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  Artist Title Label Price

Nexus 21

Format: Vinyl 12 Inch
Genre: Euro Techno

Still (Life Keeps Moving) Carl Craig, MK, Reese mix

Master Reese, Carl Craig, Marc Kitchin
Listen

Network

Cat No: 6
Released: 1990

£12.00

Adam Beyer

Format: Vinyl 12 Inch
Genre: Euro Techno

Stocktown City

a1 Untitled (4:50)
a2 Untitled (5:31)
b1 Untitled (5:21)
b2 Untitled (4:54)

Rotation Records

Cat No: rot97010
Released: 1997

£7.00

Nexus 21

Format: Vinyl 12 Inch
Genre: Euro Techno

Still (Life Keeps Moving) Carl Craig, MK, Reese mix

Master Reese, Carl Craig, Marc Kitchin

Network

Cat No: 6
Released: 1990

£8.00

Subsonic 808

Format: Coloured Vinyl 10 Inch
Genre: Euro Techno

77

A1 Spank!
A2 Got Me
B1 Gotta Go
B2 Back In 77

Force Inc. Music Works

Cat No: FIM 084
Released: 1995

£6.00
£3.00

DJ Rush

Format: Vinyl 12 Inch
Genre: Euro Techno

The Vicious E.P.

A1 The Reborn
A2 Capricorn
A3 Water Work
B1 Get Her
B2 Virus
B3 The Force

Force Inc. Music Works

Cat No: FIM 105
Released: 1996

£7.00

MLO

Format: Vinyl 12 Inch
Genre: Euro Techno

The Garden

a The Garden
b Sun Wah

R&S

Cat No: RS 93014
Released: 1993

£12.00

Jam & Spoon

Format: Vinyl 12 Inch
Genre: Euro Techno

Tales From A Danceographic Ocean - Stella

A1 Stella
A2 Keep On Movin'
B My First Fantastic F.F.

R & S UK

Cat No: RSUK 14
Released: 1992

£12.00

Blake Baxter

Format: Vinyl 12 Inch
Genre: Euro Techno

One More Time

A1 One More Time (Red Planet Remix) (5:52)
A2 One More Time (Acid Mix) (4:32)
B1 One More Time (Original Mix/Logic Edit) (4:07)
B2 One More Time (Da Bass Mix) (4:57)

Logic Records

Cat No: 74321-10031-1
Released: 1992
Out Of Stock

CJ Bolland

Format: Vinyl 12 Inch
Genre: Euro Techno

Ravesignal III

A Mindwar (5:24)
B1 Horsepower (5:17)
B2 It's All In The Mind (4:11)

R & S Records

Cat No: RS 9131
Released: 1991
Out Of Stock

Spiritual Combat

Format: Vinyl 12 Inch
Genre: Euro Techno

Hellrazor EP

Black Side
A Pro-Black
Silver Side
B1 Rat-Trap
B2 Raw Basics

R & S Records

Cat No: RS 92017
Released: 1992

£12.00

Absolute

Format: Vinyl 12 Inch
Genre: Euro Techno

Second Entry , Absolute House

A1 Absolute House
A2 One On One
B1 Chord's
B2 The Box

Force Inc

Cat No: FIM 094
Released: 1995

£8.00

Model 500

Format: Vinyl 12 Inch
Genre: Euro Techno

The Flow Remixes Vol. I

A1 The Flow (Original)
A2 The Flow (G-Funk Mix)
B The Flow (Frank De Wulf Mix)

R & S Records

Cat No: LTD PROMO 900
Released: 1995

£7.00

Syzygy

Format: Vinyl 12 Inch
Genre: Euro Techno

Omnitude EP

A Osiris
B1 Omnitude
B2 Jericho

Rising High Records

Cat No: RSN 87
Released: 1994
Out Of Stock

Syzygy

Format: Vinyl 12 Inch
Genre: Euro Techno

Morphic Resonance

C1 Iguassu
C2 Moonworks
C3 Dialogue Of Consciousness
D1 The Archetype
D2 Out Of The Silent Planet
D3 I Am The Sky

