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Artist | Title | Label | Price | |
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E-Zee Possee & MC KinkyFormat: Vinyl 12 InchGenre: Acid House |
Everything Starts With An 'E'A Everything Starts With An \"E\" (Renegade Soundwave Mix)B Everything Starts With An \"E\" (Renegade Soundwave Dub) |
More ProteinCat No: PROTR 1-12Released: 1990 |
£5.00 |
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VariousFormat: Vinyl AlbumGenre: Acid House |
Acid House Volume OneA1 Joi Bangla Sound Taj Ma House (L.P. Mix)A2 Silicon Chip Phuture Music (Til You Drop Mix) A3 Construction Crew Heartbeat (Pulse Mix) A4 Force Motive You Will Be Dealt With (Dealt With Mix) B1 New Chapter Acid Generation (Windy City Mix) B2 Moody Boys, The Boogie Woogie Music (Pumpin' Power Mix) B3 L.E. Bass Acid Bitch (Bitch Mix) B4 Mr. Monday Keep On (The 3AM Mix) |
BPMCat No: BPLP 001Released: 1988 |
Out Of Stock |
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ClankFormat: Vinyl 12 InchGenre: Acid House |
Funk MeA1 Funk Me (Original Mix) (5:45)A2 Funk Me (Inferno Mix) (7:35) AA1 Funk Me (Trilogy's Acid Mix) (6:42) AA2 Funk Me (Trilogy's Filtered Dub) (6:55) |
Faze 2Cat No: 12FAZE39DJReleased: 1997 |
£4.00 |
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Longsy DFormat: Vinyl AlbumGenre: Acid House |
For The WorldThis SideA1 Mystic Love A2 Things Just Don't Make Sense A3 Jungle Groove A4 This Is Ska (Skacid Mix) Other Side B1 Get Out Of My House B2 Dance Fever B3 Return To Zorba B4 Let's Get Mental B5 This Is Ska (The Dub) |
Big One RecordsCat No: BIGA 1Released: 1989 |
£3.00 |
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VariousFormat: Vinyl Double AlbumGenre: Acid House |
Get On This!!! Volume OneA1 Snap! The PowerA2 Jam Tronik Another Day In Paradise (The Sydney Mix) A3 Rob 'N' Raz Rok The Nation A4 Guru Josh Infinity A5 Timedrillers Somebody In The House Say Yeah! A6 Queen Latifah & De La Soul Mama Gave Birth To The Soul Children A7 Ultra Naté It's Over Now A8 Lisa Stansfield Live Together B1 Candy Flip Strawberry Fields Forever B2 Primal Scream Loaded B3 David A. Stewart Lily Was Here (Space Centre Medical Unit Hum) B4 The Sound Marines Something Wild (Can You Feel It) B5 Latino Rave The Sixth Sense B6 Anna G G'ding G'ding (Do You Wanna Wanna) B7 Cat Glover Catwoman C1 Technotronic This Beat Is Technotronic ("My Favourite Club" Mix) C2 J.T. And The Big Family Moments In Soul (Ron's Remix) C3 Culture Beat Cherry Lips C4 Public Enemy Welcome To The Terrordrome C5 Terrajacks Total Stranger (New Decade Mix 2) C6 MC Wildski Warrior C7 The Beloved The Sun Rising D1 Various The Brits 1990 (Dance Medley) D2 808 State Pacific 707 D3 Jamie J. Morgan Walk On The Wild Side D4 A Way Of Life Trippin' On Your Love D5 Mr. Fingers What About This Love D6 DaYeene We're On This Case D7 Lil' Louis & The World French Kiss D8 Black Box I Don't Know Anybody Else |
TelstarCat No: STAR 2420Released: 1990 |
£5.00 |
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LondonbeatFormat: Vinyl 12 InchGenre: Acid House |
9 A.M.A1 9 A.M. (The Comfort Zone)A2 Talent On The Make B1 There's An Acid House Going On |
Anxious RecordsCat No: ANX T 008Released: 1988 |
£4.00 |
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VariousFormat: Vinyl CompilationGenre: Acid House |
