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Winx - Brighter Side Of Life - Dance Street Records - US Techno

Winx - Brighter Side Of Life - Dance Street Records - US Techno
Price £6.00

Track Listing

1 Brighter Side Of Life (Club Mix) (3:22)
2 Brighter Side Of Life (Radio Mix) (4:45)
3 Brighter Side Of Life (Fiction Mix) (5:55)
4 Brighter Side Of Life (Winx Loop) (1:45)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Winx
Title Brighter Side Of Life
Label Dance Street Records
Catalogue DST 1259-8
Format CD Single
Released 1994
Genre US Techno

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Other Titles by Winx

Hows The Music DOUBLEHypnotizin'I'm Ready RemixesYou Are The One


Some Other Artists in the US Techno Genre

Inner CityDuane & Co.SysexReese Project, TheJMD 2DJ DanModel 500MacalusoThe Reese ProjectNeedle DamageOne On OneThis Is WarHard HatsKelli Hand - K HandGearwhoreMD ConnectionBlow Monkeys, TheL.A. WilliamsDistorterReel By Real - Juan AtkinsReidSatoshi TomiieMark The 909 KingMarkeySpeedy JAir LiquideResponsible Space PlayboysCarl CraigD.I.M.Mike WadeJahkey BKagamiRhythim is RhythimLeftfieldEcisterSubsonic 808Statuskinky brosCharm FarmEndurance

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Some Other Artists on the Dance Street Records Label

Rhonda & Physical MotionLoleatta HollowayDeejays UnitedQuenchDoop2 RuffTwo CultureDaisy DeeMugatoPaperclip PeopleNightwalkersPendulumH2O & BillieMessengersFirst Choice & Rochelle FlemingRed 5Bass BumpersOttomix

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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