Unit 93 - Trust No One - Bassic - Techno
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Price | £5.00 |
Track ListingA Trust No One (Full Length)B1 One More Story B2 Trust No One (Radio Edit) Media Condition » Very Good Plus (VG+) Sleeve Condition » Very Good Plus (VG+) |
Artist | Unit 93 | ||
Title | Trust No One | ||
Label | Bassic | ||
Catalogue | BASS 1T | ||
Format | Vinyl 12 Inch | ||
Released | 1990 | ||
Genre | Techno |
Other Titles by Unit 93
• Trust No One • Trust No One • Trust No One • Trust No One • Trust No One •
Some Other Artists in the Techno Genre• The Shamen • 808 State • DJ Dan • Eskimos & Egypt • The Prodigy • Luke Slater • Underworld • Slam • Dave Clarke • Jbs • The Chemical Brothers • Format • Ken Ishii • Sven Väth • Moby • WestBam • Stacey Pullen • Cristian Vogel • Subculture (4) • Dave Angel • Klubzone 1 • Beat In Time • Mark Summers • Kerosene • Ken Ishi • Panoptica • Bob Brown • Roel Butzen • Sound Exciters • Carl Cox • Dynamite • Tony Crooks • DJ Dan & Needle Damage • Groove Cyclone • Donato Capozzi • Chelsea Grin • Mike Dearborn • Lost • Irridium • Boom Boom Satellites • |
Some Other Artists on the Bassic Label• David Gordon • Juno • Ital Rockers • |
Information on the Techno Genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
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