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Lou Ann Barton - Old Enough - Asylum Records - Blues

Lou Ann Barton - Old Enough - Asylum Records - Blues
Price £8.00

Track Listing

A1 I\'m Old Enough (3:58)
A2 Brand New Lover (2:26)
A3 It\'s Raining (2:51)
A4 It Ain\'t Right (3:30)
A5 Finger Poppin\' Time (3:15)
B1 Stop These Teardrops (4:08)
B2 The Sudden Stop (3:33)
B3 The Doodle Song (2:51)
B4 Maybe (3:04)
B5 Every Day Of The Week (2:38)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Lou Ann Barton
Title Old Enough
Label Asylum Records
Catalogue E1-60032
Format Vinyl Album
Released 1982
Genre Blues

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Other Titles by Lou Ann Barton

Old Enough


Some Other Artists in the Blues Genre

Randy WestonLonnie MackBillie HolidayPete SeegerGary MoorePaul Roberts (4)Sonny Terry & Brownie McGheeWillie And The Poor BoysB.B. KingDanny O'KeefeEddie BoydCat IronDave Kelly (3)Bob DownesThe Robert Cray BandMighty Joe YoungAlbert Collins And The IcebreakersSister Rosetta Tharpe & The Gospel Tabernacle Choir And PlayersDoug MacLeodStevie Ray Vaughan & Double TroubleThe Milcho Leviev QuartetJuicy LucyJ.J. CaleJohn Lee HookerRobert Cray Band, TheLarry McCrayLittle MiltonJohnny MarsAlbert KingAnnette PeacockRobert CrayCreedence Clearwater RevivalThe Blues BrothersElmore JamesBuddy GuyBen E. KingChris ReaAlbert Collins & Robert Cray & Johnny CopelandBig Brother & The Holding Company

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Some Other Artists on the Asylum Records Label

Andrew GoldEaglesB. A. RobertsonCate BrothersJackson BrowneLinda Ronstadt & Nelson Riddle And His OrchestraLinda RonstadtTeddy PendergrassOrleansChris HillmanKaren AlexanderJohn Joseph HallLinda Ronstadt & Nelson Riddle OrchestraThe DictatorsLouise GoffinAlesha DixonJo Jo GunneTom WaitsRoy OrbisonLinda Ronstadt, Nelson Riddle And OrchestraCreed Joe WalshJohnny LeeCate Bros. BandJoni MitchellWarren ZevonHannibal LecterD4LGlenn FreyDJ Ironik

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Information on the Blues Genre

Blues is the name given to both a musical form and a music genre that originated in African-American communities of primarily the Deep South of the United States at the end of the 19th century from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues, and rock and roll, is characterized by specific chord progressions, of which the twelve-bar blues chord progression is the most common. The blue notes that, for expressive purposes are sung or played flattened or gradually bent (minor 3rd to major 3rd) in relation to the pitch of the major scale, are also an important part of the sound.

The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, Jump and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience. In the 1960s and 1970s, a hybrid form called blues-rock evolved.

The term "the blues" refers to the "blue devils", meaning melancholy and sadness; an early use of the term in this sense is found in George Colman's one-act farce Blue Devils (1798). Though the use of the phrase in African-American music may be older, it has been attested to since 1912, when Hart Wand's "Dallas Blues" became the first copyrighted blues composition. In lyrics the phrase is often used to describe a depressed mood.

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