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Model 500 - Be Brave (Remixes) - R & S Records - US Techno

Model 500 - Be Brave (Remixes) - R & S Records - US Techno
Out of Stock

Track Listing

A Be Brave (Main Vox Mix) (9:20)
B Be Brave (I Think So Mix) (5:33)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Model 500
Title Be Brave (Remixes)
Label R & S Records
Catalogue RS 98135 X PROMO
Format Vinyl 12 Inch
Released 1998
Genre US Techno

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Other Titles by Model 500

Be Brave 12inch/01No UFO'sThe Flow Remixes Vol. IThe True Techno EPBe Brave 12inch/02Flow Remixes Vol 1I Wanna Be ThereInterference / ElectronicOcean To OceanOcean To Ocean Ocean To Ocean Ocean To OceanOcean To Ocean - generic sleeveOcean To Ocean - ONE SIDED RELEASEOcean To Ocean Reissue


Some Other Artists in the US Techno Genre

Inner CityParis Grey & Kevin SaundersonHard HatsRhythmaticOne On OneReese Project, TheSysexDuane & Co.JMD 2The Reese ProjectDJ DanMacalusoThis Is WarAphroheadNeedle DamageDistorterRYUMarkeySteve StollSubsonic 808ReidMike WadeCarl CraigStatusGreen VelvetTrendroidMark The 909 KingMateo MurphyBlow Monkeys, TheCharm FarmPositivityDJ JesKeokiEnduranceMD ConnectionJahkey BRhythim is RhythimPlutoneWinxDark Llama

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Some Other Artists on the R & S Records Label

JaydeeLemon DWord UpBoom Boom SatellitesTommy GeeEbizooKen IshiiShanksSpiritual CombatAvenue AThursday ClubCapricornRadical RobDons Of QuixoteCircular SunburstSecond Storey & AppleblimPraga KhanSpeed JackArmitage ShanksMescalinum UnitedJoey BeltramMental OverdrivePsycho DrumsDigital VampSource Experience, TheFredAphex TwinBrainstormSpace OperaHellFuture/Past & BalilAir FrogJosh WinkPulseWax DoctorSpace TraxProgram 2 BeltramTuneLocustThomas Fehlmann

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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