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  Artist Title Label Price

E-Zee Possee & MC Kinky

Format: Vinyl 12 Inch
Genre: Acid House

Everything Starts With An 'E'

A Everything Starts With An \"E\" (Renegade Soundwave Mix)
B Everything Starts With An \"E\" (Renegade Soundwave Dub)

More Protein

Cat No: PROTR 1-12
Released: 1990

£5.00

Various

Format: Vinyl Album
Genre: Acid House

Acid House Volume One

A1 Joi Bangla Sound Taj Ma House (L.P. Mix)
A2 Silicon Chip Phuture Music (Til You Drop Mix)
A3 Construction Crew Heartbeat (Pulse Mix)
A4 Force Motive You Will Be Dealt With (Dealt With Mix)
B1 New Chapter Acid Generation (Windy City Mix)
B2 Moody Boys, The Boogie Woogie Music (Pumpin' Power Mix)
B3 L.E. Bass Acid Bitch (Bitch Mix)
B4 Mr. Monday Keep On (The 3AM Mix)

BPM

Cat No: BPLP 001
Released: 1988
Out Of Stock

Clank

Format: Vinyl 12 Inch
Genre: Acid House

Funk Me

A1 Funk Me (Original Mix) (5:45)
A2 Funk Me (Inferno Mix) (7:35)
AA1 Funk Me (Trilogy's Acid Mix) (6:42)
AA2 Funk Me (Trilogy's Filtered Dub) (6:55)

Faze 2

Cat No: 12FAZE39DJ
Released: 1997

£4.00

Longsy D

Format: Vinyl Album
Genre: Acid House

For The World

This Side
A1 Mystic Love
A2 Things Just Don't Make Sense
A3 Jungle Groove
A4 This Is Ska (Skacid Mix)
Other Side
B1 Get Out Of My House
B2 Dance Fever
B3 Return To Zorba
B4 Let's Get Mental
B5 This Is Ska (The Dub)

Big One Records

Cat No: BIGA 1
Released: 1989

£3.00

Various

Format: Vinyl Double Album
Genre: Acid House

Get On This!!! Volume One

A1 Snap! The Power
A2 Jam Tronik Another Day In Paradise (The Sydney Mix)
A3 Rob 'N' Raz Rok The Nation
A4 Guru Josh Infinity
A5 Timedrillers Somebody In The House Say Yeah!
A6 Queen Latifah & De La Soul Mama Gave Birth To The Soul Children
A7 Ultra Naté It's Over Now
A8 Lisa Stansfield Live Together
B1 Candy Flip Strawberry Fields Forever
B2 Primal Scream Loaded
B3 David A. Stewart Lily Was Here (Space Centre Medical Unit Hum)
B4 The Sound Marines Something Wild (Can You Feel It)
B5 Latino Rave The Sixth Sense
B6 Anna G G'ding G'ding (Do You Wanna Wanna)
B7 Cat Glover Catwoman
C1 Technotronic This Beat Is Technotronic ("My Favourite Club" Mix)
C2 J.T. And The Big Family Moments In Soul (Ron's Remix)
C3 Culture Beat Cherry Lips
C4 Public Enemy Welcome To The Terrordrome
C5 Terrajacks Total Stranger (New Decade Mix 2)
C6 MC Wildski Warrior
C7 The Beloved The Sun Rising
D1 Various The Brits 1990 (Dance Medley)
D2 808 State Pacific 707
D3 Jamie J. Morgan Walk On The Wild Side
D4 A Way Of Life Trippin' On Your Love
D5 Mr. Fingers What About This Love
D6 DaYeene We're On This Case
D7 Lil' Louis & The World French Kiss
D8 Black Box I Don't Know Anybody Else

Telstar

Cat No: STAR 2420
Released: 1990

£5.00

Londonbeat

Format: Vinyl 12 Inch
Genre: Acid House

9 A.M.

A1 9 A.M. (The Comfort Zone)
A2 Talent On The Make
B1 There's An Acid House Going On

