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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Drum & Bass

This Style / Smurf

A This Style
AA Smurf

Back 2 Basics

Cat No: B2B 12071
Released: 2002


SDR & Subsonic

Format: Vinyl 12 Inch
Genre: Drum & Bass

Bad MF / Terminal 2

A1 Bad MF
B1 Terminal 2


Cat No: SB 009
Released: 1998



Format: Vinyl 12 Inch
Genre: Drum & Bass


A Switch (Long Version) (7:30)
B Retro (8:32)

Blue (Island)

Cat No: 12PFA1
Released: 1999


Sharon Forrester

Format: Vinyl 12 Inch
Genre: Drum & Bass

Love Inside

A1 Love Inside (Original Mix)
A2 Love Inside (Ray Keith Remix)
Remix - Ray Keith
B1 Love Inside (Da Intallex Remix)
B2 Love Inside (DJ Rap Remix)
Remix - DJ Rap


Cat No: FX 253
Released: 1994


Dr. S. Gachet

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Message

A The Message
B Half Hearted Monty Business

Audio Maze

Cat No: AUMR 008
Released: 1997



Format: Vinyl 4 x 12 Inch
Genre: Drum & Bass

Inside Out LP

A Decoder Turn (7:10)
B Ice Minus Zen (6:29)
C Formula 7 & TDK Step (6:29)
D Venom (5) Mystery (5:16)
E Manifest 42OAD (6:07)
F Regulate Untouch (6:25)
G Served Chilled Venus (6:22)
H Jay Rolla Open Mind (7:29)


Cat No: HLLP 4
Released: 1997


Babylon Zoo

Format: Vinyl 12 Inch
Genre: Drum & Bass

Animal Army

A Animal Army (Arthur Plays With Animals) (10:47)
B1 Spaceman (Kiss Mix) (07:04)
B2 Spaceman (Capital Mix - Touched By The Zupervarians) (03:47)

EMI Records

Cat No: 12EM 425
Released: 1996



Format: Vinyl Double 12 Inch
Genre: Drum & Bass

Fast Lane Vol 2 - (DISC 1&4 ONLY)

A Baron Final Answer
B Supply & Demand Shifting Gears (Zen Remix)

G Psychosis Freefall (Distorted Minds Remix)
H Visionary Nation 2 Nation

Trouble On Vinyl

Cat No: TOV LP 06
Released: 2005


DJ Vapour

Format: Vinyl 12 Inch
Genre: Drum & Bass

Vapour EP - (DISC 2 ONLY)

C The Mask
D Glucose

Dread Recordings

Cat No: DREADUK012
Released: 2009


Cibo Matto

Format: Vinyl 12 Inch
Genre: Drum & Bass

Sugar Water Remixes

A 1 Alex Reece Sugar Water Remix
A 2 Coldcut Sugar Water Remix
B 1 Mike D Sugar Water Remix
B 2 Cibo Matto Sugar Water L.P Version

Warner Bros. Records

Cat No: SAM 1949


Dope Skillz

Format: Vinyl 12 Inch
Genre: Drum & Bass

No Diggidy / Break The Loop

A No Diggidy
AA Break The Loop

True Playaz

Cat No: TPR12004
Released: 1997



Format: Vinyl 12 Inch
Genre: Drum & Bass

The Harder They Come - Pt I (Invasion Tactics) - (DISC 3 ONLY)

E Cause 4 Concern Blindside
F Dylan & Loxy Nightmare (Digital Remix)

Renegade Hardware

Cat No: RH36
Released: 2002



Format: Vinyl 12 Inch
Genre: Drum & Bass

Emotions With Intellect - (DISC 1 ONLY)

A Future Aspects
B1 Salsa Flavour
B2 Repro House
B3 Urban Radio

Modern Urban Jazz

Released: 1996



Format: Vinyl 12 Inch
Genre: Drum & Bass

Kingz Of The Rollers EP Vol III - (DISC 2 ONLY)

C D. Kay Reach Inside (6:01)
D Usual Suspects Sapphire 7 (7:07)

31 Records

Cat No: 31R019
Released: 2003


DJ Marky & S.P.Y.

Format: Vinyl 12 Inch
Genre: Drum & Bass

Give Me Your Love • EP - (DISC 2 ONLY)

C Kinky Funky
D Tapestry

Innerground Records

Cat No: INN030
Released: 2009


Page of 325 next >>

Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).