Rising High Records

Cat No: RSN LP22
Released: 1994
Out Of Stock

CJ Bolland

Format: Vinyl Double Album
Genre: Euro Techno

The 4th Sign

Other Side
A1 Thrust (7:18)
A2 Spring Yard (5:06)
This Side
B1 Inside-Out (6:04)
B2 Mantra (6:42)
Other Side
C1 Nightbreed (4:55)
C2 Aquadrive (6:35)
This Side
D1 Camargue (6:27)
D2 Pendulum (6:41)

R & S Records

Cat No: RS 92024
Released: 1992
Out Of Stock
Page of 75 next >>

Information on the Euro Techno genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, this genre encompasses releases from Europe.

In Berlin, following the closure of a free party venue called UFO, the club Tresor opened in 1991. The venue was for a time the standard bearer for techno and played host to many of the leading Detroit producers, some of whom relocated to Berlin. By 1993, as interest in techno in the UK club scene started to wane, Berlin was considered the unofficial techno capital of Europe.

Although eclipsed by Germany, Belgium was another focus of second-wave techno in this time period. The Ghent-based label R&S Records embraced harder-edged techno by "teenage prodigies" like Beltram and C.J. Bolland, releasing "tough, metallic tracks...with harsh, discordant synth lines that sounded like distressed Hoovers," according to one music journalist.

Germany's engagement with American EDM during the 1980s paralleled that in the UK. By 1987 a German party scene based around the Chicago sound was well established. The following year (1988) saw acid house making as significant an impact on popular consciousness in Germany as it had in England. In 1989 German DJs Westbam and Dr. Motte established UFO, an illegal party venue, and co-founded the Love Parade. After the Berlin Wall fell on 9 November 1989, free underground techno parties mushroomed in East Berlin, and a rave scene comparable to that in the UK was established. East German DJ Paul van Dyk has remarked that techno was a major force in reestablishing social connections between East and West Germany during the unification period.

In 1991 a number of party venues closed, including UFO, and the Berlin Techno scene centered itself around three locations close to the foundations of the Berlin Wall: Planet (later renamed E-Werk by Paul van Dyk), Der Bunker, and the relatively long-lived Tresor. It was in Tresor at this time that a trend in paramilitary clothing was established (amongst the techno fraternity) by a DJ named Tanith; possibly as an expression of a commitment to the underground aesthetic of the music, or perhaps influenced by UR's paramilitary posturing. In the same period German DJs began intensifying the speed and abrasiveness of the sound, as an acid infused techno began transmuting into hardcore. DJ Tanith commented at the time that: Berlin was always hardcore, hardcore hippie, hardcore punk, and now we have a very hardcore house sound. At the moment the tracks I play are an average one hundred and thirty-five beats per minute and every few months we add fifteen more. This emerging sound is thought to have been influenced by Dutch gabber and Belgian hardcore; styles that were in their own perverse way paying homage to Underground Resistance and Richie Hawtin's Plus 8 Records. Other influences on the development of this style were European Electronic Body Music groups of the mid-1980s such as DAF, Front 242, and Nitzer Ebb. In Germany, fans referred to this sound as 'Tekkno' (or 'Bretter').


In 1993, the German techno label Tresor Records released the compilation album Tresor II: Berlin & Detroit – A Techno Alliance, a testament to the influence of the Detroit sound upon the German techno scene and a celebration of a "mutual admiration pact" between the two cities. As the mid-90s approached Berlin was becoming a haven for Detroit producers; Jeff Mills and Blake Baxter even resided there for a time. In the same period, with the assistance of Tresor, Underground Resistance released their X-101/X-102/X103 album series, Juan Atkins collaborated with 3MB's Thomas Fehlmann and Moritz Von Oswald and Tresor affiliated label Basic Channel had taken to having their releases mastered by Detroit's National Sound Corporation; the main mastering house for the entire Detroit dance music scene. In some sense popular electronic music had come full circle; Düsseldorf's Kraftwerk having been a primary influence on the electronic dance music of the 1980s. The dance sounds of Chicago also had a German connection as it was in Munich that Giorgio Moroder and Pete Bellotte had first produced the 1970s Eurodisco synth pop sound.