Anxious Records

Cat No: ANX T 008
Released: 1988

£4.00

Various

Format: Vinyl Compilation
Genre: Acid House

Love House

A1 Bomb The Bass & Maureen Walsh Say A Little Prayer (3:50)
A2 A Guy Called Gerald Voodoo Ray (4:25)
A3 Sybil Don't Make Me Over (4:23)
A4 Dave Collins (3) & Jacqui Jones Love Tonite (3:22)
A5 Pierre's Pfantasy Club Dream Girl (Mickey Oliver Mix) (3:47)
A6 Dorothy (4) Reflections (3:25)
A7 Donna Allen Joy And Pain (3:58)
A8 Alyson Williams Sleep Talk (5:24)
B1 Raze Break 4 Love (3:21)
B2 Razette Ready For Love (5:33)
B3 Dazzle (3) Dazzle You (The Sound System Mix) (4:49)
B4 Wee Papa Girl Rappers Soul Mate (3:26)
B5 10db I Burn For You (3:44)
B6 Joyce Sims Come Into My Life (3:46)
B7 Jamie Principle Baby Wants To Ride (3:47)
B8 Turntable Orchestra You're Gonna Miss Me (3:48)

K-Tel

Cat No: NE 1446
Released: 1989

£6.00

Various

Format: Vinyl Compilation
Genre: Acid House

Street Sounds 88-1

A1 Mel & Kim That's The Way It Is (6:48)
A2 Tongue N Cheek Nobody Can Love Me (Live In Little Venice Remix) (5:39)
A3 Mirage (12) Jack Mix VII (6:20)
A4 T.C. Curtis Get Out Of My Life (7:00)
A5 MSG I Can Tell (4:15)
B1 Bomb The Bass Beat Dis (Extended Dis) (5:51)
B2 Smith & Mighty Anyone (5:50)
B3 Masquerade Real Thing Mix (6:50)
B4 Eleanore Mills You Can't Have My Dreams (6:07)
B5 Cousin Rachel You Give Me So Much (No Way Out Remix) (6:27)

Street Sounds

Cat No: STSND 881
Released: 1988

£5.00

Star Turn on 45 Pints

Format: Vinyl 12 Inch
Genre: Acid House

Xmas Party (Flacceeed Mix)

Star Turn's Xmas Party (Exhibition Mix)
A1.1 Flaccieed Bitter
A1.2 Jingle Bells
A1.3 Whiote Xmas
A1.4 Bingo Bingo
A1.5 Young Girl
A1.6 Mind Your Nuts
A1.7 I Saw Mummy Kissing Santa Claus
A1.8 Auld Lang Syne
A2 Star Turn's Xmas Party (Flaccieed Mix)
B Old Lag Signed

Pacific Records Plc

Cat No: DRINK 3T
Released: 1988

£5.00

The Moody Boys

Format: Vinyl 12 Inch
Genre: Acid House

Funky Zulu (You're So Fresh)

A1 Funky Zulu (You're So Fresh) (Chapter 1) (5:36)
A2 Funky Zulu (You're So Fresh) (Chapter 2) (4:30)
A3 Funky Zulu (You're So Fresh) (Chapter 3) (5:30)
B1 Jammin (Ital Mix) (5:21)
B2 Funky Zulu (You're So Fresh) (Original Mix) (5:41)

XL Recordings

Cat No: XLT-11
Released: 1990

£5.00

Renegade Soundwave

Format: Vinyl 12 Inch
Genre: Acid House

Renegade Soundwave

A1 Renegade Soundwave (RSW International Underground Mix) (6:12)
A2 Renegade Soundwave (The Leftfield Remix) (7:50)
B1 Renegade Soundwave (The Leftfield Dub) (5:24)
B2 Renegade Soundwave (Basstube Shakin') (4:38)
B3 Renegade Soundwave (7" Mix) (3:34)

Mute Records Ltd.

