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Energise - Report To The Dancefloor - Network Records - Techno

Energise - Report To The Dancefloor - Network Records - Techno
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Track Listing

A1 Report To The Dancefloor (Full Alert Mix)
A2 Report To The Dancefloor (Electro Mix)
B Like Dis (Full Dread Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Energise
Title Report To The Dancefloor
Label Network Records
Catalogue NWKT 16
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by Energise

Report To The DancefloorReport To The DancefloorReport To The DancefloorReport To The DancefloorReport To The Dancefloor (Robert Gordon Remix)


Some Other Artists in the Techno Genre

808 StateThe ShamenEskimos & EgyptDJ DanThe ProdigyLuke SlaterUnderworldSlamJbsDave ClarkeSven VäthMobyThe Chemical BrothersCarl CoxWestBamKen IshiiCristian VogelSound ExcitersDave AngelTony CrooksBlue PearlDynamite Stacey PullenKen IshiBob BrownApollo 440Roel ButzenKerosene Beat In TimeGroove CycloneChelsea GrinDonato CapozziBoom Boom SatellitesSilo NeomorphLostMike DearbornA Guy Called GeraldIrridiumJosh Wink

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Some Other Artists on the Network Records Label

PandellaTrinity, TheThe Reese ProjectReese Project, TheK.W.S.Ronni SimonThe Trinity Voodoo SuiteKWSMah So-LRhythm QuestVarious - Reese Project Unit 2 Chez DamierAltern 8The Reese Project & BumpJohnny Vicious & MFSB & Johnny Vicious & Satoshi TomiieK.W.S. & Rhythm QuestJohnny Vicious, Satoshi Tomiie & MFSB The Reese Project & Funky Green DogsFunky Green Dogs & Liberty City & InterceptorTrammps, TheRhythim is RhythimNitro DeluxeRhythim Is Rhythim & Reese&SantonioMURKTrue Faith & Rhythm On The Loose10th Planet, TheThe Groove CorporationBeverlei BrownRhythm On The LooseReeseNeal HowardMy Friend SamModel 500Critical RhythmLove RevolutionParis Grey & Kevin SaundersonForgemastersCycloneRhythim Is Rhythim & Derrick May & MaydayChez Damier

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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