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  Artist Title Label Price

Moving Fusion

Format: Vinyl 12 Inch
Genre: Drum & Bass

Thunderball / Lazy Bones

A Thunderball
AA Lazy Bones

RAM Records

Cat No: RAMM 35
Released: 2001

£7.00

Amar

Format: Vinyl 12 Inch
Genre: Drum & Bass

Red Sky (Origin Unknown Remixes)

A Red Sky (Origin Unknown Mix) (6:57)
B Red Sky (Origin Unknown Radio Edit) (3:49)

Listen

Warner Music UK Ltd.

Cat No: SAM00182
Released: 1999

£8.00

Blowfelt

Format: Vinyl 12 Inch
Genre: Drum & Bass

Back Up Back Up

A1 Back Up Back Up (Vocal Version)
A2 Back Up Back Up (Lickle Rolla Original Mix)
B Back Up Back Up (Origin Unknown Remix)

Wordplay Records

Cat No: WORDT 035
Released: 2002

£4.00

Blame

Format: Vinyl 12 Inch
Genre: Drum & Bass

Music Takes You Remix EP - (DISC 1 ONLY)

X Music Takes You (John B 2001 Remix) (6:51)
Y Music Takes You (2 Bad Mice Take You) (5:54)

Moving Shadow

Cat No: MSXEP014
Released: 2001

£5.00

Hexstatic

Format: Vinyl 12 Inch
Genre: Drum & Bass

Nancy's Boots

A1 Nancy's Boots (3:45)
A2 Flawless Pills (5:01)
B1 Crazy Humanoids (3:27)
B2 What About Warheads? (6:44)

Not On Label (Hexstatic Self-released)

Cat No: EXACT 007
Released: 2004

£4.00

Origin Unknown

Format: Vinyl 12 Inch
Genre: Drum & Bass

Truly One Remixes Pt 1 & Pt 2

Truly One Remixes Pt 1 & Pt 2
Listen

Ram

Cat No: RAMM38
Released: 2002

£6.00

Technical Itch & Jakes

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Risin'

X The Risin' (7:48)
Y The Risin' (Subwave Remix) (7:22)

Moving Shadow

Cat No: SHADOW 163
Released: 2003

£6.50

Ultra Living

Format: Vinyl 12 Inch
Genre: Drum & Bass

Freeze, Die & Revive

A1 Freeze, Die & Revive (5:11)
A2 Freeze, Die & Revive (DJ Die Mix) (7:00)
AA1 {Fire Is The} Ultra Living (6:42)
AA2 Freeze, Die & Revive (Delta T Mix) (5:02)

Creation Records

Cat No: CTP286
Released: 1998

£4.00

Ebony Dubsters

Format: Vinyl 12 Inch
Genre: Drum & Bass

Ebony Dubs Vol. 3

A Murderation (Jungle Mix)
AA Murderation (Tear Out Mix)

Ebony Recordings

Cat No: EBR 029
Released: 2003

£4.00

Danny C

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Mexican / Dayz I Live

A The Mexican
AA Dayz I Live

Portica

Cat No: PORTICA 005
Released: 2002

£7.00

Influx Datum

Format: Vinyl 12 Inch
Genre: Drum & Bass

Back For More / Alright

A Back For More
B Alright

Formation Records

Cat No: FORM12096
Released: 2002

£4.00

Rudeboylicious

Format: Vinyl 12 Inch
Genre: Drum & Bass

Murdera / 2Bad

A Murdera
B 2Bad

Not On Label

Cat No: RUDE 001
Released: 2002

£4.00

Loxy & Mindmachine & Ink & J. Dub

Format: Vinyl 12 Inch
Genre: Drum & Bass

Fiend / Darkart

A Loxy & Mindmachine Fiend
AA Ink & J. Dub Darkart

Architecture

Cat No: ARX01S
Released: 2002

£3.00

Fire And Theft

Format: Vinyl 12 Inch
Genre: Drum & Bass

Game 9 (A-Sides Remixes)

A Game 9 (A-Sides Dancefloor Remix)
AA Game 9 (A-Sides Vocal Remix)

Narcotix Inc

Cat No: NARC 25
Released: 2000

£4.00

Funky Elements

Format: Vinyl 12 Inch
Genre: Drum & Bass

Nite Moves / Fire & Ice

A Nite Moves
AA Fire & Ice

Hardleaders

Cat No: HL 006
Released: 1996

£8.00
£4.00

Page of 335 next >>

Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).