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  Artist Title Label Price

Perplexer

Format: Vinyl 12 Inch
Genre: Acid House

Acid Folk

A1 Acid Folk (Low Speed Mix)
A2 Acid Folk (House Remix)
B1 Acid Folk (Vocal Mix)
B2 Acid Folk (DJ Tom & Norman Remix)

Deutsch Englische Freundschaft

Cat No: EEF100
Released: 1994

£5.00

Coldcut

Format: Vinyl 12 Inch
Genre: Acid House

Doctorin The House

A Doctorin' The House (Vocal)
AA Doctorin' The House (Speng)

Ahead Of Our Time

Cat No: CCUT 2
Released: 1988

£7.50

Various

Format: Vinyl Compilation
Genre: Acid House

Obsessive House Culture - Compilation Vol. 2

A1 Journeys In Dance Give You My Love 94
A2 Directions (2) Right Now
A3 Naughty But Nice Release Your Mind
A4 Obsession (2) Can't Get Enough
A5 Wayward Justice Rock Ya
B1 Globe (4) Oasis
B2 System 2 Trancefusion
B3 Hypnotwist Hypno Rhythms
B4 Outlawed Feel The Beat
B5 Diablo On

Obsessive Records

Cat No: OBR LP 002
Released: 1994

£23.00

Coldcut

Format: Vinyl 12 Inch
Genre: Acid House

Doctorin\' The House

A Doctorin\\\' The House (Vocal)
AA Doctorin\\\' The House (Speng)

Ahead Of Our Time

Cat No: CCUT 2
Released: 1988

£4.00

The Dynamic Guv'nors

Format: Vinyl 12 Inch
Genre: Acid House

Rock The Discotheques

A1 Rock The Discotheques
A2 Rock The Discotheques (Funky Dope Scratchapella)
B1 Acid Jackson (Let's Go)
B2 Bonus Acid Breather (Obscene Phone Caller Mixx)

Blapps! Records

Cat No: SEX 069
Released: 1988

£5.00

Various

Format: Vinyl Album
Genre: Acid House

The Greatest Hits Of House

U.K. House
A1 Yazz Stand Up For Your Love Rights (She's Crazy Remix) (4:53)
A2 The Beatmasters Burn It Up (Acid Mix) (4:07)
A3 S'Express Theme From S-Express (3:51)
A4 L.A. Mix Check This Out (3:31)
A5 Bomb The Bass Don't Make Me Wait (12" Version) (2:46)
A6 Hithouse Jack To The Sound Of The Underground (3:18)
A7 Coldcut Work Me Trak (2:30)
A8 Humanoid Stakker Humanoid (3:38)
S.O.U.L. (The Sound Of Underground London)
B1 This Ain't Chicago Ride The Rhythm (4:35)
B2 Penthouse 4 Bust This House Down (John Shaft's Radio Mix) (3:40)
B3 Simon Harris Bass (How Low Can You Go) (3:22)
B4 Ambassadors Of Funk My Mind's Made Up (3:40)
B5 Gotham City Barry's House (1:52)
B6 Jay Strongman East-West (3:19)
B7 Funky Worm Hustle! (To The Music) (Radio 1) (3:51)
B8 The Cool Notes House Of Love (12" Version) (5:59)
U.S. House (Chicago's In The House)
C1 Jungle Brothers I'll House You
C2 Marshall Jefferson Move Your Body
C3 Farley "Jackmaster" Funk & Jesse Saunders Love Can't Turn Around
C4 2 Puerto Ricans, A Blackman And A Dominican Do It Properly (Fierce Club Mix)
C5 Adonis The Poke
C6 The Todd Terry Project Bango (To The Batmobile)
C7 Raze Jack The Groove
C8 Chip E. & House People Godfather Of House
Deep House
D1 Nitro Deluxe This Brutal House
D2 Adonis Do It Properly (No Way Back)
D3 Terrajacks Houseplan
D4 The Housemaster Boyz & The Rude Boy Of House House Nation
D5 Nebula (2) Deep Space
D6 "Fast" Eddie Smith Acid Thunder
D7 Sterling Void Runaway
D8 Drum And Bass I Love U

