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  Artist Title Label Price

Fresh & Vegas

Format: Vinyl 12 Inch
Genre: Drum & Bass

Otto's Way / Heat Wave

A Otto's Way
AA Heat Wave

Metro Recordings

Cat No: MTRR 004
Released: 1998

£6.00

Ed Solo & Skool Of Thought

Format: Vinyl 12 Inch
Genre: Drum & Bass

Always There

A Always There
B Sludge

Against The Grain

Cat No: ATG027
Released: 2007

£7.00

Bliss 'n' Tumble

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Journey

A1 The Journey (Original Mix) (6:34)
A2 The Journey (Bliss N Tumble Remix) (6:29)
B1 The Journey (Aquasky Mix) (8:05)
B2 Whose Turn Is It? (6:40)

Additive

Cat No: 12AD 011
Released: 1997

£5.00

DJ Hazard & Devize & 3A

Format: Vinyl 12 Inch
Genre: Drum & Bass

Supercharged / Heavy Monsta Sound

A DJ Hazard Supercharged
AA Devize & 3A Heavy Monsta Sound

3D Mode

Cat No: 3DMODE005
Released: 2003

£6.00

Facs

Format: Vinyl 12 Inch
Genre: Drum & Bass

Octane, Low Down

A Low Down
AA Octane

Trouble On Vinyl

Cat No: TOV 12 031
Released: 1999

£8.00

Roni Size

Format: Vinyl 12 Inch
Genre: Drum & Bass

Snapshot 3

A Snapshot 3
AA Sorry For You

Full Cycle Records

Cat No: FCY033
Released: 2003

£4.50

Soundproof

Format: Vinyl 12 Inch
Genre: Drum & Bass

Wiser

A1 On Remix
A2 D.O.S.E Remix
B1 Double Dub II
B2 Demo

RCA

Cat No: Sound2

£4.50

Cut & Run

Format: Vinyl 12 Inch
Genre: Drum & Bass

Outta Space (Remixes)

A Outta Space (Booty Space Mix)
AA Outta Space (DnB Mix)

Cut & Run

Cat No: CAR 002
Released: 2004

£5.00

Shy FX

Format: Vinyl 12 Inch
Genre: Drum & Bass

Bambaata 2012 Episode 2

A Bambaata (Roni Size & Mask Mix)
B Funksta Revisited

Ebony Recordings

Cat No: EBR 020TR
Released: 1998

£5.00

DJ Hyper

Format: Vinyl 12 Inch
Genre: Drum & Bass

Blaze It Up

A Blaze It Up (Cut Loose Revamp)
B Blaze It Up (Original Mix)

Blaze

Cat No: BLAZE 1
Released: 1999

£5.00

Torus

Format: Vinyl 12 Inch
Genre: Drum & Bass

Perspective / Contours

A Perspective
B Contours

Reinforced Records

Cat No: RIVET 121
Released: 1997

£8.00

Eskobar & Lemon D

Format: Vinyl 12 Inch
Genre: Drum & Bass

What Bass / Switch

A What Bass (6:35)
B Switch (6:06)

Trouble On Vinyl

Cat No: TOV54
Released: 2002

£6.50

Various

Format: Vinyl Double Album
Genre: Drum & Bass

Elvis Never Meant Shit To Me

A1 DJ Q The End Of The Beginning (8:18)
A2 Trailermen Better Love (8:15)
B1 Sunship Try Me Out (6:13)
B2 Hoops, The Marveloso (6:39)
C1 Kid Loops Crazy Lloyd (5:49)
C2 Amalgamation Of Soundz, The Moments Like This (5:19)
D1 Fire This Time, The Reluctant Warrior (4:34)
D2 Chubby Grooves Dansak (4:59)

Filter

Cat No: FILT033DLP
Released: 1998

£6.00

Galliano

Format: Vinyl 12 Inch
Genre: Drum & Bass

Ease Your Mind / Slack Hands

A1 Ease Your Mind
A2 Ease Your Mind (Interference Mix)

B1 Slack Hands
B2 Slack Hands (Aquasky Remix)

Talkin' Loud

Cat No: TLX 10

£6.00
£3.00

Freeland

Format: Vinyl 12 Inch
Genre: Drum & Bass

Supernatural Thing Remixed

A Supernatural Thing (Tom Middleton Cosmos Mix)
AA Supernatural Thing (Krust&Die Mix)

(supplied by Decman)

Marine Parade

Cat No: MAPA024R

£7.00

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Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).