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Norman Cook - Won't Talk About It / Blame It On The Bassline - Go! Discs - Down Tempo

Norman Cook - Won't Talk About It / Blame It On The Bassline - Go! Discs - Down Tempo
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Track Listing

A1 Won't Talk About It
A2 Blame It On The Bonus Beats
AA1 Blame It On The Bassline (Remix)
AA2 Blame It On The Bassline (Dub Remix)


Media Condition » Mint (M)
Sleeve Condition » Near Mint (NM or M-)
Artist Norman Cook
Title Won't Talk About It / Blame It On The Bassline
Label Go! Discs
Catalogue GODXR 33
Format Vinyl 12 Inch
Released 1989
Genre Down Tempo

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Other Titles by Norman Cook

Blame It On The BasslineFor Spacious LiesFor Spacious LiesWon't Talk About It / Blame It On The BasslineWon't Talk About It / Blame It On The BasslineWon't Talk About It / Blame It On The BasslineBlame It On The BasslineBlame It On The Bassline RemixFor Spacious LiesWon't Talk About It / Blame It On The Bassline


Some Other Artists in the Down Tempo Genre

Barbra StreisandL.A. MixAlison MoyetJennifer RushBeats InternationalSoul II SoulPaul YoungPauline HenryLisa StansfieldDavid HolmesRandy CrawfordEverything But The GirlPhyllis NelsonRuby TurnerOran 'Juice' JonesSimon ClimieSimply RedCarly SimonZoë BirkettZoëBeatsystemEFUAAndy WilliamsBarry ManilowPhil CollinsHowie B.Elton JohnEngelbert HumperdinckAloof, The1 WorldNTEternityDes'reeMaureen WalshSydney YoungbloodInnocenceOleta AdamsBerlinGary Clail&On-U Sound SystemBy All Means

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Some Other Artists on the Go! Discs Label

Beats InternationalDelta House Of FunkThe HousemartinsLisa MoorishDavid HolmesSister Bliss & ColetteSister BlissSheer BronzeThe Beautiful SouthBeautiful South, TheGabrielleBilly BraggPharcyde, TheA Thousand Miles Of SunshineJenny JonesPaul WellerBoothill Foot TappersApollo LandingFather FatherThe La'sThe Trash Can SinatrasJune Miles-KingstonGlowormAdventures Of Daniel Lite, TheDeep Freeze ProductionsPortisheadHousemartins, TheLa's, TheDeep Freeze Productions & Janet KayJason Joy

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Information on the Down Tempo Genre

Downtempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.

The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.

In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.

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