Love HouseA1 Bomb The Bass & Maureen Walsh Say A Little Prayer (3:50)A2 A Guy Called Gerald Voodoo Ray (4:25) A3 Sybil Don't Make Me Over (4:23) A4 Dave Collins (3) & Jacqui Jones Love Tonite (3:22) A5 Pierre's Pfantasy Club Dream Girl (Mickey Oliver Mix) (3:47) A6 Dorothy (4) Reflections (3:25) A7 Donna Allen Joy And Pain (3:58) A8 Alyson Williams Sleep Talk (5:24) B1 Raze Break 4 Love (3:21) B2 Razette Ready For Love (5:33) B3 Dazzle (3) Dazzle You (The Sound System Mix) (4:49) B4 Wee Papa Girl Rappers Soul Mate (3:26) B5 10db I Burn For You (3:44) B6 Joyce Sims Come Into My Life (3:46) B7 Jamie Principle Baby Wants To Ride (3:47) B8 Turntable Orchestra You're Gonna Miss Me (3:48) |
K-TelCat No: NE 1446Released: 1989 |
£6.00 |
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VariousFormat: Vinyl CompilationGenre: Acid House |
Street Sounds 88-1A1 Mel & Kim That's The Way It Is (6:48)A2 Tongue N Cheek Nobody Can Love Me (Live In Little Venice Remix) (5:39) A3 Mirage (12) Jack Mix VII (6:20) A4 T.C. Curtis Get Out Of My Life (7:00) A5 MSG I Can Tell (4:15) B1 Bomb The Bass Beat Dis (Extended Dis) (5:51) B2 Smith & Mighty Anyone (5:50) B3 Masquerade Real Thing Mix (6:50) B4 Eleanore Mills You Can't Have My Dreams (6:07) B5 Cousin Rachel You Give Me So Much (No Way Out Remix) (6:27) |
Street SoundsCat No: STSND 881Released: 1988 |
£5.00 |
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Star Turn on 45 PintsFormat: Vinyl 12 InchGenre: Acid House |
Xmas Party (Flacceeed Mix)Star Turn's Xmas Party (Exhibition Mix)A1.1 Flaccieed Bitter A1.2 Jingle Bells A1.3 Whiote Xmas A1.4 Bingo Bingo A1.5 Young Girl A1.6 Mind Your Nuts A1.7 I Saw Mummy Kissing Santa Claus A1.8 Auld Lang Syne A2 Star Turn's Xmas Party (Flaccieed Mix) B Old Lag Signed |
Pacific Records PlcCat No: DRINK 3TReleased: 1988 |
£5.00 |
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The Moody BoysFormat: Vinyl 12 InchGenre: Acid House |
Funky Zulu (You're So Fresh)A1 Funky Zulu (You're So Fresh) (Chapter 1) (5:36)A2 Funky Zulu (You're So Fresh) (Chapter 2) (4:30) A3 Funky Zulu (You're So Fresh) (Chapter 3) (5:30) B1 Jammin (Ital Mix) (5:21) B2 Funky Zulu (You're So Fresh) (Original Mix) (5:41) |
XL RecordingsCat No: XLT-11Released: 1990 |
£5.00 |
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Renegade SoundwaveFormat: Vinyl 12 InchGenre: Acid House |
Renegade SoundwaveA1 Renegade Soundwave (RSW International Underground Mix) (6:12)A2 Renegade Soundwave (The Leftfield Remix) (7:50) B1 Renegade Soundwave (The Leftfield Dub) (5:24) B2 Renegade Soundwave (Basstube Shakin') (4:38) B3 Renegade Soundwave (7" Mix) (3:34) |
Mute Records Ltd.Cat No: 12 MUTE 146Released: 1994 |
Out Of Stock |
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Humanoid & Sharon BensonFormat: Vinyl 12 InchGenre: Acid House |
TonightA1 Tonight (Club Version) (5:16)B1 Tonight (Radical Mix) (6:40) B2 Tonight (Acid Jam) (3:45) |
Westside RecordsCat No: HUMT 1Released: 1989 |
£6.00 |
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HumanoidFormat: Vinyl 12 InchGenre: Acid House |
Stakker HumanoidA1 Stakker Humanoid (4:59)A2 Stakker Humanoid (Radio Edit) (3:40) B Stakker Humanoid (The Omen Mix) (7:50) |
Westside Records (2)Cat No: WSRT 12Released: 1988 |
Out Of Stock |
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Jolly RogerFormat: Vinyl 12 InchGenre: Acid House |
Acid Man (Techno Mix)A Acid Man (Techno Mix) (6:04)B1 Acid Man (Original Mix) (5:00) B2 Acid Man (Happy Mix) (4:52) |
10 RecordsCat No: TENR 236Released: 1988 |
£4.00 |
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S'ExpressFormat: Vinyl 12 InchGenre: Acid House |
Theme From S-ExpressPlatform 1A Theme From S-Express (5:58) Platform 2 B1 The Trip (Microdot House Mix) (5:40) B2 Theme From S-Express (3:55) |
Rhythm KingCat No: LEFT 21TReleased: 1988 |
£5.00 |
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Information on the Acid House genre
