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4E - Don't F*ck With Nails - Force Inc - US Techno

4E - Don't F*ck With Nails - Force Inc - US Techno

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Track Listing

A1 Don't F*** With Nails
B1 Gangsta J.C.
B2 4E Speaking

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist 4E
Title Don't F*ck With Nails
Label Force Inc
Catalogue FIM 092
Format Vinyl 12 Inch
Released 1995
Genre US Techno

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Other Titles by 4E

4E 5 track EP (No Standing / A Shout)Don't Fuck With NailsDon't F*** With Nails


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Inner CityRhythmaticReese Project, TheModel 500One On OneParis Grey & Kevin SaundersonSysexHard HatsDuane & Co.Needle DamageDJ DanThis Is WarMacalusoJMD 2The Reese ProjectAphroheadMike WadeSteve Stollkinky brosMD ConnectionSpeedy JStatusGreen VelvetReidDistorterEnduranceMateo MurphyJahkey BMarkeySatoshi TomiieSubsonic 808Ralphi RosarioDJ JesWinxPositivityRYURhythim is RhythimKeokiBlow Monkeys, TheDark Llama

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Some Other Artists on the Force Inc Label

AbsoluteIan Pooley & JaguarKerosenekinky brosSubsonic 808Biochip CBizz ODblack oneDJ RushDj Tonka vs DeskeeExit 100ExosIan PooleyUltrahigh

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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