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Utah Saints - Something Good - FFRR - Techno

Utah Saints - Something Good - FFRR - Techno
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Track Listing

A1 Something Good
A2 Anything Can Happen
B1 Something Good (051 Mix By John Kelly)
B2 Trance Atlantic Flight (33 Or 45rpm mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Good Plus (G+)
Artist Utah Saints
Title Something Good
Label FFRR
Catalogue FX 187
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Utah Saints

I Want YouPower To The BeatsFunky Music (Promo 3 of 3)I Still Think Of You (Too Much To Swallow PtII)I Want YouBelieve In MeBelieve In MeBelieve In MeFunky MusicFunky MusicI Want YouI Want YouLove SongLove SongOhio (Remixes)


Some Other Artists in the Techno Genre

808 StateDave AngelDJ DanThe ShamenThe ProdigyUnderworldSven VäthMobyThe Chemical BrothersEskimos & EgyptCarl CoxLuke SlaterFormatSlamDave ClarkeWestBamSubterfugeJbsSubculture (4)Kerosene Cristian VogelOrbitalSound ExcitersBeat In TimeStacey PullenDynamite LostTechnomaniaRoel ButzenBob BrownKen IshiDavid RoiseuxScotti DeepSapianoMark SummersMike DearbornMorpheus Donato CapozziDoi-OingTony Crooks

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Some Other Artists on the FFRR Label

Salt 'N' PepaLisa BBrand New Heavies, TheD MobJoe RobertsGoldieDJ DukeSimon HarrisDiana Brown & Barrie K SharpeCookie Crew, TheHouse Of VirginismArmand Van HeldenLucidArtful DodgerThe Knowledge1 WorldRest AssuredThe Brand New HeaviesThe Cookie CrewDa ClickVivienne MckoneT-EmpoPlux & Georgia JonesKaliphzJoyce SimsInterfearenceSalt TankD Mob & Cathy DennisLithium & Sonya MadanDa FoolShivaGino LatinoRicardo Da ForceLenny Fontana & DJ ShortyEast Side BeatClub 69Michael MoogPhoton Inc.Beatchuggers & Eric ClaptonNarcotic Thrust

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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