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Mario Più - Noise Maker Volume 7 - Nukleuz - US Techno

Mario Più - Noise Maker Volume 7 - Nukleuz - US Techno
SALE Price £6.00 £3.00

Track Listing

A1 Techno Harmony (Mas Mix)
Remix - Mas
B1 Library (Library 2 Mix)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Mario Più
Title Noise Maker Volume 7
Label Nukleuz
Catalogue NUKP 0242
Format Vinyl 12 Inch
Released 2000
Genre US Techno

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Other Titles by Mario Più

Communication (Somebody Answer The Phone)Communication (Somebody Answer The Phone)Godskitchen: The New Wave Of Tough Italian HouseGreen Day E.P.RoraimaTechno HarmonyTechno HarmonyCommunicationCommunicationCommunication (Somebody Answer The Phone)Communication (Somebody Answer The Phone)Godskitchen: The New Wave Of Tough Italian House

Some Other Artists in the US Techno Genre

Inner CityModel 500SysexMobyNeedle DamageOne On OneRhythmaticRYUDave ClarkeHard HatsParis Grey & Kevin SaundersonReese Project, TheDJ RushSatoshi TomiieBlow Monkeys, TheAphroheadMike WadeAdam XLeftfieldTech-Master 3JMD 2cv313MacalusoSharon Dee ClarkeMateo MurphyDJ Marcello & Derrick MayDJ Steve LeeMarkeyThis Is WarSunrise SocietyTwilight BG Prince Of RapKeynotesR+S ProjectPlaylandDJ DanExit 100Gangsters Of TechnoS1000Keoki

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Some Other Artists on the Nukleuz Label

Lisa Pin-UpVinylgroover & The Red HedBKCRWCappellaMauro PicottoChampion BurnsTaikoBK & Nick SentienceVinylgroover&The Red HedMario Più & Mauro PicottoBob Burns JnrMegamindFergie & BKAndy FarleyPraga KhanDJ ProfessorUMM AllstarsNick Sentience & Harry DiamondDiamond GeezersNick RowlandNick SentienceMark RichardsonNexusElectro HeadzHarry Diamond & David Pannell & Ca-LoOrgan DonorsDarren StylesD'Marr FordCortinaPavo & ZanyRicky Effe & Gabry FasanoHardbeat & Lisa Pin-UpGee Moore & Es VedraHarry DiamondPPKDisaronno vs. DJ RickyBismarkTerry BonesMark Richardson & Nick Rowland & Dave Wright

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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