Inner City - Till We Meet Again (Remixes) - Ten Records Ltd - US Techno
Track ListingA Till We Meet Again (Reese In London Mix)
B1 Till We Meet Again (Reese In Detroit Mix)
B2 Till We Meet Again (Reese In Rio Mix)
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
|Title||Till We Meet Again (Remixes)|
|Label||Ten Records Ltd|
|Format||Vinyl 12 Inch|
Other Titles by Inner City
• Ain't Nobody Better • Whatcha Gonna Do With My Lovin' • Do You Love What You Feel? • Good Life (Buena Vida) • (That Man) He's All Mine • Ain't Nobody Better (Remixes) • Buena Vida - The First Part • Do Me Right • Do Me Right • Do Me Right • Do Ya • Do Ya (The 021 Versions) • Limited Edition • Swingin / Do Me Right • That Man (He's All Mine) •
Some Other Artists in the US Techno Genre• Moby • Model 500 • Sysex • Reese Project, The • Paris Grey & Kevin Saunderson • Needle Damage • RYU • Dave Clarke • Hard Hats • One On One • Rhythmatic • Macaluso • Playland • Mateo Murphy • Exit 100 • DJ Dan • Mario Più • Blow Monkeys, The • DJ Rush • Aphrohead • Markey • This Is War • Adam X • Keynotes • R+S Project • Leftfield • Tech-Master 3 • JMD 2 • Sharon Dee Clarke • cv313 • Satoshi Tomiie • Mike Wade • DJ Steve Lee • DJ Marcello & Derrick May • Sunrise Society • Twilight • BG Prince Of Rap • MD Connection • Speedy J • Slam •
Some Other Artists on the Ten Records Ltd Label• Soul II Soul • System 7 • QRZ? •
Information on the US Techno GenreTechno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.