Origins in ChicagoThe first acid house records were produced in Chicago, Illinois. Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context (the instrument appeared as early as 1983 in disco via Alexander Robotnick). The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably.
Chicago's house music scene was suffering from a massive crack down of parties and events by the police. Sales of house records were dwindling and by 1988, the genre was selling less than a tenth as many records as at the height of the style's popularity. However, house and especially acid house was beginning to experience a massive surge in popularity in Britain.
The London house-music scene
London's club Shoom opened in November 1987 and was one of the first clubs to introduce acid house to the clubbing public of England. It was opened by Danny Rampling and his wife. The club was extremely exclusive and featured thick fog, a dreamy atmosphere and acid house. This period began what some call the Second Summer of Love, a movement credited with a reduction in football hooliganism: instead of fights, football fans were listening to music, taking ecstasy, and joining the other club attendees in a peaceful movement often paralleled to the Summer of Love in San Francisco in the 1960s. However, the Second Summer of Love is generally considered much less politicized than its namesake, and is often seen as hedonistic and self-indulgent.
Another club called Trip was opened in June 1988 by Nick Holloway at the Astoria in London's West End. Trip was geared directly towards the acid house music scene. It was known for its intensity and stayed open until 3 AM. The patrons would spill into the streets chanting and drew the police on regular occasions. The reputation that occurrences like this created along with the UK's strong anti-club laws started to make it increasingly difficult to offer events in the conventional club atmosphere. Considered illegal in London during the late 80s, after-hour clubbing was against the law. However, this did not stop the club-goers from continuing after-hours dancing. Police would raid the after-hour parties, so the groups began to assemble inside warehouses and other inconspicuous venues in secret, hence also marking the first developments of the rave. Raves were well attended at this time and consisted of single events or moving series of parties thrown by production companies or unlicensed clubs. Two well-known groups at this point were Sunrise, who held particularly massive outdoor events, and Revolution in Progress (RIP), known for the dark atmosphere and hard music at events which were usually thrown in warehouses or at Clink Street, a South East London nightclub housed in a former jail.
The Sunrise group threw several large acid house raves in England which gathered serious press attention. In 1988 they threw "Burn It Up," 1989 brought "Early Summer Madness," "Midsummer Night's Dream," and "Back to the Future." They advertised huge sound systems, fairground rides, foreign DJs, and other attractions. Many articles were written sensationalizing these parties and the results of them, focusing especially on the drug use and out-of-control nature that the media perceived.
In September 1989, Sunrise held the largest Acid House rave ever, just outside Reigate in Surrey. In the fields adjacent to the school playing fields at Hartswood (between Woodhatch and Sidlow Bridge), the rave took place and lasted from 10pm on the Saturday night until late into Sunday night. It was estimated that nearly 20,000 attended during the weekend, and car queues stretched 4 miles, from the top of Reigate Hill to the Hartswood fields. It was widely covered by the press and television.