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In Effect & Dougal&Gammer - Take Me On Up / Innocent Blood - Hecttech - Happy Hardcore

In Effect & Dougal&Gammer - Take Me On Up / Innocent Blood - Hecttech - Happy Hardcore
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Track Listing

A In Effect & Dougal&Gammer Take Me On Up
B In Effect Innocent Blood


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist In Effect & Dougal&Gammer
Title Take Me On Up / Innocent Blood
Label Hecttech
Catalogue H-TEC 032
Format Vinyl 12 Inch
Released 2004
Genre Happy Hardcore

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Some Other Artists in the Happy Hardcore Genre

DJ ErrorImperial Forces featuring KristyImperial ForcesEye On Life & DJ DreamSean Apollo & DMOSharkeySpinback&StormDJ WeaverSoundscape & Clare Dangerfield2 Damn TuffJuicy CutsBrisk & MC StormDJ's UnitedForce&RitmenDJ Fracus&Gavin GSimon Apex & Orion & Charlie JupiterHaze & GeminiQ-TexOutsidaz & Darkus & TensionScott MajestikUnknown ArtistBlu PeterRampage & RevolutionDJ Frantic & Impact&ResistGammerThe Head HunterzStormtrooperStabilizedEtienne Picard & CLSMDan Devotion & ExertCoalessenceDJ Weaver & DMODJ Impact & Suae & MDA&Spherical & DJ GRHFireflyDJ WylieFrisky&HujibRobbie Long&CoyoteScreemDJ Impact & Tazz & Digital AnarchyDJ Seduction

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Some Other Artists on the Hecttech Label

Robbie Long&CoyoteFuture Vinyl CollectiveSharkey&K-KomplexGo MentalHixxy & SharkeyMenace & USDVinylgroover Sharkey & Dee

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Information on the Happy Hardcore Genre

Happy hardcore is a genre of music typified by a very fast tempo (usually around 160–180 BPM), often coupled with solo vocals and sentimental lyrics. Its characteristically 4/4 beat "happy" sound distinguishes it from most other forms of breakbeat hardcore, which tend to be "darker". In its original incarnation, it was often characterized by piano riffs, synthetic stabs and spacey effects. This genre of music is closely related to the typically Dutch genre of Gabber. Happy hardcore evolved from rave music around 1991–1993, as the original house music-based rave became faster and began to include breakbeats, evolving into breakbeat hardcore.

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