolittiEverything But The GirlSoul II SoulBeenie ManKelisGenesisAgent SumoBassomaticI-LevelEurythmicsLenny KravitzPhil Collins & Marilyn MartinBelinda CarlisleChina CrisisGillanSindecut, TheZeitia MassiahEFUAWendy & LisaOrchestral Manoeuvres In The DarkFloy JoyThe Future Sound Of LondonDaft PunkIt Bites

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.