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Freq - Xirtam 2 - Distance - US Techno

Freq - Xirtam 2 - Distance - US Techno
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Track Listing

A Xirtam 2 (Kenny Larkin Remix) (8:21)
B Xirtam 2 (Psykofuk Mix) (9:06)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Freq
Title Xirtam 2
Label Distance
Catalogue Di0607
Format Vinyl 12 Inch
Released 1997
Genre US Techno

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Some Other Artists in the US Techno Genre

Inner CityModel 500Reese Project, TheParis Grey & Kevin SaundersonSysexOne On OneRhythmaticDuane & Co.Hard HatsThe Reese ProjectNeedle DamageJMD 2This Is WarAphroheadMacalusoDJ DanMark The 909 KingReidDistorterEnduranceStatusSteve StollSubsonic 808Speedy JMike WadeMateo MurphyJahkey BGreen VelvetMD ConnectionSatoshi TomiieDark LlamaDJ JesBlow Monkeys, ThePositivityRhythim is RhythimRYUKeokiCarl CraigWinxMarkey

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Some Other Artists on the Distance Label

Kings Of TomorrowDanny RamplingBernard BadieVisual ToolsBypassLenny Fontana & The Exclusive ClubRichard Les CreesMikael DeltaLenny Fontana & Exclusive Club, The & Freddy TurnerJacob DesvarieuxJay-J & Spirits & Jo Jo HaileyLenny Fontana & Exclusive Club, TheLenny Fontana & Exclusive Club & Freddy TurnerBernard Badie & DJ MelDJB ProductionsCharm FarmDel Vegas & Odrey TeamhouseKelli Hand - K HandDJ MelTodd Gardner & Kimara LovelaceHawkeDeedrahGravity WheelDel VegasGenetik SystemSékouba BambinoRon Trent & African Blues & Morgana7th District Inc.Urban Sound Gallery & African BluesShazzAfrican BluesVieux CoursLouie Vega & Jay Kings Of Tomorrow & Julie McKnightDialectKevin YostThe Love ClubThe Exclusive Club (Lenny Fontana)Larry Heard - Mr FingersLarry Heard

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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