Various - Shake, Jump, Shout! - Yo*Bro Recordings - Techno
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Price | £4.00 |
Track ListingA1 WestBam Hold Me Back (Remix) (5:06)A2 Beat In Time Time (5:18) A3 Vox Mystica Callas (6:28) A4 DJ Dick On A Mission (5:19) B1 Heavy Mental Heavy Mental (6:02) B2 L.U.P.O. Hell Or Heaven (5:22) B3 WestBam Saxophone (Dick\'s Remix) (5:06) B4 Grace Darling Dreams (6:01) Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
Artist | Various | ||
Title | Shake, Jump, Shout! | ||
Label | Yo*Bro Recordings | ||
Catalogue | YOB LP 1 | ||
Format | Vinyl Compilation | ||
Released | 1990 | ||
Genre | Techno |
Other Titles by Various
• True Faith The First Phase • Lazy DJs • Fierce Dance Cuts No. 1 • Regrooves Volume Two • Serious Beats 1 • Vox Populi: First Choice Sampler 1993 Volume 1 • Betta Breaks & Beats Volume 1 • March 88 Previews • Soul Daze • The Guitar Dance EP • The House Sound Of Chicago - Megamix Vol. 2 - House Strikes Again • There's A Movement Underground • Points In Time 007 • 20 Flash Back Greats Of The Sixties • A Perfecto Summer •
Some Other Artists in the Techno Genre• 808 State • DJ Dan • Eskimos & Egypt • The Shamen • Moby • Luke Slater • Underworld • Slam • The Prodigy • Jbs • Ken Ishii • Sven Väth • Dave Clarke • The Chemical Brothers • Format • WestBam • Subculture (4) • Mark Summers • Ken Ishi • Dynamite • Bob Brown • Cristian Vogel • Roel Butzen • Kerosene • Dave Angel • Panoptica • Carl Cox • Sound Exciters • Stacey Pullen • Tony Crooks • Beat In Time • Donato Capozzi • Groove Cyclone • Irridium • Lost • Chelsea Grin • Boom Boom Satellites • Neomorph • Mike Dearborn • DJ Dan & Needle Damage • |
Some Other Artists on the Yo*Bro Recordings Label• C.P.+Company • DJ Dick • Beat In Time • Tom Tall • L.U.P.O. • Nexy Lanton • Kick Ass Project • Ingator • Visual Audio • Sons Of Soul • C.P & Company • C2C • Vox Mystica • EastBam • |
Information on the Techno Genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
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