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New Fast Automatic Daffodils - The Peel Sessions - Strange Fruit - Indie

New Fast Automatic Daffodils - The Peel Sessions - Strange Fruit - Indie
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Track Listing

A1 Purple Haze
A2 Man without Qualities II
A3 Jaggerbog
A4 Big (Instrumental)
B1 Get Better
B2 Part 4
B3 Man without Qualities One


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist New Fast Automatic Daffodils
Title The Peel Sessions
Label Strange Fruit
Catalogue SFPMA 209
Format Vinyl Album
Released 1991
Genre Indie

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Other Titles by New Fast Automatic Daffodils

Music Is Shit EPGet BetterPigeonholeStockholm


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The FarmThousand Yard StareBedazzledCarter The Unstoppable Sex MachineWonder Stuff, TheThe Soup DragonsNed's Atomic DustbinFive ThirtyOasisJesus JonesCUDLivingstoneSenseless ThingsTerrorvisionBlurThe Wonder StuffInspiral CarpetsBirdlandFaith BrothersThe MissionThe HousemartinsHis Latest FlameSoup Dragons, TheIan BrownNatural LifeSugarcubes, TheRadioheadDaytona FishmonkeymanEatCurveViolets, TheTest IciclesMorrisseyMagic Numbers, TheLevitation Pop Will Eat ItselfSnow PatrolGay DadPusherman

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Some Other Artists on the Strange Fruit Label

Directional Force & Dave ClarkeThe Blue AeroplanesNew OrderJoy DivisionA Guy Called GeraldChameleons, TheOrb, TheDirectional ForceThat Petrol EmotionInspiral CarpetsThe Orb

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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