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Smiley Culture - Cockney Translation - Fashion Records - Dub

Smiley Culture - Cockney Translation - Fashion Records - Dub
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Track Listing

A Cockney Translation
B Slam Bam


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Smiley Culture
Title Cockney Translation
Label Fashion Records
Catalogue FAD 020
Format Vinyl 12 Inch
Released 1984
Genre Dub

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Other Titles by Smiley Culture

Can't Stop The RainPolice OfficerPolice OfficerPolice OfficerCockney Translation / Entertainer EntertainerPolice OfficerPolice OfficerPolice Officer


Some Other Artists in the Dub Genre

Sly & RobbieStock, Aitken & WatermanUnique 3Gary Clail & On-U Sound SystemMonyakaConcrete NationOui 3Majestic 12ImaginationMovement 98CashmereBad Street BoyThe Whitfield ExpressLazyboyFaze ActionButch Cassidy Sound System, TheZeke ManyikaBomb The Bass & CarltonSpeeThe Moody BoysCarey JohnsonI-ShensoundSystem 7Intelligent HoodlumSmith & MightyDubversiveWalkner.MöstlOosh Transglobal UndergroundLarry PeeThe ConceptT.C. CurtisBorder CrossingPlatinum Radics & Governor TiggyPeace OrchestraBitty McleanPeaking LightsG-Flex & The BanditThe Art Of NoiseDJ Shadow

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Some Other Artists on the Fashion Records Label

Nerious Joseph & Tenor FlyTop CatGeneral LevyTenor Fly / Nerious JosephSmiley Culture & Reprobates, ThePapa San & Tippa Irie

More from Fashion Records >>

Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.