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Obsession - Suspicious Minds / I Want You Too Much - Almighty Records - Disco

Obsession - Suspicious Minds / I Want You Too Much - Almighty Records - Disco
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Track Listing

A Suspicious Minds (6:44)
B I Want You Too Much (5:03)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Obsession
Title Suspicious Minds / I Want You Too Much
Label Almighty Records
Catalogue ALMY 018 T
Format Vinyl 12 Inch
Released 1992
Genre Disco

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Other Titles by Obsession

If I Can't Have YouLove InsuranceCan You Feel ItI'm Alive b/w Love InsuranceIf I Can't Have You ('93 Remixes)InfatuationLove InsuranceMusicRiseSuspicious MindsSuspicious Minds / Always On My MindSuspicious Minds / Always On My MindSuspicious Minds / Always On My MindAnytimeGot That Feeling


Some Other Artists in the Disco Genre

Donna SummerBee GeesDiana RossRose RoyceEvelyn ThomasVillage PeoplePointer SistersDan HartmanAmii StewartKelly MarieD-TrainHazell DeanPhil Fearon & GalaxyKool & The GangSister SledgeMiquel BrownAnita WardImaginationGloria GaynorBoney M.HeatwaveThe Salsoul OrchestraThe Fatback BandShalamarCameoUnknown ArtistHot ChocolateLinxJaki GrahamPrincessEdwin StarrShakatakIrene CaraThree Degrees, TheGibson BrothersEnigmaThe Real ThingBoys Town GangSharon ReddCarol Jiani

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Some Other Artists on the Almighty Records Label

AbbacadabraNatalie BrowneWho's That Girl!RochelleSarah WashingtonDonna Summer & Giorgio MoroderKinky Boyz, The*RespectBack To BasicsLipstickDeja Vu & TasminDream Girls, TheSo EmotionalHannah JonesHannah & Her SistersBitter 'B' GirlsRespect & Hannah JonesLaura Blake & One VisionLimeDelicious Deja Vu Featuring TasminJayne MontgomeryEria FachinDestiny LoveSamantha GillesDeja Vu & TasminKinky BoyzEssex Girls, TheDeja Vu Laura BlakeKia & Kinky Boyz BiancaDonna SummerHarajukuDestination Linda TaylorAbbacadabra / Stars on 33Evelyn ThomasRoyal TNavigator

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Information on the Disco Genre

The disco sound, style and ethos has its roots in the late 1960s. New York City blacks, gays, heterosexuals, women and Hispanics adopted several traits from the hippies and psychedelia. They included overwhelming sound, free form dancing, "trippy" lighting, colorful costumes, and hallucinogens. Psychedelic soul groups like the Chambers Brothers and especially Sly and The Family Stone influenced proto-disco acts such as Isaac Hayes, Willie Hutch and the Philadelphia Sound discussed in the next paragraph. In addition the positivity, lack of irony and earnestness of the hippies informed proto-disco music like M.F.S.B.'s "Love Is the Message.

Philly and New York soul were evolutions of the Motown sound. The Philly Sound is typified by lavish percussion, which became a prominent part of mid-1970s disco songs. Early songs with disco elements include "Only the Strong Survive" (Jerry Butler, 1968), "Message to Love" (The Jimi Hendrix Experience, 1969), "Soul Makossa" (Manu Dibango, 1972) and "The Love I Lost" (Harold Melvin & The Blue Notes, 1973).

The early disco sound was largely an urban American phenomenon with producers and labels such as SalSoul Records (Ken, Joe and Stanley Cayre), Westend Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter) to name a few. They inspired and influenced such prolific European dance-track producers as Giorgio Moroder and Jean-Marc Cerrone. Moroder was the Italian producer, keyboardist, and composer who produced many songs of the singer Donna Summer. These included the 1975 hit "Love to Love You Baby", a 17-minute-long song with "shimmering sound and sensual attitude". Allmusic.com calls Moroder "one of the principal architects of the disco sound".

The disco sound was also shaped by Tom Moulton who wanted to extend the enjoyment of the music — thus single-handedly creating the "Remix" which has influenced many other latter genres such as techno, and pop. DJs and remixers would often remix (i.e., re-edit) existing songs using reel-to-reel tape machines. Their remixed versions would add in percussion breaks, new sections, and new sounds. Influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Tom Moulton, Nicky Siano, Shep Pettibone, the legendary and much-sought-after Larry Levan, Walter Gibbons, and later, New York–born Chicago "Godfather of House" Frankie Knuckles.

Disco was also shaped by nightclub DJs such as Francis Grasso, who used multiple record players to seamlessly mix tracks from genres such as soul, funk and pop music at discothèques, and was the forerunner to later styles such as house. Women also played important roles at the turntable. Karen Cook, the first female disco DJ in the United States, spun the vinyl hits from 1974 – 1977 at 'Elan, Houston, TX, and also programmed music for clubs throughout the US that were owned by McFaddin Ventures.

Data from the Discogs music database. Submit a Release.