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  Artist Title Label Price

Mondo Grosso

Format: Vinyl 12 Inch
Genre: Future Jazz

Marble

A1 Tree, Air, And Rain On The Earth
A2 Anger (Club Mix)
A3 Souffles H (Souffle Your Wig)
A4 That's How It Is
B1 Spirit Of Voyage (Non Vocal Mix)
B2 Yellow Note (Straight To Prince Jazz Beards Head)
B3 Vibe P.M. (Stranger Things Have Happened - Brazil On A Jimmy Hill Mix)

99 Records

Cat No: 9006
Released: 1993

£9.00

Red Snapper

Format: Vinyl 12 Inch
Genre: Future Jazz

Mooking (Remix)

A Son Of Mook (Depth Charge Remix)
B Get Some Sleep Tiger (Plaid Remix)

Warp Records

Cat No: WAP 70 R
Released: 1996

£7.00

Isotope 217

Format: Vinyl Album
Genre: Future Jazz

The Unstable Molecule

A1 Kryptonite Smokes The Red Line
A2 Beneath The Undertow
A3 La Jeteé
B1 Phonometrics
B2 Prince Namor
B3 Audio Boxing

Thrill Jockey

Cat No: THRILL 049
Released: 1997

£30.00

Mr. Gone

Format: Vinyl 12 Inch
Genre: Future Jazz

Just Listen To The Record

A1 Just Listen To The Record (D'original Mix)
A2 Just Listen To The Record (Roc's Club Listening Dub)
Remix - Roc Hunter
AA1 Just Listen To The Record (Roc's Rebuild)
Remix - Roc Hunter
AA2 The Duke
Featuring - Afro Elements

Internal Bass

Cat No: IBVC2001
Released: 1999

£7.00
£3.50

Taxi Driver

Format: Vinyl 12 Inch
Genre: Future Jazz

We Don't Care

A We Don't Care
B We Don't Care (Dub)

Estereo

Cat No: Estereo 006
Released: 1998

£6.00
£3.00

Chungking

Format: Vinyl 12 Inch
Genre: Future Jazz

Making Music (Remixes)

A1 Making Music (4 Hero Remix)
A2 Making Music (4 Hero Instrumental)
B1 Making Music (Aaron Jerome Remix)
B2 Making Music (Aaron Jerome Instrumental)

Gut Records

Cat No: PR12GUT59
Released: 2004

£7.00

Various

Format: Vinyl 12 Inch
Genre: Future Jazz

Playlist EP

A1 Rima Forward
B1 Victor Davies Better Place (Faze Action Mix)
B2 Underwolves, The In The Picture (Intega Broken Boogie Remix)

Jazzanova Compost Records (JCR)

Cat No: JCR 037-1
Released: 2003

£6.00

Various

Format: Vinyl 12 Inch
Genre: Future Jazz

Glücklich Vol. IV · 12Inch

A Trüby Trio Alegre (6:03)
B1 Wei Chi Heaven (5:57)
B2 Coisa Nossa & Salomé De Bahia Procurando O Caminho (3:15)

Compost Records

Cat No: COMPOST 083-1
Released: 2001

£4.00

Heliocentric World

Format: Vinyl 12 Inch
Genre: Future Jazz

Where's Your Love Been

A1 Where's Your Love Been (Radio Edit) (4:02)
A2 Where's Your Love Been (6.26 Of A Different Mix) (6:26)
B1 In Our Time (Extended Version) (6:26)
B2 Where's Your Love Been (Helio Mix Two) (6:26)

Talkin' Loud

Cat No: 856 217-1
Released: 1995

£6.00

Procreation

Format: Vinyl 12 Inch
Genre: Future Jazz

Procreation

A1 Us Vs. Them
A2 Conundrum
B1 Intangible Units Of Perception
B2 Sundance

Compost Records

Cat No: COMPOST 057-1
Released: 1999

£4.00

Brand New Heavies, The

Format: Vinyl 12 Inch
Genre: Future Jazz

Dream Come True

A1 Dream Come True (Reality Mix)
A2 Dream Come True (Conversion Mix)
B1 Dream Come True (Heavies Mix)
B2 Stay This Way (The Morales Mix)

