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  Artist Title Label Price

Forces Of Nature

Format: Vinyl 12 Inch
Genre: Future Jazz

Dimensions

a Dimensions
b1 Dreamscape
b2 Interlude

Clean Up Records

Cat No: CUP015
Released: 1996

£7.00

Gentleman's Orchestra

Format: Vinyl 12 Inch
Genre: Future Jazz

Jazz Is The Colour E.P.

A1 Pink Direct
A2 Orange Crush
B1 Green Memory
B2 Blue Camouflage

Gentleman's Haircut

Cat No: GH001
Released: 1999

£7.00

Brand New Heavies, The

Format: Vinyl 12 Inch
Genre: Future Jazz

Dream Come True

A1 Dream Come True (Reality Mix)
A2 Dream Come True (Conversion Mix)
B1 Dream Come True (Heavies Mix)
B2 Stay This Way (The Morales Mix)

FFRR

Cat No: FX 180
Released: 1992

£7.00

Incognito

Format: Vinyl 12 Inch
Genre: Future Jazz

Don't You Worry 'Bout A Thing

A1 Don't You Worry 'Bout A Thing (LP Version)
Mixed By - Jeremy Allom
A2 Colibri (Remix)
Mixed By - Jean-Paul Maunick , Jeremy Allom , Richard Bull
B1 Don't You Worry 'Bout A Thing (Frankie Foncett Mix)
Remix - Frankie Foncett
B2 Don't You Worry 'Bout A Thing (Frankie Foncett Underground Instrumental Mix)
Remix - Frankie Foncett

Talkin' Loud

Cat No: TLKX 21
Released: 1992

£8.00

United Future Organization

Format: Vinyl Album
Genre: Future Jazz

3rd Perspective - (DISC 1 ONLY)

A1 His Name Is...
A2 Nica's Dream
A3 Spy's Spice (Mon Espionne) (In Danger Mix)
B1 Spy's Spice (Mon Espionne)
B2 Dice For A Chance
B3 The Planet Plan (Edit)

Brownswood Records

Cat No: PHJR-16001/2
Released: 1997

£5.00

Suburban Ghetto

Format: Vinyl 12 Inch
Genre: Future Jazz

Ghetto Grooves

A Jammin' In & Outta Space
B1 Sonic Soloution
B2 Rhythm Inferno

Dust 2 Dust Records

Cat No: SPEC 109
Released: 1997

£6.00

Monkey Business

Format: Vinyl 12 Inch
Genre: Future Jazz

Ain't No Fun

a1 Ain't No Fun (Cool Breeze Mix)
a2 Ain't No Fun (Ain't No Vocals)
b1 Ain't No Fun (Burnin' Mix)

Dorado

Cat No: DOR001
Released: 1992

£7.00

Earl Zinger

Format: Vinyl Double Album
Genre: Future Jazz

Put Your Phazers On Stun Throw Your Health Food Skyward

A1 Intro
A2 On My Way Home
A3 Song 2Wo
A4 Intro
A5 Battle Of The Mic
A6 Escape From Ibiza
B1 Last Of The Great Bassline Hunters
B2 Ringa Dinga Zinga
B3 Go Ground
B4 Egyptian In The Red
B5 ...
B6 Galaxy
C1 Metropolis
C2 Story Of The Heaviest Bassline Ever
C3 Learning To Fly
D1 Did They Write On You
D2 Saturday Morning Rush
D3 Got To Get To Ibiza

one corner of sleeve has been nibbled!!!!!

Studio !K7

Cat No: !K7117 LP
Released: 2001

£6.00

Akimbo

Format: Vinyl 12 Inch
Genre: Future Jazz

Call To Freedom

A1 Call To Freedom (New Testament Mix)
A2 Call To Freedom (New Testament Instrumental)
B1 Call To Freedom
B2 On Top (Cosmic Jam Version)

