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Touché - Dizzy Spell / Black Light - Heat Recordings - Big Beat

Touché - Dizzy Spell / Black Light - Heat Recordings - Big Beat
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Track Listing

A1 Dizzy Spell
B1 Black Light


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Touché
Title Dizzy Spell / Black Light
Label Heat Recordings
Catalogue HEAT 034
Format Vinyl 12 Inch
Released 2002
Genre Big Beat

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Other Titles by Touché

Gimme My MoneyTemperTouché Live At DJ Magazine's Top 100 DJs Party 2004


Some Other Artists in the Big Beat Genre

Lo-Fidelity AllstarsFatboy SlimCut La RocJungle BrothersDirty BeatniksMonkey MafiaSparky LightbourneFuzz TownshendLionrockE-KlektikMissy Elliott & LudacrisApollo 440Bentley Rhythm AceStrike Boys (The)Freak PowerPorn KingsAgent ProvocateurThree Amigos, TheDeath In VegasSpace RaidersMissy ElliottApollo Four FortyDelakotaBedlam Ago GoA Very Good Friend Of Mine & JoyThe Chemical BrothersPeliroccoEl DestructoMighty Dub KatzFuselageIt SpyDr. BonePeplabNorman CookDog NaemNu GenerationThe WiseguysStereo MC'sSupercharger

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Some Other Artists on the Heat Recordings Label

Robbie Rivera & Invasion Raven MaizeBrittanyBlue Max*PrimaDivine InspirationJumpMoonmanMoonchildBlue Max N'n'G & KallaghanAshramBlue MaxxMother's PrideBlue StarBump & Flex & KallaghanDiscotec'sTHKSpiritual Masters & MoshtariDiscotecsPrima & Tracy Anne LynchBump&FlexMother's PrideJump / Moonman / Fuegofunkatarium 96Bump & FlexNatural Born Grooves

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Information on the Big Beat Genre

Big beat is a term employed since the mid 1990s by the British music press to describe much of the music by artists such as The Prodigy, Fatboy Slim, The Chemical Brothers, The Crystal Method, and Propellerheads, typically driven by heavy breakbeats and synthesizer-generated loops and patterns in common with established forms of electronic dance music such as techno and acid house.

ig Beat tends to feature distorted, compressed breakbeats at moderate tempos (usually between 120 to 140 beats per minute), acid house style synthesizer lines and heavy loops from 60s and 70s funk, jazz, rock and pop songs. They are often punctuated with punk-style vocals and driven by intense, distorted basslines with conventional pop and techno song structures. Big beat tracks have a sound that include: crescendos, builds, drops, dramatic sound effects such as explosions or sirens and extended drum rolls. As with several other dance genres at the time the use of effects such as cut-off, phasing and flanging was commonplace.

Big Beat is also characterized by a strong psychedelic influence comparable to a wide range of artists from Serge Gainsbourg and Jean-Jacques Perrey to The Beatles and Led Zeppelin to Funkadelic and the Acid House movement of the late 1980s. Celebrated instigators of the genre such as Fatboy Slim tend to feature heavily compressed loud breakbeats in their tracks which are used to define the music as much as any melodic hooks and sampled sounds. Based on the primary use of loud, heavy breakbeats and basslines, Big Beat shares attributes with Jungle and Drum & Bass but it has a significantly slower tempo.

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