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Chez Damier - Can You Feel It (Remix) - Discfunction - US Techno

Chez Damier - Can You Feel It (Remix) - Discfunction - US Techno
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Track Listing

A Can You Feel It (Disco Central Version)
B1 Can You Feel It (Can Can Dub)
B2 Can You Feel It (Original 2.5 Step Mix)


Media Condition » Mint (M)
Sleeve Condition » Generic
Artist Chez Damier
Title Can You Feel It (Remix)
Label Discfunction
Catalogue DIS009
Format Vinyl 12 Inch
Released 1999
Genre US Techno

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Other Titles by Chez Damier

Can You Feel ItCan You Feel ItCloseCloseCloseI Never Knew LoveI Never Knew LoveI Never Knew Love - repress


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Inner CityReese Project, TheDuane & Co.SysexHard HatsThis Is WarDJ DanOne On OneModel 500Needle DamageMacalusoThe Reese ProjectJMD 2Kelli Hand - K HandWinxResponsible Space PlayboysDistorterKagamiBlow Monkeys, TheMD ConnectionGearwhoreReel By Real - Juan AtkinsSatoshi TomiieMark The 909 KingRhythim is RhythimSpeedy JAir LiquideLeftfieldCarl CraigMike WadeJahkey BEcisterD.I.M.L.A. WilliamsReidSubsonic 808Statuskinky brosCharm FarmEndurance

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ShrinkwrapAkwaabaAddvibeOlav Brekke MathisenServiceBam Bam, Idjut Boys & LajOlav Brekke Mathisen & Sideshow JøggeRhythm Doctor & Cassio WareCrue-L Grand OrchestraTackleheidLinus Loves

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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