Various - Equinox Chapter One - Retroactive - Detroit Techno
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Track ListingA1 Underground Resistance The TheoryA2 Urban Tribe Covert Action A3 BFC Please Stand By B1 Carl Craig Wrap Me In Its Arms B2 Sarah Gregory As Time Goes By (Sitting Under A Tree) superb condition Media Condition » Near Mint (NM or M-) Sleeve Condition » Generic |
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| Artist | Various | ||
| Title | Equinox Chapter One | ||
| Label | Retroactive | ||
| Catalogue | CAD 004 | ||
| Format | Vinyl 12 Inch | ||
| Released | 1991 | ||
| Genre | Detroit Techno |
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Other Titles by Various
• True Faith The First Phase • Lazy DJs • Fierce Dance Cuts No. 1 • Regrooves Volume Two • Serious Beats 1 • Vox Populi: First Choice Sampler 1993 Volume 1 • Betta Breaks & Beats Volume 1 • Chicago Kings And Queens Of House • Different Worlds EP • Discotheque E.P. • March 88 Previews • Soul Daze • The Guitar Dance EP • The House Sound Of Chicago - Megamix Vol. 2 - House Strikes Again • There's A Movement Underground •
Some Other Artists in the Detroit Techno Genre• Underground Resistance • Suburban Knight • Random Noise Generation • Theo Parrish • Steve Poindexter • Bottom Feeders, The • Inner City • Phase90 • 69 • Model 500 • DJ Rolando • Rhythim Is Rhythim • Fascinating Rhythm • Fade To Black • 2 The Hard Way • Open House & Placid Angles • Nomadico • Tres Demented • Robert Hood • Paris • Bileebob • EMB • Bang The Party • Flexitone • Omar-S • Plural (3) • Klout • Aux 88 • Jeff Mills • Bango • Bridgett Grace • Calloway • Circuit Breaker • Couzens • Dean & Deluca • Rhythim Is Rhythim & Derrick May & Mayday • Kenny Larkin • Innerzone Orchestra • H & M • Global Electronic Network • |
Some Other Artists on the Retroactive Label• Open House & Placid Angles • |
Information on the Detroit Techno Genre
Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).
The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete mistake...like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.
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