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Kelli Hand - K Hand - Horizon - Distance - US Techno

Kelli Hand - K Hand - Horizon - Distance - US Techno

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Price £6.00

Track Listing

horizon
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b2
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Media Condition » Very Good Plus (VG+)
Sleeve Condition » Not Graded
Artist Kelli Hand - K Hand
Title Horizon
Label Distance
Catalogue SUB 4836.6
Format Vinyl 12 Inch
Released
Genre US Techno

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Some Other Artists in the US Techno Genre

Inner CityReese Project, TheDuane & Co.SysexDJ DanHard HatsMacalusoModel 500One On OneThis Is WarThe Reese ProjectJMD 2Needle Damagekinky brosReidDistorterL.A. WilliamsWinxMike WadeCharm FarmSpeedy JReel By Real - Juan AtkinsSatoshi TomiieGearwhoreRhythim is RhythimStatusAir LiquideResponsible Space PlayboysCarl CraigD.I.M.KeokiMD ConnectionKagamiLeftfieldEcisterSteve StollMark The 909 KingJahkey BBlow Monkeys, TheMarkey

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Some Other Artists on the Distance Label

Kings Of TomorrowDanny RamplingBernard BadieVisual ToolsBypassLenny Fontana & The Exclusive ClubRichard Les CreesMikael DeltaLenny Fontana & Exclusive Club, The & Freddy TurnerJacob DesvarieuxJay-J & Spirits & Jo Jo HaileyLenny Fontana & Exclusive Club, TheBernard Badie & DJ MelDJB ProductionsCharm FarmKelli HandDJ MelShazzFreqHawkeGravity WheelDel VegasDeedrahGeminiSékouba BambinoRon Trent & African Blues & Morgana7th District Inc.Urban Sound Gallery & African BluesAfrican BluesTodd Gardner & Kimara LovelaceVieux CoursLouie Vega & Jay Lenny Fontana & Exclusive Club & Freddy TurnerKings Of Tomorrow & Julie McKnightDialectKevin YostThe Love ClubThe Exclusive Club (Lenny Fontana)Larry Heard - Mr FingersLarry Heard

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.