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  Artist Title Label Price

Riley Evans & Knight Writers, The & Ms. Vee

Format: Vinyl 12 Inch
Genre: Acid House

I Don't Feel Nothing For You Now

A1 I Don't Feel Nothing For You Now (Club Vocal) (6:07)
A2 I Don't Feel Nothing For You Now (Acid House Vocal) (5:02)
B1 I Don't Feel Nothing For You Now (No No Radio Vocal) (4:33)
B2 I Don't Feel Nothing For You Now (Instrumental Mix) (4:48)
B3 I Don't Feel Nothing For You Now (Dub Mix) (4:25)

Total Spectrum Records

Cat No: TSR1060
Released: 1989

£7.00

Various

Format: Vinyl Compilation
Genre: Acid House

Urban Acid

A1 Perfectly Ordinary People Theme From P.O.P.
A2 Charm Housegirl (Club Mix)
A3 Pozitiv Noize Africa
A4 Charm Predator (Scare)
B1 The Party Boy The Twilight Zone (U.K. Edit)
B2 Funkacidic S.O.L.T.
B3 The Candy Man The Candyman
B4 Charm Walk On The Wild Side

Urban

Cat No: URBLP 15
Released: 1988

£5.00

S'Express

Format: Vinyl 12 Inch
Genre: Acid House

Mantra For A State Of Mind

A Mantra For A State Of Mind [Parts 1 And 2] (Elevation Mix) (11:33)
B Special And Golden (8:04)

Rhythm King Records

Cat No: left 35t
Released: 1989

£4.50

Perfectly Ordinary People

Format: Vinyl 12 Inch
Genre: Acid House

Theme From P.O.P.

A Theme From P.O.P. (Club Re-Mix)
B Theme From P.O.P. (12" Acid Rundown Mix)

Urban

Cat No: URBX 25 DJ
Released: 1988

£4.50

Tyree Cooper

Format: Vinyl Album
Genre: Acid House

Tyree's Got A Brand New House!

A1 Acid Over (6:30)
A2 Turn Up The Bass (5:05)
A3 Acid Is My Life (4:20)
A4 Acid Overture (4:05)
A5 Life (5:00)
B1 Let's Get Together (6:00)
B2 I'll Never Let You Go (5:45)
B3 House Line (4:02)
B4 T's Revenge (5:06)
B5 T.J.G.P. (4:00)

FFRR

Cat No: 828 141-1
Released: 1988

£4.00

Coldcut & Lisa Stansfield

Format: Vinyl 12 Inch
Genre: Acid House

People Hold On

A Coldcut & Lisa Stansfield People Hold On (Full Length Disco Mix)
B Coldcut Yes, Yes, Yes (Hedmaster Mix)

Ahead Of Our Time

Cat No: CCUT 5T
Released: 1989

£5.00

Baby Ford

Format: Vinyl 12 Inch
Genre: Acid House

Children Of The Revolution

A Children Of The Revolution (Full 12" Version) (8:04)
B1 Hi, Mr Logan (5:00)
B2 Children Of The Revolution (Euro Version) (6:05)

Rhythm King Records

Cat No: BFORD 4
Released: 1989

£4.00

The Mixmaster

Format: Vinyl 12 Inch
Genre: Acid House

Grand Piano

Over
A Grand Piano (6:05)
Here
B Piano Groove (5:11)

BCM Records

Cat No: BCM 344 X
Released: 1989

£5.00

Simon Harris

Format: Vinyl Album
Genre: Acid House

Bass!

A1 Intro (0:40)
A2 Bass (How Low Can You Go?) (Bomb The House Mix) (4:47)
A3 From The Vaults Of Good Times (0:20)
A4 Sexy Lady (5:32)
A5 The Official Voice Of Hip Hop (0:22)
A6 Run 4 Cover (5:05)
A7 The Wheels Of Steel (0:23)
A8 (I've Got Your) Pleasure Control (6:20)
B1 London's Finest (4:07)
B2 Stardate 29.48.5 (0:18)
B3 "The Final Frontier" (3:55)
B4 We're Gonna Dance! (0:25)
B5 Another Monsterjam (5:40)
B6 It Is Scratched (0:17)
B7 Here Comes That Sound (Demolition Album Mix) (4:47)
B8 Feel (4:07)

FFRR

Cat No: 828 153.1
Released: 1989

£5.00

Josh Wink

Format: Vinyl 12 Inch
Genre: Acid House

Don't Laugh

A1 Don't Laugh (Raw Mix)
A2 Don't Laugh (Parkes/DeVit Mix)
AA1 Don't Laugh (The Sound Factory Mix)
AA2 Don't Laugh (Eternity Mix)

XL Recordings

Cat No: XLT 62
Released: 1995

£4.50

Simon Harris

Format: Vinyl 12 Inch
Genre: Acid House

Here Comes That Sound (Demolition Remix)

A Here Comes That Sound (Demolition Remix)
B1 Only A Demo (Acid Fingers Rap Session)
B2 Only A Demo (Acid Fingers Instrumental)

FFRR

Cat No: FFRXR 12
Released: 1988

£4.50

S'Express

Format: Vinyl 12 Inch
Genre: Acid House

Mantra For A State Of Mind

A Mantra For A State Of Mind [Parts 1 And 2] (Elevation Mix) (11:33)
B Special And Golden (8:04)