FFRR

Cat No: FX 180
Released: 1992

£7.00

Marasma

Format: Vinyl 12 Inch
Genre: Future Jazz

Pimp In Velvet

A Pimp In Velvet
B1 The Bed And The Window
B2 Two Hearts In One Body

Freerange Records

Cat No: FR008
Released: 1998

£4.00

Sunship

Format: Vinyl 12 Inch
Genre: Future Jazz

Muthafuckin'

A1 Muthafuckin'
B1 The 13th Key

Dorado

Cat No: DOR007
Released: 1992

£6.00

Fretless AZM

Format: Vinyl 12 Inch
Genre: Future Jazz

Disco Jointed

A1 Disco Jointed
A2 Divine in Nine
B1 Turned On

Holistic Recordings

Cat No: HOL 19
Released: 1999

£8.00

Ultramarine

Format: Vinyl 12 Inch
Genre: Future Jazz

Kingdom

A1 Kingdom (4:53)
A2 Goldcrest (7:26)
B1 Kingdom (Extended Mix) (7:14)

Blanco Y Negro

Cat No: SAM 1190
Released: 1993

£3.00

Page of 34 next >>

Information on the Future Jazz genre

Future jazz ranges from combining live instrumentation with beats of jazz house (exemplified by the French St Germain, the German Jazzanova and Fila Brazillia from the UK) to more band-based improvised jazz with electronic elements (such as that of the The Cinematic Orchestra from the UK, the Belgian PhusionCulture, Mexican duo Kobol, and the Norwegian style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others).

Future jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin Acid Jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu Jazz “is the music itself and not the individual dexterity of the musicians.” Often, Nu Jazz blends elements of traditional Jazz texture with that of modern electronic music and free improvisation, thus, the music can truly evolve into a multitude of sounds and can vary greatly from artist to artist. The style can include broken rhythms, atonal harmonies, and improvised melody. Matthew Shipp and others demonstrate styles coined as “jazztronica” or "electro-jazz".


Nu jazz emerged from the use of electronic instruments in production in the 1970s work of such luminaries as Miles Davis, Herbie Hancock, and Ornette Coleman. Hancock's early 1980s work with Bill Laswell, in particular, such as the album Future Shock, anticipated the style in its incorporation of electro and hip-hop rhythms. Beginning in the late '80s, many hip-hop musicians worked in the jazz rap style -- among them, Gang Starr, The Roots, A Tribe Called Quest, and Nas. Also in the 1980s, many house musicians took inspiration from jazz, particularly post-bop and jazz funk.
In the mid-'90s and early 2000s, musicians from the downtempo scene, St Germain, DJ takemura, Perry Hemus and Jazzanova among them, began to delve more deeply into jazz. In the same period, intelligent dance music producers -- most famously Squarepusher and Spring Heel Jack, and later London Elektricity and Landslide -- took a similar interest. Techno musicians, such as Laurent Garnier, Carl Craig and his Innerzone Orchestra project, have also touched on nu jazz. Some figures from the digital hardcore and breakcore scenes, notably Alec Empire, Nic Endo, and Venetian Snares, have explored a harder, noiser variant on the style. A decade later, some dubstep producers, such as Boxcutter, also explored electronic jazz.

While still embracing the traditional forms of Jazz, pianist Bugge Wesseltoft and trumpeter Nils Petter Molvær are known for their improvisational nu jazz style. The Cinematic Orchestra is also known for incorporating a traditional jazz band while fusing electronic elements into their music production St. Germain, a purveyor of nu jazz music, has sold 1.5 million copies of his Tourist album, thus making it the top-selling jazz album in the United States.