Stylus Music

Cat No: SMR 867
Released: 1988

£3.00

Bass Kruncher

Format: Vinyl 12 Inch
Genre: Acid House

Magic Flute / Bass To Vinyl

A Magic Flute
B Bass To Vinyl

Lafayette

Cat No: 47 2417-6
Released: 1992

£5.00

Various

Format: Vinyl Double Album
Genre: Acid House

Deep Heat 5 - Feed The Fever

A1 Silver Bullet 20 Seconds To Comply (Final Conflict Mix)
A2 2 In A Room Somebody In The House Say Yeah
A3 FPI Project & Rich In Paradise & Paolo Dini Going Back To My Roots
A4 The Beatmasters Warm Love (Soulsonic Mix)
A5 KC Flightt Planet E
A6 Frankie Knuckles Move Your Body
A7 Sybil All Through The Night (Good Vibrations Mix)
A8 Latino Rave Deep Heat 89
B1 The Mixmaster Grand Piano
B2 J.D. (4) Good Vibrations
B3 Lee Marrow Pain
B4 Eddie Fowlkes Goodbye Kiss
B5 Shay Jones Time To Party
B6 Homeboy (2) Sunshine & Brick
B7 Maurizio Pavesi & Lisa Scott Love System
B8 Reese The Heavens
C1 Rob 'N' Raz & Leila K Got To Get
C2 Santos (2) Your Wish Is My Command
C3 Attillas Seduzieteu (Champagne Mix)
C4 Lips-Kiss Lambada
C5 Pandella This Way, That Way
C6 The Beat Club Security (Club Mix)
C7 TOT What U R (Rhythm Mix)
C8 Inner City The Paradise Megamix
D1 Adeva I Thank You
D2 De La Soul Eye Know
D3 Intense (2) Dog A Baseline
D4 92nd & 5th What's Done Is Done
D5 John Helmer Deep
D6 Julie (4) Believe
D7 Invision Don't Break The Rules (Trouble's 'Broken The Rules Mix')
D8 The Menz Club Burn The House Down (1989 Remix)

Telstar

Cat No: STAR 2411
Released: 1990

£4.00

Lectrolux

Format: Vinyl 12 Inch
Genre: Acid House

Mind The Gap

A Mind The Gap (Original London Underground Mix)
B1 Mind The Gap (Commander Tom Remix)
B2 Mind The Gap (Knuckleheadz Remix)

TeC

Cat No: TEC R
Released: 1998

£7.00

Maurice Joshua

Format: Vinyl 12 Inch
Genre: Acid House

This Is Acid (A New Dance Craze)

A1 This Is Acid (A New Dance Craze) (S&T Mix) (7:22)
A2 This Is Acid (A New Dance Craze) (Deep Dub) (5:58)
AA This Is Acid (A New Dance Craze) (K&T Mix) (6:24)

Breakout

Cat No: USAT 650
Released: 1988

£7.50

Mory Kante

Format: Vinyl 12 Inch
Genre: Acid House

Ye Ke Ye Ke

A Yé Ké Yé Ké (The Afro Acid Remix) (6:17)
B1 Akwaba Beach (5:11)
B2 Yé Ké Yé Ké (The French Remix) (3:58)

London Records

Cat No: LONX 171
Released: 1988

£12.00

E-Zee Possee

Format: Vinyl 12 Inch
Genre: Acid House

Everything Begins With An E

A Everything Begins With An \'E\' (7:10)
B1 Everything Begins With An \'E\' (Instrumental) (5:21)
B2 Everything Begins With An \'E\' (Beats) (6:53)

