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Utah Saints - Something Good - FFRR - Techno

Utah Saints - Something Good - FFRR - Techno
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Track Listing

A1 Something Good
A2 Anything Can Happen
B1 Something Good (051 Mix By John Kelly)
B2 Trance Atlantic Flight (33 Or 45rpm mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Good Plus (G+)
Artist Utah Saints
Title Something Good
Label FFRR
Catalogue FX 187
Format Vinyl 12 Inch
Released 1992
Genre Techno

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I Want YouPower To The BeatsFunky Music (Promo 3 of 3)I Still Think Of You (Too Much To Swallow PtII)I Want YouBelieve In MeBelieve In MeFunky MusicFunky MusicI Want YouLove SongLove SongOhio (Remixes)Power To The BeatsPower To The Beats


Some Other Artists in the Techno Genre

808 StateDJ DanEskimos & EgyptThe ShamenThe ProdigyMobyUnderworldThe Chemical BrothersLuke SlaterWestBamSlamDave ClarkeFormatSven VäthJbsSound ExcitersMark SummersDynamite Beat In TimeScotti DeepCristian VogelStacey PullenOrbitalSubterfugeKerosene Ken IshiRoel ButzenSubculture (4)Tony CrooksKen IshiiBob BrownDavid RoiseuxSapianoDave AngelCarl CoxDonato CapozziGroove CycloneAccess 58DJ Dan & Needle DamageLost

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Some Other Artists on the FFRR Label

Salt 'N' PepaLisa BBrand New Heavies, TheD MobJoe RobertsGoldieDJ DukeSimon HarrisDiana Brown & Barrie K SharpeHouse Of VirginismArmand Van HeldenLucidCookie Crew, TheThe Knowledge1 WorldRest AssuredArtful DodgerThe Brand New HeaviesThe Cookie CrewVivienne MckoneT-EmpoPlux & Georgia JonesKaliphzSalt TankJoyce SimsInterfearenceDa ClickBeatchuggers & Eric ClaptonDa FoolPhoton Inc.D Mob & Cathy DennisRicardo Da ForceGino LatinoLithium & Sonya MadanDeetahLenny Fontana & DJ ShortyEast Side BeatMichael MoogFinitribeClub 69

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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