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Artist | Title | Label | Price | |
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Red SnapperFormat: Vinyl 12 InchGenre: Future Jazz |
Mooking (Remix)A Son Of Mook (Depth Charge Remix)B Get Some Sleep Tiger (Plaid Remix) |
Warp RecordsCat No: WAP 70 RReleased: 1996 |
£7.00 |
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Isotope 217Format: Vinyl AlbumGenre: Future Jazz |
The Unstable MoleculeA1 Kryptonite Smokes The Red LineA2 Beneath The Undertow A3 La Jeteé B1 Phonometrics B2 Prince Namor B3 Audio Boxing |
Thrill JockeyCat No: THRILL 049Released: 1997 |
£30.00 |
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Mr. GoneFormat: Vinyl 12 InchGenre: Future Jazz |
Just Listen To The RecordA1 Just Listen To The Record (D'original Mix)A2 Just Listen To The Record (Roc's Club Listening Dub) Remix - Roc Hunter AA1 Just Listen To The Record (Roc's Rebuild) Remix - Roc Hunter AA2 The Duke Featuring - Afro Elements |
Internal BassCat No: IBVC2001Released: 1999 |
£
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Taxi DriverFormat: Vinyl 12 InchGenre: Future Jazz |
We Don't CareA We Don't CareB We Don't Care (Dub) |
EstereoCat No: Estereo 006Released: 1998 |
£
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ChungkingFormat: Vinyl 12 InchGenre: Future Jazz |
Making Music (Remixes)A1 Making Music (4 Hero Remix)A2 Making Music (4 Hero Instrumental) B1 Making Music (Aaron Jerome Remix) B2 Making Music (Aaron Jerome Instrumental) |
Gut RecordsCat No: PR12GUT59Released: 2004 |
£7.00 |
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VariousFormat: Vinyl 12 InchGenre: Future Jazz |
Playlist EPA1 Rima ForwardB1 Victor Davies Better Place (Faze Action Mix) B2 Underwolves, The In The Picture (Intega Broken Boogie Remix) |
Jazzanova Compost Records (JCR)Cat No: JCR 037-1Released: 2003 |
£6.00 |
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VariousFormat: Vinyl 12 InchGenre: Future Jazz |
Glücklich Vol. IV · 12InchA Trüby Trio Alegre (6:03)B1 Wei Chi Heaven (5:57) B2 Coisa Nossa & Salomé De Bahia Procurando O Caminho (3:15) |
Compost RecordsCat No: COMPOST 083-1Released: 2001 |
£4.00 |
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Heliocentric WorldFormat: Vinyl 12 InchGenre: Future Jazz |
Where's Your Love BeenA1 Where's Your Love Been (Radio Edit) (4:02)A2 Where's Your Love Been (6.26 Of A Different Mix) (6:26) B1 In Our Time (Extended Version) (6:26) B2 Where's Your Love Been (Helio Mix Two) (6:26) |
Talkin' LoudCat No: 856 217-1Released: 1995 |
£6.00 |
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ProcreationFormat: Vinyl 12 InchGenre: Future Jazz |
ProcreationA1 Us Vs. ThemA2 Conundrum B1 Intangible Units Of Perception B2 Sundance |
Compost RecordsCat No: COMPOST 057-1Released: 1999 |
£4.00 |
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Brand New Heavies, TheFormat: Vinyl 12 InchGenre: Future Jazz |
Dream Come TrueA1 Dream Come True (Reality Mix)A2 Dream Come True (Conversion Mix) B1 Dream Come True (Heavies Mix) B2 Stay This Way (The Morales Mix) |
FFRRCat No: FX 180Released: 1992 |
£7.00 |
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MarasmaFormat: Vinyl 12 InchGenre: Future Jazz |
Pimp In VelvetA Pimp In VelvetB1 The Bed And The Window B2 Two Hearts In One Body |
Freerange RecordsCat No: FR008Released: 1998 |
£4.00 |
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SunshipFormat: Vinyl 12 InchGenre: Future Jazz |
Muthafuckin'A1 Muthafuckin'B1 The 13th Key |
DoradoCat No: DOR007Released: 1992 |
£6.00 |
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Fretless AZMFormat: Vinyl 12 InchGenre: Future Jazz |
Disco JointedA1 Disco JointedA2 Divine in Nine B1 Turned On |
Holistic RecordingsCat No: HOL 19Released: 1999 |
£8.00 |
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UltramarineFormat: Vinyl 12 InchGenre: Future Jazz |
KingdomA1 Kingdom (4:53)A2 Goldcrest (7:26) B1 Kingdom (Extended Mix) (7:14) |
Blanco Y NegroCat No: SAM 1190Released: 1993 |
£3.00 |
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Brand New Heavies, TheFormat: Vinyl 12 InchGenre: Future Jazz |
Dream Come TrueA1 Dream Come True (Reality Mix)A2 Dream Come True (Conversion Mix) B1 Dream Come True (Heavies Mix) B2 Stay This Way (The Morales Mix) |
FFRRCat No: FX 180Released: 1992 |
£7.00 |
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Information on the Future Jazz genre
Future jazz ranges from combining live instrumentation with beats of jazz house (exemplified by the French St Germain, the German Jazzanova and Fila Brazillia from the UK) to more band-based improvised jazz with electronic elements (such as that of the The Cinematic Orchestra from the UK, the Belgian PhusionCulture, Mexican duo Kobol, and the Norwegian style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others).Future jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin Acid Jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu Jazz “is the music itself and not the individual dexterity of the musicians.†Often, Nu Jazz blends elements of traditional Jazz texture with that of modern electronic music and free improvisation, thus, the music can truly evolve into a multitude of sounds and can vary greatly from artist to artist. The style can include broken rhythms, atonal harmonies, and improvised melody. Matthew Shipp and others demonstrate styles coined as “jazztronica†or "electro-jazz".
Nu jazz emerged from the use of electronic instruments in production in the 1970s work of such luminaries as Miles Davis, Herbie Hancock, and Ornette Coleman. Hancock's early 1980s work with Bill Laswell, in particular, such as the album Future Shock, anticipated the style in its incorporation of electro and hip-hop rhythms. Beginning in the late '80s, many hip-hop musicians worked in the jazz rap style -- among them, Gang Starr, The Roots, A Tribe Called Quest, and Nas. Also in the 1980s, many house musicians took inspiration from jazz, particularly post-bop and jazz funk.
In the mid-'90s and early 2000s, musicians from the downtempo scene, St Germain, DJ takemura, Perry Hemus and Jazzanova among them, began to delve more deeply into jazz. In the same period, intelligent dance music producers -- most famously Squarepusher and Spring Heel Jack, and later London Elektricity and Landslide -- took a similar interest. Techno musicians, such as Laurent Garnier, Carl Craig and his Innerzone Orchestra project, have also touched on nu jazz. Some figures from the digital hardcore and breakcore scenes, notably Alec Empire, Nic Endo, and Venetian Snares, have explored a harder, noiser variant on the style. A decade later, some dubstep producers, such as Boxcutter, also explored electronic jazz.
While still embracing the traditional forms of Jazz, pianist Bugge Wesseltoft and trumpeter Nils Petter Molvær are known for their improvisational nu jazz style. The Cinematic Orchestra is also known for incorporating a traditional jazz band while fusing electronic elements into their music production St. Germain, a purveyor of nu jazz music, has sold 1.5 million copies of his Tourist album, thus making it the top-selling jazz album in the United States.