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Suede - Suede - Nude Records - Indie

Suede - Suede - Nude Records - Indie
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Track Listing

A1 So Young
A2 Animal Nitrate
A3 She's Not Dead
A4 Moving
A5 Pantomime Horse
B1 The Drowners
B2 Sleeping Pills
B3 Breakdown
B4 Metal Mickey
B5 Animal Lover
B6 The Next Life


Media Condition » Mint (M)
Sleeve Condition » Near Mint (NM or M-)
Artist Suede
Title Suede
Label Nude Records
Catalogue NUD 473735 1
Format Vinyl Album
Released 1993
Genre Indie

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Other Titles by Suede

Everything Will FlowEverything Will Flow


Some Other Artists in the Indie Genre

The FarmThousand Yard StareBedazzledCarter The Unstoppable Sex MachineWonder Stuff, TheThe Soup DragonsJesus JonesCUDNed's Atomic DustbinFive ThirtyOasisTerrorvisionSenseless ThingsLivingstoneThe Darling BudsThe MissionBlurThe HousemartinsSugarcubes, TheThe Wonder StuffInspiral CarpetsBirdlandHis Latest FlameNirvanaSoup Dragons, TheFaith BrothersIan BrownTimbuk 3Natural LifeMorrisseyEatPop Will Eat ItselfRadioheadTest IciclesHappy MondaysMagic Numbers, TheSnow PatrolViolets, TheLevitation Daytona

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Some Other Artists on the Nude Records Label

GlossGenevaSharkboyUltrasound Latitude

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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