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Loose Ends - Don't Be A Fool - Ten Records Ltd. (10 Records) - Down Tempo

Loose Ends - Don't Be A Fool - Ten Records Ltd. (10 Records) - Down Tempo
SALE Price £6.00 £3.00

Track Listing

A Don't Be A Fool (Extended Version) (5:48)
B1 Don't Be A Fool (Instrumental) (4:27)
B2 Let's Wax A Fatty (4:10)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Loose Ends
Title Don't Be A Fool
Label Ten Records Ltd. (10 Records)
Catalogue TENX 312
Format Vinyl 12 Inch
Released 1990
Genre Down Tempo

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Other Titles by Loose Ends

Choose Me (Rescue Me)Love's Got Me (Remixes)Ooh, You Make Me FeelCheap TalkCheap TalkChoose Me (Rescue Me)Don't Be A FoolDon't Be A FoolEmergency (Dial 999)Golden Years (Remix)Golden Years (Remix)Hangin' On A String (Contemplating) (Extended Dance Mix)Love's Got MeLove's Got Me (Remixes)Love's Got Me (Remixes)

Some Other Artists in the Down Tempo Genre

L.A. MixBeats InternationalSoul II SoulDavid HolmesPauline HenryInnocenceBarbra StreisandLisa StansfieldPhil CollinsElton JohnZoë BirkettRuby TurnerDiana Brown&Barrie K SharpeZoëCarly SimonGary Clail&On-U Sound SystemSimon ClimieEFUAOran 'Juice' JonesBeatsystemEngelbert HumperdinckOleta Adams1 WorldHowie B.Cool Down ZoneTanita TikaramAloof, TheSealEternityJohn Lennon & Yoko Ono Paul YoungNTGlamorous HooliganColdcutBomb The BassAndy WilliamsPasadenas, TheBarry ManilowSydney YoungbloodMaxi Priest

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Some Other Artists on the Ten Records Ltd. (10 Records) Label

Inner CitySoul II SoulUnique 3Working WeekKicking Back & TaxmanMaxi PriestJoey NegroMac ThornhillCool Down ZoneBe BigMantronixBlowJay Mondi&The Livin' BassWop Bop TorledoB.E.F.* Featuring Lalah Hathaway52nd StreetFresh 4 & Sister RedzSpiderRedhead Kingpin And The FBITemper TemperSasssJack 'N' ChillRhythm ReignJunior TuckerXavierDejaSweet MercyBasscutOlu RoweBurrellBas NoirSmith* & Jones*System 7One On OneFresh 4Jermaine StewartBraund ReynoldsCactus RainBurnellBritish Electric Foundation & Lalah Hathaway

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Information on the Down Tempo Genre

Downtempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.

The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.

In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.

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