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  Artist Title Label Price

Zero Zero

Format: Vinyl 12 Inch
Genre: Hardcore

Zeroxed

M/CR Murder Mix , Toper Mix , Kickin' Like a Mutha F***in Chicken Mix
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Kickin

Cat No: KICK 9
Released: 1991

£10.00

Hypnotist, The

Format: Vinyl 12 Inch
Genre: Hardcore

The House Is Mine (Remix) / The Modern Prometheus

A The House Is Mine (Remix)
B The Modern Prometheus
Producer, Written-By - Peter Smith
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Rising High Records

Cat No: RSN 4X
Released: 1992

£10.00
£5.00

The Nighttripper

Format: Vinyl 12 Inch
Genre: Hardcore

Hour Of Darkness / Deadline

A1 Hour Of Darkness (5:21)
A2 Hour Of Darkness (Freestyle) (4:43)
AA1 Deadline (5:05)
AA2 Hour Of Darkness (Basement Mix) (5:24)

ESP Records

Cat No: ESP 9104-1
Released: 1991

£10.00

New Direction

Format: Vinyl 12 Inch
Genre: Hardcore

Run To Me

A1 Run To Me (London Mix)
A2 Run To Me (Trance Mix)
B1 Run To Me (Underground Rave Mix)
B2 Run To Me (Underground Dub)

Perfecto London

Cat No: PERF 3DJ
Released: 1993

£22.00

The Ragga Twins

Format: Vinyl 12 Inch
Genre: Hardcore

Hooligan 69 (Remix)

A Hooligan 69 (Remix)
AA1 Love Talk
AA2 Hooligan 69 (Original)

Shut Up And Dance Records

Cat No: SUAD 16
Released: 1991

£7.00

Bizarre Inc

Format: Vinyl Double 12 Inch
Genre: Hardcore

Playing With Knives (Remixes)

A1 Playing With Knives (Tall Paul Mix)
remix by Tall Paul
B1 Playing With Knives (Tarrentella Mix)
remix by Tarrentella
C1 Playing With Knives (Al Scott Mix)
remix by Al Scott
D1 Playing With Knives (Dillon and Dickins Mix)
remix by Dill

Vinyl Solution

Cat No: BIZ 4
Released: 1998

£15.00

AWOL

Format: Vinyl 12 Inch
Genre: Hardcore

5 4 3 2 1 (Come On)

A1 5.4.3.2.1. (Come On) (6:09)
B1 5.4.3.2.1. (Come On) (Half Dub Mix) (6:09)
B2 5.4.3.2.1. (Come On) (Dub Beats) (5:24)

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Elicit

Cat No: 12 ELIC 7
Released: 1992

£8.00

Altern 8

Format: Vinyl 12 Inch
Genre: Hardcore

Hypnotic ST-8 - inc Joey Beltram Mix

A1 Hypnotic St-8 (Higher St-8 Mix)
Engineer - Mike Bell
A2 DJ Nex's Break
Engineer - Mike Bell
B1 Infiltrate 202 (Joey Beltram Remix)
Engineer - John Rhodes
Remix - Joey Beltram
B2 Armageddon (We H-8 Garage Mix)
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Network

Cat No: NWKT 49
Released: 1992

£10.00
£5.00

Mental & Dangerous

Format: Vinyl 12 Inch
Genre: Hardcore

M-A-D EP Vol 1

A1 It Makes Me Feel Free
A2 Free Your Soul
B1 The Dead
B2 Smoke Machine

Mental And Dangerous Records

Cat No: MAD001
Released: 1991

£10.00

Carl Cox

Format: Vinyl 12 Inch
Genre: Hardcore

I Want You (Forever)

A I Want You (Forever) (Full On Mix) (6:20)
B1 I Want You (Forever) (Piano Version) (5:33)
B2 Hardcore Massif! (4:14)

Perfecto

Cat No: PT 44886
Released: 1991
Out Of Stock

Shades Of Rhythm

Format: Vinyl 12 Inch
Genre: Hardcore

Sweet Sensation zang 18TX

Sweet Sensation Busters sweet salsa mix, Mr clubmans mix, Everybody

ZTT

Cat No: zang 18TX
Released: 1991

£8.00

Bass Construction

Format: Vinyl 12 Inch
Genre: Hardcore

The E.P. Part 2 - generic sleeve

A1 Get On The Move (5:30)
A2 Make Me Feel (3:40)
B1 Too Sexy To Dance (Addicted To Bass) (5:20)
B2 Too Sexy To Dance (5:28)

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Elicit

Cat No: 12 ELIC 6
Released: 1992

£9.00

Praga Khan & Jade 4 U

Format: Vinyl 12 Inch
Genre: Hardcore

Give Me Your Lovin'

A1 Give Me Your Lovin' (Havanna Club Mix)
A2 Give Me Your Lovin' (Havanna Hard Mix)
B1 Give Me Your Lovin' (The Praga's Original Radio Version)
B2 Give Me Your Lovin' (Andy Morris Mix)
B3 Give Me Your Lovin' (Terra Australis Dub)

Profile Records

Cat No: PROFT 403
Released: 1992

£5.00

Eon

Format: Vinyl 12 Inch
Genre: Hardcore

Fear : The Mindkiller

Hype Side / Other Side
A1 Fear (Prologue) (0:33)
A2 Fear (Original Mix With Bats) (5:04)
Vibe Side / This Side
B1 B Cool # 1 (8AM Mix) (3:59)
B2 Fear (Mr Raucous Mix) (4:52)

Vinyl Solution

Cat No: STORM 33
Released: 1991

£7.00

T99

Format: Vinyl 12 Inch
Genre: Hardcore

Invisible Sensuality

Other Side
A Invisible Sensuality (12" Version) (6:42)
This Side
B1 Invisible Sensuality (Dub Version) (4:56)
B2 Invisible Sensuality (Emergency Version) (4:09)

Who's That Beat?

Cat No: WHOS 2
Released: 1988
Out Of Stock
Page of 199 next >>

Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!


As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.