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  Artist Title Label Price

F.M. Inc.

Format: Vinyl 12 Inch
Genre: Future Jazz

Moving In The Right Direction

A Moving In The Right Direction (Live Mix)
B1 Moving In The Right Direction (Alternative Mix)
B2 Moving In The Right Direction (Alternative Instrumental Mix)

FM.Inc Records

Cat No: FME 001
Released: 1993



Format: Vinyl 12 Inch
Genre: Future Jazz

Who Do You Love

A1 Who Do You Love (12")
B1 Who Do You Love (Instrumental 12")
B2 Who Do You Love (Acapella)


Released: 1994


Working Week

Format: Vinyl Double 12 Inch
Genre: Future Jazz

I Thought I'd Never See You Again

A I Thought I'd Never See You Again (Hot Samba Mix)
B Where's The Bridge
C Yatra-Ta
D1 Happy Inspiration
D2 Sweet Nothing

Virgin Records

Cat No: VS 807-12
Released: 1985



Format: Vinyl 12 Inch
Genre: Future Jazz

Call To Freedom

A1 Call To Freedom (New Testament Mix)
A2 Call To Freedom (New Testament Instrumental)
B1 Call To Freedom
B2 On Top (Cosmic Jam Version)

Acid Jazz

Cat No: TENTH 02T
Released: 1988


Down To The Bone

Format: Vinyl 12 Inch
Genre: Future Jazz

Right On Baby - Yeah!

A1 Right On Baby - Yeah! (Hoops Hanova Mix)
A2 Right On Baby - Yeah! (DTTB Mix)
B1 Right On Baby - Yeah! (Aim Mix)
B2 Right On Baby - Yeah! (Hoops Drumapella)

Internal Bass

Cat No: IBVC2002
Released: 1999



Format: Vinyl 12 Inch
Genre: Future Jazz

Rift Lift

A Rift Lift
B Rift Lift (Mix 2)


Cat No: SIRK 011
Released: 1998


Animal Nightlife

Format: Vinyl 12 Inch
Genre: Future Jazz

Love Is Just The Great Pretender

A Love Is Just The Great Pretender
B The Great Pretender

Inner Vision

Cat No: IVL A 13 2881
Released: 1982



Format: Vinyl 12 Inch
Genre: Future Jazz

Jus' Reach

A Jus' Reach
B1 Jus' Reach (Easy Nuh Star 12")
B2 Jus' Reach (Instrumental Easy Nuh Star)

Talkin' Loud

Cat No: TLKX 16
Released: 1991



Format: Vinyl 12 Inch
Genre: Future Jazz

Hungry Like A Baby

A Hungry Like A Baby (5:12)
B1 Jus' Reach (Mystic Micks) (4:16)
B2 Jus' Reach (12" Mix) (4:50)

Talkin' Loud

Cat No: TLKDJ 039
Released: 1992



Format: Vinyl Album
Genre: Future Jazz

Moon Safari

A1 La Femme D'Argent (7:08)
A2 Sexy Boy (4:57)
A3 All I Need (4:28)
A4 Kelly Watch The Stars (3:44)
B1 Talisman (4:16)
B2 Remember (2:34)
B3 You Make It Easy (4:00)
B4 Ce Matin La (3:38)
B5 New Star In The Sky (5:38)
B6 Le Voyage De Penelope (3:10)


Cat No: 07243 8 44978 1 1
Released: 2015


Fretless AZM

Format: Vinyl 12 Inch
Genre: Future Jazz

Disco Jointed

A1 Disco Jointed
A2 Divine in Nine
B1 Turned On

Holistic Recordings

Cat No: HOL 19
Released: 1999


Diana Brown&Barrie K Sharpe

Format: Vinyl 12 Inch
Genre: Future Jazz

Blind Faith

A1 Blind Faith (The Master Jam)
B1 Blind Faith (Dubwise Selection)
B2 Blind Faith (Barrie K Sharpe Ground Beat Mix)


Cat No: FX 114
Released: 1989



Format: Vinyl 12 Inch
Genre: Future Jazz

4AM In Leicester Square

A 4AM In Leicester Square (7:36)
B1 Snake In The Grass (6:01)
B2 Have Faith (6:47)


Cat No: WC 129601


Macy Gray

Format: Vinyl 12 Inch
Genre: Future Jazz

When I See You

A1 When I See You (Bugz In The Attic Remix)
B1 When I See You (Bugz In The Attic Remix Instrumental)
B2 When I See You (Bugz In The Attic Dub)


Cat No: XPR 3685
Released: 2003


Red Snapper

Format: Vinyl 12 Inch
Genre: Future Jazz

Mooking (Remix)

A Son Of Mook (Depth Charge Remix)
B Get Some Sleep Tiger (Plaid Remix)

Warp Records

Cat No: WAP 70 R
Released: 1996


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Information on the Future Jazz genre

Future jazz ranges from combining live instrumentation with beats of jazz house (exemplified by the French St Germain, the German Jazzanova and Fila Brazillia from the UK) to more band-based improvised jazz with electronic elements (such as that of the The Cinematic Orchestra from the UK, the Belgian PhusionCulture, Mexican duo Kobol, and the Norwegian style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others).

Future jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin Acid Jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu Jazz “is the music itself and not the individual dexterity of the musicians.” Often, Nu Jazz blends elements of traditional Jazz texture with that of modern electronic music and free improvisation, thus, the music can truly evolve into a multitude of sounds and can vary greatly from artist to artist. The style can include broken rhythms, atonal harmonies, and improvised melody. Matthew Shipp and others demonstrate styles coined as “jazztronica” or "electro-jazz".

Nu jazz emerged from the use of electronic instruments in production in the 1970s work of such luminaries as Miles Davis, Herbie Hancock, and Ornette Coleman. Hancock's early 1980s work with Bill Laswell, in particular, such as the album Future Shock, anticipated the style in its incorporation of electro and hip-hop rhythms. Beginning in the late '80s, many hip-hop musicians worked in the jazz rap style -- among them, Gang Starr, The Roots, A Tribe Called Quest, and Nas. Also in the 1980s, many house musicians took inspiration from jazz, particularly post-bop and jazz funk.
In the mid-'90s and early 2000s, musicians from the downtempo scene, St Germain, DJ takemura, Perry Hemus and Jazzanova among them, began to delve more deeply into jazz. In the same period, intelligent dance music producers -- most famously Squarepusher and Spring Heel Jack, and later London Elektricity and Landslide -- took a similar interest. Techno musicians, such as Laurent Garnier, Carl Craig and his Innerzone Orchestra project, have also touched on nu jazz. Some figures from the digital hardcore and breakcore scenes, notably Alec Empire, Nic Endo, and Venetian Snares, have explored a harder, noiser variant on the style. A decade later, some dubstep producers, such as Boxcutter, also explored electronic jazz.

While still embracing the traditional forms of Jazz, pianist Bugge Wesseltoft and trumpeter Nils Petter Molvær are known for their improvisational nu jazz style. The Cinematic Orchestra is also known for incorporating a traditional jazz band while fusing electronic elements into their music production St. Germain, a purveyor of nu jazz music, has sold 1.5 million copies of his Tourist album, thus making it the top-selling jazz album in the United States.