Rhythm King Records

Cat No: left 35t
Released: 1989

£4.50

Bam Bam

Format: Vinyl 12 Inch
Genre: Acid House

Give It To Me

A1 Give It To Me (Radio Mix) (4:50)
A2 Give It To Me (Street Mix) (4:00)
AA1 Give It To Me (Instrumental) (5:02)
AA2 Give It To Me (Garage Mix) (4:36)

Serious Records

Cat No: OUS 10
Released: 1988

£4.50

Various

Format: Vinyl Double Album
Genre: Acid House

Jackmaster 1

A1 Nitestar Body Groove (8:20)
A2 The Children Freedom (7:23)
A3 Patrick Adams Jack In The Bush (6:18)
A4 Masters At Work (2) Alright, Alright (5:46)
A5 Hokus Pokus House It Up (3:32)
B1 Out Of Control Whatcha Gonna Do (3:27)
B2 MK II Don't Stop The Music (3:31)
B3 Full House I Remember (5:20)
B4 Adonis & The Endless Poker's The Poke (5:25)
B5 Joe Smooth & Anthony Thomas Goin' Down (6:05)
B6 Chip E. & House People Godfather Of House (5:30)
C1 "Fast" Eddie Smith & Tyree Cooper The Whop (8:04)
C2 C-Quince & Professor Funk I Can't Wait (4:22)
C3 Jere McAllister What I Do (8:14)
C4 Loleatta Holloway So Sweet (8:57)
D1 Bad Boy Bill Jack It All Night Long (4:42)
D2 Tyree Cooper & Armon Ransom & Joe Smooth My House Is Free (6:26)
D3 Chip E. If You Only Knew (4:22)
D4 dB (2) I Have A Dream (6:16)
D5 E.S.P. Let's Move (4:41)
D6 Fingers Inc. You're Mine (4:26)

Westside Records

Cat No: JACKLP 501
Released: 1987

£6.50

Lisa Moorish

Format: Vinyl 12 Inch
Genre: Acid House

Rock To The Beat

A1 Rock To The Beat (Extended Remix) (5:44)
A2 Rock To The Beat (Short Circuit Mix) (7:31)
A3 Rock To The Beat (Single Edit) (3:27)
B1 Make It Right (4:22)
B2 Rock To The Beat (Instrumental) (5:30)

Jive

Cat No: 1229-1-JD
Released: 1989

£5.00

Page of 54 next >>

Information on the Acid House genre

Origins in Chicago

The first acid house records were produced in Chicago, Illinois. Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context (the instrument appeared as early as 1983 in disco via Alexander Robotnick). The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably.

Chicago's house music scene was suffering from a massive crack down of parties and events by the police. Sales of house records were dwindling and by 1988, the genre was selling less than a tenth as many records as at the height of the style's popularity. However, house and especially acid house was beginning to experience a massive surge in popularity in Britain.


The London house-music scene

London's club Shoom opened in November 1987 and was one of the first clubs to introduce acid house to the clubbing public of England. It was opened by Danny Rampling and his wife. The club was extremely exclusive and featured thick fog, a dreamy atmosphere and acid house. This period began what some call the Second Summer of Love, a movement credited with a reduction in football hooliganism: instead of fights, football fans were listening to music, taking ecstasy, and joining the other club attendees in a peaceful movement often paralleled to the Summer of Love in San Francisco in the 1960s. However, the Second Summer of Love is generally considered much less politicized than its namesake, and is often seen as hedonistic and self-indulgent.

Another club called Trip was opened in June 1988 by Nick Holloway at the Astoria in London's West End. Trip was geared directly towards the acid house music scene. It was known for its intensity and stayed open until 3 AM. The patrons would spill into the streets chanting and drew the police on regular occasions. The reputation that occurrences like this created along with the UK's strong anti-club laws started to make it increasingly difficult to offer events in the conventional club atmosphere. Considered illegal in London during the late 80s, after-hour clubbing was against the law. However, this did not stop the club-goers from continuing after-hours dancing. Police would raid the after-hour parties, so the groups began to assemble inside warehouses and other inconspicuous venues in secret, hence also marking the first developments of the rave. Raves were well attended at this time and consisted of single events or moving series of parties thrown by production companies or unlicensed clubs. Two well-known groups at this point were Sunrise, who held particularly massive outdoor events, and Revolution in Progress (RIP), known for the dark atmosphere and hard music at events which were usually thrown in warehouses or at Clink Street, a South East London nightclub housed in a former jail.

The Sunrise group threw several large acid house raves in England which gathered serious press attention. In 1988 they threw "Burn It Up," 1989 brought "Early Summer Madness," "Midsummer Night's Dream," and "Back to the Future." They advertised huge sound systems, fairground rides, foreign DJs, and other attractions. Many articles were written sensationalizing these parties and the results of them, focusing especially on the drug use and out-of-control nature that the media perceived.

In September 1989, Sunrise held the largest Acid House rave ever, just outside Reigate in Surrey. In the fields adjacent to the school playing fields at Hartswood (between Woodhatch and Sidlow Bridge), the rave took place and lasted from 10pm on the Saturday night until late into Sunday night. It was estimated that nearly 20,000 attended during the weekend, and car queues stretched 4 miles, from the top of Reigate Hill to the Hartswood fields. It was widely covered by the press and television.