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Felix Da Housecat - Metropolis Present Day? Thee Remixes Part I: - Radikal Fear - US Techno

Felix Da Housecat - Metropolis Present Day? Thee Remixes Part I:  - Radikal Fear - US Techno
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Track Listing

A Metropolis (Radikal Victory Mix) (10:43)
B1 Metropolis (Android vs. Earthling Mix) (13:47)
B2 Metropolis (M Plant First Decision Mix) (5:57)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Felix Da Housecat
Title Metropolis Present Day? Thee Remixes Part I:
Label Radikal Fear
Catalogue FEAR 010
Format Vinyl 12 Inch
Released 1995
Genre US Techno

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Other Titles by Felix Da Housecat

HarlotNu - World !Rocket RideRocket RideThee?Kittenz and Thee Glitz (Sampler)Metropolis Present Day ? Thee Remixes Part II: SubmarineSilver Screen Shower SceneSilver Screen Shower SceneSilver Screen Shower SceneSilver Screen Shower SceneSilver Screen Shower Scene (Remixes)The Remains Of The Conspiracy E.P.Thee DawnThee Dawn


Some Other Artists in the US Techno Genre

Inner CityMobyRYUDave ClarkeMike WadeNeedle DamageOne On OneModel 500RhythmaticSysexReese Project, TheHard HatsParis Grey & Kevin SaundersonThis Is WarR+S ProjectSatoshi TomiieThe Reese ProjectAphroheadLeftfieldTech-Master 3JMD 2MacalusoPlaylandcv313Mateo MurphyExit 100DJ DanBlow Monkeys, TheDJ Marcello & Derrick MayMarkeyMuratPulseDavid Hollands & LinusDistorterGearwhoreKeynotesReel By Real - Juan AtkinsSubsonic 808Random AccessNorthern Lights

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Some Other Artists on the Radikal Fear Label

DJ AttikAura And Thee DoveMarkeyOuterealmMD ConnectionWeed PeopleThee DawnsmenKelli HandProffessor Traxx & Weed PeopleDJ SneakFade 2 Tha PhutureJohnny FiascoK-AlexiArmando

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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