Cat No: 12 MUTE 146
Released: 1994
Out Of Stock

Humanoid & Sharon Benson

Format: Vinyl 12 Inch
Genre: Acid House

Tonight

A1 Tonight (Club Version) (5:16)
B1 Tonight (Radical Mix) (6:40)
B2 Tonight (Acid Jam) (3:45)

Westside Records

Cat No: HUMT 1
Released: 1989

£6.00

Humanoid

Format: Vinyl 12 Inch
Genre: Acid House

Stakker Humanoid

A1 Stakker Humanoid (4:59)
A2 Stakker Humanoid (Radio Edit) (3:40)
B Stakker Humanoid (The Omen Mix) (7:50)

Westside Records (2)

Cat No: WSRT 12
Released: 1988
Out Of Stock

Jolly Roger

Format: Vinyl 12 Inch
Genre: Acid House

Acid Man (Techno Mix)

A Acid Man (Techno Mix) (6:04)
B1 Acid Man (Original Mix) (5:00)
B2 Acid Man (Happy Mix) (4:52)

10 Records

Cat No: TENR 236
Released: 1988

£4.00

S'Express

Format: Vinyl 12 Inch
Genre: Acid House

Theme From S-Express

Platform 1
A Theme From S-Express (5:58)
Platform 2
B1 The Trip (Microdot House Mix) (5:40)
B2 Theme From S-Express (3:55)

Rhythm King

Cat No: LEFT 21T
Released: 1988

£5.00

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Information on the Acid House genre

Origins in Chicago

The first acid house records were produced in Chicago, Illinois. Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context (the instrument appeared as early as 1983 in disco via Alexander Robotnick). The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably.

Chicago's house music scene was suffering from a massive crack down of parties and events by the police. Sales of house records were dwindling and by 1988, the genre was selling less than a tenth as many records as at the height of the style's popularity. However, house and especially acid house was beginning to experience a massive surge in popularity in Britain.


The London house-music scene

London's club Shoom opened in November 1987 and was one of the first clubs to introduce acid house to the clubbing public of England. It was opened by Danny Rampling and his wife. The club was extremely exclusive and featured thick fog, a dreamy atmosphere and acid house. This period began what some call the Second Summer of Love, a movement credited with a reduction in football hooliganism: instead of fights, football fans were listening to music, taking ecstasy, and joining the other club attendees in a peaceful movement often paralleled to the Summer of Love in San Francisco in the 1960s. However, the Second Summer of Love is generally considered much less politicized than its namesake, and is often seen as hedonistic and self-indulgent.

Another club called Trip was opened in June 1988 by Nick Holloway at the Astoria in London's West End. Trip was geared directly towards the acid house music scene. It was known for its intensity and stayed open until 3 AM. The patrons would spill into the streets chanting and drew the police on regular occasions. The reputation that occurrences like this created along with the UK's strong anti-club laws started to make it increasingly difficult to offer events in the conventional club atmosphere. Considered illegal in London during the late 80s, after-hour clubbing was against the law. However, this did not stop the club-goers from continuing after-hours dancing. Police would raid the after-hour parties, so the groups began to assemble inside warehouses and other inconspicuous venues in secret, hence also marking the first developments of the rave. Raves were well attended at this time and consisted of single events or moving series of parties thrown by production companies or unlicensed clubs. Two well-known groups at this point were Sunrise, who held particularly massive outdoor events, and Revolution in Progress (RIP), known for the dark atmosphere and hard music at events which were usually thrown in warehouses or at Clink Street, a South East London nightclub housed in a former jail.

The Sunrise group threw several large acid house raves in England which gathered serious press attention. In 1988 they threw "Burn It Up," 1989 brought "Early Summer Madness," "Midsummer Night's Dream," and "Back to the Future." They advertised huge sound systems, fairground rides, foreign DJs, and other attractions. Many articles were written sensationalizing these parties and the results of them, focusing especially on the drug use and out-of-control nature that the media perceived.

In September 1989, Sunrise held the largest Acid House rave ever, just outside Reigate in Surrey. In the fields adjacent to the school playing fields at Hartswood (between Woodhatch and Sidlow Bridge), the rave took place and lasted from 10pm on the Saturday night until late into Sunday night. It was estimated that nearly 20,000 attended during the weekend, and car queues stretched 4 miles, from the top of Reigate Hill to the Hartswood fields. It was widely covered by the press and television.