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  Artist Title Label Price

Awesome 3

Format: Vinyl 12 Inch
Genre: Hardcore

Hard Up

A Hard Up (Hard Core Mix)
B Hard Up (Uproar Mix)


Cat No: AMY 591
Released: 1990



Format: Vinyl 12 Inch
Genre: Hardcore

Urbanasia EP

A1 Urbanasia (6:03)
B1 Take You There 1992 (4:12)
B2 Roll Down (5:27)

Warehouse Wax

Cat No: WAX 011
Released: 2007


Fantasy UFO

Format: Vinyl 12 Inch
Genre: Hardcore

Mind, Body, Soul

A1 Mind, Body, Soul (Live @ The Underground Mix)
B1 Mind, Body, Soul (24" Melt The Speaker Mix)
B2 Mind, Body, Soul (Jam Rock Style)


Cat No: YZ591T
Released: 1991


Third Mind

Format: Vinyl 12 Inch
Genre: Hardcore

Beans And Barley

A Get Some Beans And Barley (4:12)
B1 It Just Makes Me Wanna Dance (3:28)
B2 Beans And Barley (DJ Mix) (4:00)


Kickin Records

Cat No: KICK 14
Released: 1992


Zero Zero

Format: Vinyl 12 Inch
Genre: Hardcore

The Sanity Clause , Courting Madness

A The Sanity Clause (Stoopid)
B1 The Sanity Clause (Insane Mix)
B2 Courting Madness



Cat No: KICK 4
Released: 1991


Altern 8

Format: Vinyl 12 Inch
Genre: Hardcore

Brutal 8 E

A1 Brutal-8-E (Jungle Brutalism Mix)
A2 Brutal-8-E (Z-Trance Mix)
B1 Brutal-8-E (Version De La Wobble)
B2 Brutal-8-E (One For John)



Cat No: NWKT 59
Released: 1992


Mark 'Oh

Format: Vinyl 12 Inch
Genre: Hardcore

Tears Don't Lie

A1 Tears Don't Lie (12" Mix) (4:57)
A2 Tears Don't Lie (O. Lieb Remix) (6:17)
B1 Tears Don't Lie (Mark' Oh Remix) (4:32)
B2 Tears Don't Lie (Hooligan Remix) (5:29)


Cat No: SYSX 9
Released: 1995


Unsound City & C.J. Burton & TNT

Format: Vinyl 12 Inch
Genre: Hardcore

Never Felt So Good / We All Rock Together

A Never Felt So Good
AA We All Rock Together

Soundclash Records

Cat No: SCR004
Released: 1992


Skin Up

Format: Vinyl 12 Inch
Genre: Hardcore


A Ivory (Ebony Mix)
B1 Ivory (Tuscany Mix)
B2 Make Me Scream

Love Records

Cat No: EVOLX 4
Released: 1991


Shut Up & Dance

Format: Vinyl 12 Inch
Genre: Hardcore

Save It 'Til The Mourning After

A1 Save It 'Til The Mourning After (Club Mix) (5:14)
A2 Save It 'Til The Mourning After (Instrumental) (4:52)
B1 Save It 'Til The Mourning After (Extended Original Mix) (4:52)
B2 Rush Coming On (3:27)

Pulse-8 Records

Cat No: PULS84T
Released: 1995


Force Mass Motion

Format: Vinyl 12 Inch
Genre: Hardcore

Chase EP - 2nd press repress

A1 Explosion
A2 V.N.E.
B1 Let It Move You
B2 I Dream Of You

Rabbit City

Cat No: CUT 005
Released: 1993


V-Neck & Zion Train

Format: Vinyl 12 Inch
Genre: Hardcore

At The Door - Re-MIx

A1 At The Door (Re-Mix)
B1 At The Door (Original)
B2 Red Eyed Dub


Cat No: MOZT-7-VN3


Sonz Of A Loop Da Loop Era

Format: Vinyl 12 Inch
Genre: Hardcore

Further Out / Let Your Mind Be Free

A Further Out (Da Far Out Remix)
AA Let Your Mind Be Free

Suburban Base Records

Cat No: SUBBASE 008R
Released: 1991
Out Of Stock

Awesome 3

Format: Vinyl 12 Inch
Genre: Hardcore

Don't Go '94

This Side
A1 Don't Go (Wag Ya Tail Euro Mix) (6:08)
A2 Don't Go (Wag Ya Tail Disco Mix) (5:15)
That Side
B1 Don't Go (Luvdup 12\") (6:27)
B2 Don't Go (K.L.A.M. Original Mix) (5:31)

City Beat

Cat No: CBX 1271
Released: 1994
Out Of Stock

Shut Up & Dance & Peter Bouncer

Format: Vinyl 12 Inch
Genre: Hardcore

Raving I'm Raving

A Raving I'm Raving (5:05)
AA Runaways (4:44)

Shut Up And Dance Records

Cat No: SUAD 30
Released: 1992


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Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!

As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.