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Empire Bass Building - Come On Get Here - The Brothers Organisation - Techno

Empire Bass Building - Come On Get Here - The Brothers Organisation - Techno
Price £5.00

Track Listing

A1 Come On Get Here (Techno Vocal Dub)
A2 Come On Get Here (Vocal Dub 7\" Edit)
B1 Come On Get Here (Extended Club Remix)
B2 Come On Get Here (Extended Version)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Empire Bass Building
Title Come On Get Here
Label The Brothers Organisation
Catalogue 12 CUMON 1
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Empire Bass Building

Come On Get HereCome On Get Here


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808 StateDave AngelDJ DanThe ShamenThe ProdigyUnderworldSven VäthMobyThe Chemical BrothersEskimos & EgyptCarl CoxLuke SlaterFormatSlamDave ClarkeWestBamSubterfugeJbsSubculture (4)Kerosene Cristian VogelOrbitalSound ExcitersBeat In TimeStacey PullenDynamite LostTechnomaniaRoel ButzenBob BrownKen IshiDavid RoiseuxScotti DeepSapianoMark SummersMike DearbornMorpheus Donato CapozziDoi-OingTony Crooks

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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