Format:
Genre:
Year:
Stock Level:
Keywords:
[ reset ]
4550 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ]
Page of 304 next >>
  Artist Title Label Price

Adam F

Format: Vinyl 12 Inch
Genre: Drum & Bass

F Jam

A1 F Jam (Vocal Mix)
AA1 F Jam (Cool Down Mix)
AA2 F Jam (Original Mix)

Listen

F-Jams

Cat No: 12FJ001
Released: 1996

£6.00

Mace

Format: Vinyl 12 Inch
Genre: Drum & Bass

Mars Attack / Love And Devotion

A Mars Attack
B Love And Devotion

Planet Funk Recordings

Cat No: PFUNK 001
Released: 2002

£4.50

Ed Funk

Format: Vinyl 12 Inch
Genre: Drum & Bass

Lazy Afternoon / Breezin

A Lazy Afternoon
B Breezin

Planet Funk Recordings

Cat No: PFUNK002
Released: 2003

£4.50

Adam F & Beenie Man

Format: Vinyl 12 Inch
Genre: Drum & Bass

Dirty Harry's Revenge (Remixes)

A Dirty Harry's Revenge (Swift Remix)
AA Dirty Harry's Revenge (Hype & Pascal Remix)

Kaos Recordings

Cat No: KAOS004
Released: 2002

£5.00

Bad Company

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Nine / Dogfight

A The Nine
AA Dogfight

BC Recordings

Cat No: BCRUK001
Released: 2001

£12.00

Psychosis

Format: Vinyl 12 Inch
Genre: Drum & Bass

Street Noise

A Street Noise
B Line Of Defence

Trouble On Vinyl

Cat No: TOV53
Released: 2002

£4.50

Dylan & DJ Friction

Format: Vinyl 12 Inch
Genre: Drum & Bass

Polluted Soul / Inner Sense

A Polluted Soul
B Inner Sense

Outbreak Records

Cat No: OUTB019
Released: 2002

£4.50

Various

Format: Vinyl Triple 12 Album
Genre: Drum & Bass

Penny Black Presents 'Breakage' Vol. 1

A In-Sync Covert Operations (8:56)
B1 Rupert French Lazy Summer Nights (7:57)
B2 Cloud 9 Mind Games (7:24)
C1 Nookie The Prelude (7:48)
C2 Twisted Anger Woodsnake (7:26)
D Twisted Anger 8 Ball (7:21)
E1 Twisted Anger 9277 (8:15)
E2 Ray Keith Rare Groove (7:16)
F1 Decoy (3) Heavy Metal (6:33)
F2 Decoy (3) Dragon (6:42)

Penny Black

Cat No: PBLRLP 001
Released: 1997

£8.00

Logistics

Format: Vinyl Double 12 Inch
Genre: Drum & Bass

Reality Checkpoint Part Two

A Lullaby
B Waiting Line
C 96
D Trying Times

Hospital Records

Cat No: NHS136
Released: 2008

£7.50

Eternal

Format: Vinyl 12 Inch
Genre: Drum & Bass

Don't You Love Me?

A Don't You Love Me? (Eternal's Rap) (6:16)
B Don't You Love Me? (Ronnie Size Mix) (6:03)

EMI Records (UK)

Cat No: 12EMDJX 465
Released: 1997

£7.00

Various

Format: Vinyl Double Album
Genre: Drum & Bass

The Four Elements: Fire

A Raiden Abyss (7:06)
B Baron Speed Demon (6:23)
C DJ Friction & Concord Dawn Autopsy (6:21)
D Paul B & Dissident Technecium (5:36)

Renegade Hardware

Cat No: RH042
Released: 2002

£15.00

Satin Storm

Format: Vinyl 12 Inch
Genre: Drum & Bass

Return Of The Blopblingers

A Return Of The Blopblingers
B Rough & Smooth (The Driven)

Satin Storm

Cat No: SS04/1
Released: 2004

£7.00

Ed Case & Sweetie Irie

Format: Vinyl 12 Inch
Genre: Drum & Bass

Who?

A Who?
B Who? (Dub Mix)

Killer Instinct

Cat No: 12 CASE002
Released: 2001

£6.00

Ill Logic & DJ Raf

Format: Vinyl 12 Inch
Genre: Drum & Bass

Complex Identities / Darkness At Noon

A Complex Identities
AA Darkness At Noon

Bingo Beats

Cat No: BINGORIL001
Released: 2008

£5.00

Bulletproof

Format: Vinyl 12 Inch
Genre: Drum & Bass

Not Human / Echolon

A Not Human
B Echolon

Perspective

Cat No: PR005
Released: 2000

£4.50

Page of 304 next >>

Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).