Ralphi Rosario - Energy Factor V - Pitch - US Techno
 Sample
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Price | £9.00 |
Track ListingA1 Back To The Front (Harder Mix)B1 Theme From Miss M (Dub Version) B2 Back To The Front (Dub Beats) Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
| Artist | Ralphi Rosario | ||
| Title | Energy Factor V | ||
| Label | Pitch | ||
| Catalogue | PR 001 | ||
| Format | Vinyl 12 Inch | ||
| Released | 1996 | ||
| Genre | US Techno |
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Other Titles by Ralphi Rosario
• Strings Of Life / Funk It • 45 Miles Of Nerves • Strings Of Life / Funk It • An Instrumental Need / Flaco Ritmo • Brinca • Brinca • Da-Me-Lo (Remixes) • Energy Factor 7 • Energy Factor IV • Energy Factor V • Gotta New Love (Keep Pushin On) • I Want You • I Want You • In The Night • Rendition •
Some Other Artists in the US Techno Genre• Inner City • Paris Grey & Kevin Saunderson • Hard Hats • Rhythmatic • Model 500 • Reese Project, The • Sysex • Duane & Co. • One On One • JMD 2 • The Reese Project • DJ Dan • Macaluso • This Is War • Aphrohead • Needle Damage • Distorter • RYU • Dark Llama • Steve Stoll • Subsonic 808 • Reid • Mike Wade • Carl Craig • Status • Green Velvet • Trendroid • Mark The 909 King • Mateo Murphy • Blow Monkeys, The • Speedy J • Plutone • DJ Jes • Keoki • Endurance • MD Connection • Jahkey B • Rhythim is Rhythim • Orange, The • Winx • |
Some Other Artists on the Pitch Label• R Rosario pres Energy Factor • |
Information on the US Techno Genre
Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
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