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Four Tet - Pause - Domino Recording Company Ltd. - Leftfield

Four Tet - Pause - Domino Recording Company Ltd. - Leftfield
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Track Listing

A1 Glue Of The World
A2 Twenty Three
A3 Harmony One
A4 Parks
A5 Leila Came Round And We Watched A Video
A6 Untangle
B1 Everything Is Alright
B2 No More Mosquitoes
B3 Tangle
B4 You Could Ruin My Day
B5 Hilarious Movie Of The 90's


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Four Tet
Title Pause
Label Domino Recording Company Ltd.
Catalogue WIGLP 94
Format Vinyl Album
Released 2001
Genre Leftfield

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Other Titles by Four Tet

A JoyDJ-KicksPockets


Some Other Artists in the Leftfield Genre

EspirituThe Art Of NoiseThe Art Of Noise & Duane EddyDavid HolmesParchmanHoodwinkHanson & DavisScritti PolittiAnnieShriekbackMerz808 StateJerry Harrison: Casual GodsWas (Not Was)ZongaminMarshall's Party & Killer TNada System VertigoVictor DaviesAlpinestarsHurricane #1FashionJhanaTexasPigbagStrokeFjordfunkBelouis SomeQuantum JumpBadly Drawn BoyCapsuleSandalsJay StrongmanElixirFila BrazilliaCherrystonesBig Audio DynamiteLittle CreaturesArmoury Show, TheMiyazawa

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Some Other Artists on the Domino Recording Company Ltd. Label

Midnight Funk AssociationFranz FerdinandFour Tet & Sa-Ra Creative PartnersVon Südenfed

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Information on the Leftfield Genre

Leftfield encompasses the range of music that doesn't fit neatly into any one genre within electronica; some styles are as out-there as the term implies. Often heard in open-minded chill-out rooms, basements of hip London pubs or in the bedrooms of art students in New York, styles such as Illbient, Bleep and Minimal/Glitch are the most texturally stimulating, self-absorbed styles of electronica. Intelligent (IDM) is a broad classification of post-rave sounds sculpted from the inspired imaginations of such innovators as Aphex Twin, Autechre and DJ Spooky. Startling rhythms incorporating contemplative combinations of unrelated genres react against established dancefloor rules, favouring individualism over conformity.

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