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  Artist Title Label Price

Bonjour Monsieur Basie

Format: Vinyl 12 Inch
Genre: Future Jazz


A Le "Main Gauche" De (Fats Waller)
B Ambient Jazz Suite No. 1


Cat No: ID002 T
Released: 1994


Ronny Jordan

Format: Vinyl 12 Inch
Genre: Future Jazz

The Law EP

A1 The Law (Legal Main Set Mix)
Remix - Ballistic Brothers
A2 The Law (Illegal After Hours Mix)
Remix - Ballistic Brothers
B1 The Law (Radio Edit Album Version)
B2 The Law (Ben Young Mix)
Remix - Ben Young

Island Records (UK)

Cat No: 12 IS 635
Released: 1996



Format: Vinyl 12 Inch
Genre: Future Jazz

Make Way For The Originals / Make Way For The Solos

A Make Way For The Originals
B Make Way For The Solos


Optimism Records

Cat No: OPT 12014
Released: 1991



Format: Vinyl Double 12 Inch
Genre: Future Jazz

People... Make The World Go Round Part Two

A1 Electric Soul (2) A New Song
A2 KV5 & Nicky Taylor Church Candles
B1 Likwid Biskit Complete Worries
B2 Ian O'Brien The Funky Apocalypse
C1 Likwid Biskit Sound Orgy
C2 New Sector Movements Voonga Voonge
D1 Soul Tuition Bring Me Down
D2 SK Radicals Reachin' 4 Da Farside (Misa Negra Remix)
Remix - Misa Negra


Cat No: PEOPLE LP 003
Released: 2000



Format: Vinyl 12 Inch
Genre: Future Jazz

Don't You Worry 'Bout A Thing

A1 Don't You Worry 'Bout A Thing (LP Version)
Mixed By - Jeremy Allom
A2 Colibri (Remix)
Mixed By - Jean-Paul Maunick , Jeremy Allom , Richard Bull
B1 Don't You Worry 'Bout A Thing (Frankie Foncett Mix)
Remix - Frankie Foncett
B2 Don't You Worry 'Bout A Thing (Frankie Foncett Underground Instrumental Mix)
Remix - Frankie Foncett

Talkin' Loud

Cat No: TLKX 21
Released: 1992


Mr. Gone

Format: Vinyl 12 Inch
Genre: Future Jazz

Just Listen To The Record

A1 Just Listen To The Record (D'original Mix)
A2 Just Listen To The Record (Roc's Club Listening Dub)
Remix - Roc Hunter
AA1 Just Listen To The Record (Roc's Rebuild)
Remix - Roc Hunter
AA2 The Duke
Featuring - Afro Elements

Internal Bass

Cat No: IBVC2001
Released: 1999



Format: Vinyl 12 Inch
Genre: Future Jazz

Keepie Uppies EP

A1 A Little Something (LP Version) (5:03)
A2 900 Degrees (5:26)
A3 Pathos (3:25)
AA1 A Little Something (Gerardo Frisina Mix) (6:12)
AA2 Stylus Rise (5:24)

Tru Thoughts

Cat No: TRUEP104
Released: 2006


MJ Cole

Format: Vinyl 12 Inch
Genre: Future Jazz

Sincere (The Black Science Remixes)

A1 Sincere (The Black Science House Ride)
A2 Sincere (Ride-A-Pella)
AA1 Sincere (The Black Science Hip Hop Ride)
AA2 Sincere (Hip Hop Science Instrumental)


Cat No: 582 693-1
Released: 1998


4 Hero

Format: Vinyl Double 12 Inch
Genre: Future Jazz

Escape That

A Escape That (Off-World Remix) (6:41)
B Planetaria (Hefner Remix) (6:18)
C Dauntless (Restless Soul Nova Remix) (7:33)
D Dauntless (Restless Soul South Pacific Mix) (4:50)

Talkin' Loud

Cat No: TKDJ 038/039
Released: 1999



Format: Vinyl 12 Inch
Genre: Future Jazz


A1 Spanish Storm (Original Mix)
A2 Spanish Storm (Dub Beats)
B1 Temple
B2 Our Roots
B3 Pray

