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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Drum & Bass


A1 Midnight (4:13)
A2 Midnight (Waiwan Mix) (4:22)
B1 Midnight (MIST 2003 Mix) (6:25)

WEA Records Ltd.

Cat No: UNCUT001
Released: 2003



Format: Vinyl 12 Inch
Genre: Drum & Bass

Part Of Me

A Part Of Me (5:45)
B Part Of Me (Instrumental) (5:46)

Hospital Records

Cat No: NHS47
Released: 2002


Moving Fusion

Format: Vinyl 12 Inch
Genre: Drum & Bass

Star Sign / Party People

A Star Sign
AA Party People

RAM Records

Cat No: RAMM 42
Released: 2002


Project 23

Format: Vinyl 12 Inch
Genre: Drum & Bass

Pleasure & The Pain

A Pleasure & The Pain (Album Version)
B Pleasure & The Pain (Peshay Remix)


Cat No: DOR050
Released: 1996


SKC, Dis & Desimal

Format: Vinyl 12 Inch
Genre: Drum & Bass

Sacrifice / Circle Of Nine

A SKC & Dis Sacrifice (6:55)
B Desimal Circle Of Nine (6:34)


Cat No: OBSE 003
Released: 2005


Alex Reece

Format: Vinyl 12 Inch
Genre: Drum & Bass


A1 Candles (Album Mix)
A2 Candles (Playboys For Life Remix)
B1 Candles (DJ Pulse Radio Edit)
B2 Candles (Blue Amazon Angel Of The North Vocal Mix)

4th & Broadway

Cat No: 12 BRW 333
Released: 1996


Dope Skillz

Format: Vinyl 12 Inch
Genre: Drum & Bass

Technical Difficulty / Hi Times

A Technical Difficulty (5:32)
AA Hi Times (6:14)

Bingo Beats

Cat No: BINGO048
Released: 2006


Unknown Artist

Format: Vinyl 12 Inch
Genre: Drum & Bass

Mad Real / Keep On

A Mad Real
AA Keep On


Cat No: Evil 003
Released: 1997



Format: Vinyl 12 Inch
Genre: Drum & Bass

The Jakes Project Vol. 1

A Haters
AA Swerve

D-Style Recordings

Cat No: DSR018
Released: 2009


Distorted Minds

Format: Vinyl 12 Inch
Genre: Drum & Bass

Eventual Remix / Oils

A Eventual Remix
AA Oils

New Identity Recordings

Cat No: NIR009
Released: 1998



Format: Vinyl 12 Inch
Genre: Drum & Bass

The Harder They Come - Part Two (Divide & Conquer)

E Cause 4 Concern Skewer (Sinthetix Remix) (6:26)
F Tronik 100 One Day (7:29)

Renegade Hardware

Cat No: RH37
Released: 2002


Air Movement

Format: Vinyl 12 Inch
Genre: Drum & Bass

System Ready / Cuttin Saw

A System Ready
AA Cuttin' Saw

5HQ Recordings

Cat No: HQ 008
Released: 1997
Out Of Stock

Fresh & Vegas

Format: Vinyl 12 Inch
Genre: Drum & Bass

Shades Of Sound / Inferno

A Shades Of Sound
AA Inferno

Breakbeat Culture Records

Cat No: BBC 006
Released: 1998
Out Of Stock

DJ Reality

Format: Vinyl 12 Inch
Genre: Drum & Bass

Descent / Methods

A Descent
AA Methods

Trouble On Vinyl

Cat No: TOV12033
Released: 1998



Format: Vinyl 12 Inch
Genre: Drum & Bass

Raise The Roof / Borrowed Time

A Raise The Roof
B Borrowed Time

D-Style Recordings

Cat No: DSRLP001EF
Released: 2008


Page of 350 next >>

Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).