Goat Dance - Sizzle - Bear Entertainment - Dub
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Out of Stock |
Track ListingA SizzleB1 High Voltage B2 Zap Pow Media Condition » Mint (M) Sleeve Condition » Near Mint (NM or M-) |
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| Artist | Goat Dance | ||
| Title | Sizzle | ||
| Label | Bear Entertainment | ||
| Catalogue | be011 | ||
| Format | Vinyl 12 Inch | ||
| Released | 2006 | ||
| Genre | Dub |
Other Titles by Goat Dance
• In The System •
Some Other Artists in the Dub Genre• Tackhead • Gary Clail & On-U Sound System • Beats International • Sugar Bullet • Monyaka • Border Crossing • Stock, Aitken & Waterman • Majestic 12 • Movement 98 • Zeke Manyika • F.A.B. • Oui 3 • Concrete Nation • Platinum Radics & Governor Tiggy • System 7 • Lazyboy • Home T & Cocoa Tea & Shabba Ranks • Unitone Rockers & Black Steel • Cashmere • Bad Street Boy • Peace Orchestra • Faze Action • New Kingdom • Larry Pee • Red Dragon • Sly & Robbie • International Pony & Stepchild • Raz Ohara • DJ Shadow • The Concept • Yosser's Gang • Markus Kienzl • Richard Lugo • Transglobal Underground • Oosh • Terranova • Cheshire Cat • Carey Johnson • Bomb The Bass & Carlton • The Dread Flimstone Sound • |
Some Other Artists on the Bear Entertainment Label• Diaphanoids, The • Mudd • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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