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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Drum & Bass

No Government

A1 No Government
Producer - Plaid
A2 You Are Heaven Sent
Producer - Felix
B1 No Government In The Jungle (Bud Brothers Remix)
Remix - Bud Brothers
B2 No Government As A Way Of Life (Plaid remix)
Remix - Plaid

Talkin' Loud

Cat No: TLX 01
Released: 1995


Phace & N.Phect & Diz:Play & N.Phect & Complex

Format: Vinyl 12 Inch
Genre: Drum & Bass

Deep Throat / MoFo

That Side (5:43)
A Phace & N.Phect & Diz:Play Deep Throat (5:43)
This Side (6:28)
B N.Phect & Complex (5) MoFo (6:28)


Cat No: bw 24
Released: 2006


Roughcut & Prime Mover

Format: Vinyl 12 Inch
Genre: Drum & Bass

Shaolinz / Step Back

A Roughcut Shaolinz
B Prime Mover (2) Step Back

Tribe Recordings

Cat No: TRIBE033
Released: 2005


Hired Gun

Format: Vinyl 12 Inch
Genre: Drum & Bass

Try Again / Earthquake

A Try Again
AA Earthquake


Cat No: INFL 013
Released: 1999


Unknown Artist & Adina Howard

Format: Vinyl 12 Inch
Genre: Drum & Bass

Freak Like Me (Remix)

A Freak Like Me (Remix)
AA Untitled

Not On Label

Cat No: TR 001
Released: 2003


David Gray

Format: Vinyl 12 Inch
Genre: Drum & Bass


B Babylon (Remix)

Not On Label

Cat No: BABYLON 001



Format: Vinyl 12 Inch
Genre: Drum & Bass

Japan / F-Down

A Japan
AA F-Down


Cat No: HL58
Released: 2002


Apollo Four Forty

Format: Vinyl 12 Inch
Genre: Drum & Bass

Ain't Talkin' 'Bout Dub

1 Ain't Talking 'Bout Dub (@440 Radio Mix) (3:56)
2 Glam (Rock N Roll Part III) (8:13)
3 Ain't Talking 'Bout Dub (Matrix Remix) (6:04)
Remix - Matrix
4 Ain't Talking 'Bout Dub (Nok-Hop Remix) (6:19)


Cat No: EPC 664045 2, 01-664045-14
Released: 1997


Adam F & Redman

Format: Vinyl 12 Inch
Genre: Drum & Bass

Smash Sumthin

A Smash Sumthin (Remix By Roni Size)
AA Smash Sumthin (Remix By BC)

Kaos Recordings

Cat No: KAOS003P
Released: 2002



Format: Vinyl 12 Inch
Genre: Drum & Bass

Mash Up You know remix, Woman That Rolls

mash up '96 , woman that rolls

Aphrodite Recuts

Cat No: ADN 004
Released: 1996



Format: Vinyl 12 Inch
Genre: Drum & Bass


A1 Summerfire (Club Classic) (5:58)
A2 Summerfire (Club Version) (7:59)
B1 Summerfire (The Cyron 24 Funk-Step Mix) (6:30)
B2 Summerfire (2 Men Ahead Jazzy Underground Mix) (8:21)


Cat No: 74321 78312 1
Released: 2000


M-Beat & Jamiroquai

Format: Vinyl 12 Inch
Genre: Drum & Bass

Do U Know (Where You're Comin From)

A Do U Know (Where You're Comin From) (Original Extended Mix) (4:41)
B1 Do U Know (Where You're Comin From) (Intelligent Drum & Bass Mix) (5:08)
B2 Do U Know (Where You're Comin From) (Jumping Jack Frost Remix) (5:04)

Renk Records

Cat No: 12RENK T63
Released: 1996



Format: Vinyl 12 Inch
Genre: Drum & Bass

I Got 5 On It (Urban Takeover Remix)

A I Got 5 On It (Urban Takeover Remix) (7:05)
B I Got 5 On It (Aphrodite's Original Dub Plate) (6:41)

VC Recordings

Cat No: VCRT 41
Released: 1998
Out Of Stock


Format: Vinyl 12 Inch
Genre: Drum & Bass

Reality (D'z Mix) / Funkadelic

A Reality (D'z Mix)
AA Funkadelic

Frontline Records

Cat No: FRONT015
Released: 1996


Swift & Zinc

Format: Vinyl 12 Inch
Genre: Drum & Bass

Fatters / 12 O'Clock Drop

That Side
A Fatters
This Side
B 12 O'Clock Drop

Sophisticated Underground Sounds

Cat No: SUS001
Released: 1995


Page of 289 next >>

Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).