Acid Jazz

Cat No: TENTH 02T
Released: 1988

£7.00

Fretless AZM

Format: Vinyl 12 Inch
Genre: Future Jazz

Disco Jointed

A1 Disco Jointed
A2 Divine in Nine
B1 Turned On

Holistic Recordings

Cat No: HOL 19
Released: 1999

£8.00
£4.00

GK Deep

Format: Vinyl 12 Inch
Genre: Future Jazz

Shots In A Second

A Shots In A Second
AA1 The Roots
AA2 Morning Light In The Dark

People

Cat No: PEOPLE 021
Released: 2001

£4.50

United Future Organization

Format: Vinyl Double 12 Inch
Genre: Future Jazz

The Planet Plan

A1 The Planet Plan 4:34
B1 The Planet Plan (DJ Die Mix)
C1 The Planet Plan (Yellow Productions Mix Paris - Tokyo - San Salvador) (7:27)
D1 The Planet Plan (Carl Craig Mix) (9:21)

Talkin' Loud

Cat No: TKDJ1
Released: 1997

£4.00

Ultramarine

Format: Vinyl 12 Inch
Genre: Future Jazz

Kingdom

A1 Kingdom (4:53)
A2 Goldcrest (7:13)
B Kingdom (Extended Mix) (7:14)

Blanco Y Negro

Cat No: NEG 65T
Released: 1993

£5.00

Frankie Valentine

Format: Vinyl 12 Inch
Genre: Future Jazz

The Junkie Blues (2 x LP)

A1 Untitled
A2 Untitled
B1 Untitled
B2 Untitled


Insence Recordings

Cat No: INS001
Released: 1997

£12.00

The Slack Dog Ensemble

Format: Vinyl 12 Inch
Genre: Future Jazz

Slack Dog E.P

A New Yawk Dog
B1 Ruff Dog
B2 Fusion Hot Dog

Lo Recordings

Cat No: LO EP1
Released: 1995

£5.00

Page of 33 next >>

Information on the Future Jazz genre

Future jazz ranges from combining live instrumentation with beats of jazz house (exemplified by the French St Germain, the German Jazzanova and Fila Brazillia from the UK) to more band-based improvised jazz with electronic elements (such as that of the The Cinematic Orchestra from the UK, the Belgian PhusionCulture, Mexican duo Kobol, and the Norwegian style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others).

Future jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin Acid Jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu Jazz “is the music itself and not the individual dexterity of the musicians.” Often, Nu Jazz blends elements of traditional Jazz texture with that of modern electronic music and free improvisation, thus, the music can truly evolve into a multitude of sounds and can vary greatly from artist to artist. The style can include broken rhythms, atonal harmonies, and improvised melody. Matthew Shipp and others demonstrate styles coined as “jazztronica” or "electro-jazz".


Nu jazz emerged from the use of electronic instruments in production in the 1970s work of such luminaries as Miles Davis, Herbie Hancock, and Ornette Coleman. Hancock's early 1980s work with Bill Laswell, in particular, such as the album Future Shock, anticipated the style in its incorporation of electro and hip-hop rhythms. Beginning in the late '80s, many hip-hop musicians worked in the jazz rap style -- among them, Gang Starr, The Roots, A Tribe Called Quest, and Nas. Also in the 1980s, many house musicians took inspiration from jazz, particularly post-bop and jazz funk.
In the mid-'90s and early 2000s, musicians from the downtempo scene, St Germain, DJ takemura, Perry Hemus and Jazzanova among them, began to delve more deeply into jazz. In the same period, intelligent dance music producers -- most famously Squarepusher and Spring Heel Jack, and later London Elektricity and Landslide -- took a similar interest. Techno musicians, such as Laurent Garnier, Carl Craig and his Innerzone Orchestra project, have also touched on nu jazz. Some figures from the digital hardcore and breakcore scenes, notably Alec Empire, Nic Endo, and Venetian Snares, have explored a harder, noiser variant on the style. A decade later, some dubstep producers, such as Boxcutter, also explored electronic jazz.

While still embracing the traditional forms of Jazz, pianist Bugge Wesseltoft and trumpeter Nils Petter Molvær are known for their improvisational nu jazz style. The Cinematic Orchestra is also known for incorporating a traditional jazz band while fusing electronic elements into their music production St. Germain, a purveyor of nu jazz music, has sold 1.5 million copies of his Tourist album, thus making it the top-selling jazz album in the United States.