Storm - The Art Of Sync (2 x 12 - Djax - US Techno
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Track ListingA1 HelicalA2 Lovely Things B1 Art Of Sync B2 Acid Base C Terra D1 Normalize D2 Uptown Express Media Condition » Very Good Plus (VG+) Sleeve Condition » Very Good Plus (VG+) |
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| Artist | Storm | ||
| Title | The Art Of Sync (2 x 12 | ||
| Label | Djax | ||
| Catalogue | DJAX-UP-202 | ||
| Format | Vinyl Double 12 Inch | ||
| Released | 1994 | ||
| Genre | US Techno |
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Other Titles by Storm
• Storm Animal (Promo One) • It's My House • It's My House / Sitting In The Bush • Love Is Here To Stay • Storm • Storm • Storm • Storm • Storm Animal • Storm Animal • Storm Animal • Storm Animal (Promo One) • Time To Burn • What Iz Houz Muzik • What Iz Houz Muzik •
Some Other Artists in the US Techno Genre• Inner City • Model 500 • Reese Project, The • Paris Grey & Kevin Saunderson • Sysex • One On One • Rhythmatic • Duane & Co. • Hard Hats • The Reese Project • Needle Damage • JMD 2 • This Is War • Aphrohead • Macaluso • DJ Dan • Mark The 909 King • Reid • Distorter • Endurance • Status • Steve Stoll • Subsonic 808 • Speedy J • Mike Wade • Mateo Murphy • Jahkey B • Green Velvet • MD Connection • Satoshi Tomiie • Dark Llama • DJ Jes • Blow Monkeys, The • Plutone • Rhythim is Rhythim • RYU • Keoki • Carl Craig • Winx • Markey • |
Some Other Artists on the Djax Label• Like A Tim • Bubbles • Claude Young • Eureeka • Grey Hawk • LA Williams • Morning Glory Seeds • Planet Gong • Rhythmic Riot • Steve Poindexter • |
Information on the US Techno Genre
Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
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