Flower Records

Cat No: SDZA 1008



Format: Vinyl 12 Inch
Genre: Future Jazz

Russelology E.P

A1 Russelology
A2 Roll On
B1 Russelology (Mashi Flip Side Remix)
B2 Looking Deep (Vinsions Rework)

Mr Bongo

Cat No: MRB12038
Released: 2007
Out Of Stock

Frankie Valentine

Format: Vinyl Double Album
Genre: Future Jazz

The Junkie Blues (2 x LP)

A1 Untitled
A2 Untitled
B1 Untitled
B2 Untitled
C1 Untitled
C2 Untitled
D1 Untitled
D2 Untitled

Insence Recordings

Cat No: INS001
Released: 1997


Hopper & Carina Andersson

Format: Vinyl 12 Inch
Genre: Future Jazz

Spiritually Active Understanding [S.A.U.]

A Spiritually Active Understanding [S.A.U.] (Main Mix) (6:25)
B Spiritually Active Understanding [S.A.U.] (Downtempo Mix) (5:15)

Twisted Funk

Cat No: TF 1201
Released: 2002



Format: Vinyl 12 Inch
Genre: Future Jazz

AA Batteries

A AA Batteries - Complete Mix
B AA Batteries - Instrumental


Cat No: AAk2


New Sector Movements

Format: Vinyl Double 12 Inch
Genre: Future Jazz

No Tricks EP

A Only One (6:26)
B Para (7:17)
C Rocana Hardplace (7:45)
D Survival (7:51)


Cat No: NSMTDJ 1
Released: 2000


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Information on the Future Jazz genre

Future jazz ranges from combining live instrumentation with beats of jazz house (exemplified by the French St Germain, the German Jazzanova and Fila Brazillia from the UK) to more band-based improvised jazz with electronic elements (such as that of the The Cinematic Orchestra from the UK, the Belgian PhusionCulture, Mexican duo Kobol, and the Norwegian style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others).

Future jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin Acid Jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu Jazz “is the music itself and not the individual dexterity of the musicians.” Often, Nu Jazz blends elements of traditional Jazz texture with that of modern electronic music and free improvisation, thus, the music can truly evolve into a multitude of sounds and can vary greatly from artist to artist. The style can include broken rhythms, atonal harmonies, and improvised melody. Matthew Shipp and others demonstrate styles coined as “jazztronica” or "electro-jazz".

Nu jazz emerged from the use of electronic instruments in production in the 1970s work of such luminaries as Miles Davis, Herbie Hancock, and Ornette Coleman. Hancock's early 1980s work with Bill Laswell, in particular, such as the album Future Shock, anticipated the style in its incorporation of electro and hip-hop rhythms. Beginning in the late '80s, many hip-hop musicians worked in the jazz rap style -- among them, Gang Starr, The Roots, A Tribe Called Quest, and Nas. Also in the 1980s, many house musicians took inspiration from jazz, particularly post-bop and jazz funk.
In the mid-'90s and early 2000s, musicians from the downtempo scene, St Germain, DJ takemura, Perry Hemus and Jazzanova among them, began to delve more deeply into jazz. In the same period, intelligent dance music producers -- most famously Squarepusher and Spring Heel Jack, and later London Elektricity and Landslide -- took a similar interest. Techno musicians, such as Laurent Garnier, Carl Craig and his Innerzone Orchestra project, have also touched on nu jazz. Some figures from the digital hardcore and breakcore scenes, notably Alec Empire, Nic Endo, and Venetian Snares, have explored a harder, noiser variant on the style. A decade later, some dubstep producers, such as Boxcutter, also explored electronic jazz.

While still embracing the traditional forms of Jazz, pianist Bugge Wesseltoft and trumpeter Nils Petter Molvær are known for their improvisational nu jazz style. The Cinematic Orchestra is also known for incorporating a traditional jazz band while fusing electronic elements into their music production St. Germain, a purveyor of nu jazz music, has sold 1.5 million copies of his Tourist album, thus making it the top-selling jazz album in the United States.