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  Artist Title Label Price

9-10-Boy

Format: Vinyl 12 Inch
Genre: Hardcore

Robocop

A Robocop
B Revenge Of The Gatorade

Bash

Cat No: BASH 002
Released: 1991

£4.00

Dave Clarke & Bang The Future

Format: Vinyl 12 Inch
Genre: Hardcore

Stargate

A Dave Clarke & Bang The Future Stargate (Bang The Future Remix) (5:57)
AA Dave Clarke Stargate (Original Mix) (6:13)

Great British Techno Inc (GBT)

Cat No: GBT18
Released: 1996

£4.00

Tekno Dred & Ad Man

Format: Vinyl 12 Inch
Genre: Hardcore

Can It Be / New Horizons

A Can It Be (8:40)
B New Horizons (6:30)

Stompin Choonz

Cat No: ST 16
Released: 1997

£4.00

Silver Bullet

Format: Vinyl 12 Inch
Genre: Hardcore

Undercover Anarchist

A Undercover Anarchist (Ruff To The Bone Mix) (4:33)
B Undercover Anarchist (Push To The Limit Mix) (5:06)

Parlophone

Cat No: 12R 6284
Released: 1991

£4.00

N.A.M.

Format: Vinyl 12 Inch
Genre: Hardcore

Recycler

A1 Recycler (Club Mix) (4:50)
A2 Recycler (Instrumental) (3:50)
B1 Black Corridor (Club Mix) (4:30)
B2 Black Corridor (Instrumental) (3:43)

Listen

Warrior Records

Cat No: WRR12 017
Released: 1991

£8.00

Recursion

Format: Vinyl 12 Inch
Genre: Hardcore

Overdrive

A1 Overdrive
A2 I'm Still Running
B1 Mix A2 (Be One Remix)
B2 Beyond My Dreams

Recursion Records

Cat No: RECURSION 1
Released: 2001

£7.00

De-viation Crew

Format: Vinyl 12 Inch
Genre: Hardcore

Here It Is

A Here It Is
B1 Here It Is (De-V8's DJ Mix)
B2 De-State

Cuckoo Land Records

Cat No: CL 002 T
Released: 1993

£100.00

Well 'Ard

Format: Vinyl 12 Inch
Genre: Hardcore

'Ard Corrr

A 'Ard Corrr (DJ Reckless' Large Mix) (5:35)
B1 'Ard Corrr (DJ Reckless' Bad Boy Mix) (6:03)
B2 'Ard Corrr (DJ Reckless' Roots Dub) (4:34)

Jumpin' & Pumpin'

Cat No: 12 TOT 23
Released: 1992

£8.00

K.a.r

Format: Vinyl 12 Inch
Genre: Hardcore

Ilu Ilu / No Kami

A. Ilu Ilu (Tabla Mix)
AA1 Ilu Ilu (Gora Mix)
AA2 No Kami (Gods Mix)

DV8 International

Cat No: DV8 002

£4.00

P.K.A.

Format: Vinyl 12 Inch
Genre: Hardcore

Taste Do Ya?

A The Rampage Remix!

Not On Label

Cat No: LOIS 2

£4.00

Humanoid

Format: Vinyl 12 Inch
Genre: Hardcore

Stakker Humanoid

A1 Stakker Humanoid (4:59)
A2 Stakker Humanoid (Radio Edit Mix) (3:40)
B Stakker Humanoid (The Omen Mix) (7:50)

Westside Records

Cat No: WSRT 12
Released: 1988

£4.00

Unknown Artist

Format: Vinyl 12 Inch
Genre: Hardcore

The Bleep

A The Bleep
AA The Bleep

Dance Movement Records

Cat No: 15K001
Released: 1991
Out Of Stock

Altern 8

Format: Vinyl 12 Inch
Genre: Hardcore

Brutal-8-E (Groove Corporation Remixes)

A Brutal-8-E (Z-Trance Mix)
B1 Brutal-8-E (Pieces Of 8 Mix)
B2 Brutal-8-E (Version De La Wobble)
Listen

Network Records

Cat No: NWKTR 59
Released: 1992

£10.00

1703

Format: Vinyl 12 Inch
Genre: Hardcore

Hypnotise

A1 Hypnotise (4:39)
B1 Hypnotise No.2 (5:22)
B2 Hypnotise No.3 (4:46)

Ozone Recordings

Cat No: OZON 17
Released: 1991

£4.00

Obertron

Format: Vinyl 12 Inch
Genre: Hardcore

Insanity

A Insanity (Club Mix)
AA Insanity (Long Range Mix)

Omen Recordings

Cat No: ZT 44770
Released: 1991

£4.00

Page of 216 next >>

Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!


As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.