More Protein

Cat No: PROT1-12
Released: 1989

£4.00

The Moody Boys

Format: Vinyl 12 Inch
Genre: Acid House

Acid Rappin / Acid Heaven

A Acid Rappin\' (5:13)
B1 Acid Rappin\' (Coky\'s Mix) (5:05)
B2 Acid Heaven (Holy Mix) (5:33)

City Beat

Cat No: CBE 1230
Released: 1988

£5.50

House Master Boyz And The Rude Boy Of House, The

Format: Vinyl 12 Inch
Genre: Acid House

House Nation (Remix)

A House Nation (Extended Remix) (4:48)
B House Nation (Full Remix) (6:10)

Magnetic Dance

Cat No: MAGDT 1R
Released: 1987

£6.00

Humanoid

Format: Vinyl 12 Inch
Genre: Acid House

Stakker Humanoid

A1 Stakker Humanoid (4:59)
A2 Stakker Humanoid (Radio Edit) (3:40)
B Stakker Humanoid (The Omen Mix) (7:50)

Westside Records (2)

Cat No: WSRT 12
Released: 1988

£7.00

Page of 79 next >>

Information on the Acid House genre

Origins in Chicago

The first acid house records were produced in Chicago, Illinois. Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context (the instrument appeared as early as 1983 in disco via Alexander Robotnick). The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably.

Chicago's house music scene was suffering from a massive crack down of parties and events by the police. Sales of house records were dwindling and by 1988, the genre was selling less than a tenth as many records as at the height of the style's popularity. However, house and especially acid house was beginning to experience a massive surge in popularity in Britain.


The London house-music scene

London's club Shoom opened in November 1987 and was one of the first clubs to introduce acid house to the clubbing public of England. It was opened by Danny Rampling and his wife. The club was extremely exclusive and featured thick fog, a dreamy atmosphere and acid house. This period began what some call the Second Summer of Love, a movement credited with a reduction in football hooliganism: instead of fights, football fans were listening to music, taking ecstasy, and joining the other club attendees in a peaceful movement often paralleled to the Summer of Love in San Francisco in the 1960s. However, the Second Summer of Love is generally considered much less politicized than its namesake, and is often seen as hedonistic and self-indulgent.

Another club called Trip was opened in June 1988 by Nick Holloway at the Astoria in London's West End. Trip was geared directly towards the acid house music scene. It was known for its intensity and stayed open until 3 AM. The patrons would spill into the streets chanting and drew the police on regular occasions. The reputation that occurrences like this created along with the UK's strong anti-club laws started to make it increasingly difficult to offer events in the conventional club atmosphere. Considered illegal in London during the late 80s, after-hour clubbing was against the law. However, this did not stop the club-goers from continuing after-hours dancing. Police would raid the after-hour parties, so the groups began to assemble inside warehouses and other inconspicuous venues in secret, hence also marking the first developments of the rave. Raves were well attended at this time and consisted of single events or moving series of parties thrown by production companies or unlicensed clubs. Two well-known groups at this point were Sunrise, who held particularly massive outdoor events, and Revolution in Progress (RIP), known for the dark atmosphere and hard music at events which were usually thrown in warehouses or at Clink Street, a South East London nightclub housed in a former jail.

The Sunrise group threw several large acid house raves in England which gathered serious press attention. In 1988 they threw "Burn It Up," 1989 brought "Early Summer Madness," "Midsummer Night's Dream," and "Back to the Future." They advertised huge sound systems, fairground rides, foreign DJs, and other attractions. Many articles were written sensationalizing these parties and the results of them, focusing especially on the drug use and out-of-control nature that the media perceived.

In September 1989, Sunrise held the largest Acid House rave ever, just outside Reigate in Surrey. In the fields adjacent to the school playing fields at Hartswood (between Woodhatch and Sidlow Bridge), the rave took place and lasted from 10pm on the Saturday night until late into Sunday night. It was estimated that nearly 20,000 attended during the weekend, and car queues stretched 4 miles, from the top of Reigate Hill to the Hartswood fields. It was widely covered by the press and television.