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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Hardcore

Exorcist II Remix

A The Exorcist (Remix)
AA1 The Exorcist (Exorcised Mix)
AA2 The Exorcist (Possessed Mix)

Kickin Records

Cat No: KICK 1TR
Released: 1990


Genaside II

Format: Vinyl 12 Inch
Genre: Hardcore

The Alchemist / Death Of The Kamikazee

a The Alchemist (Quadrapartheid Mix)
b Death Of The Kamikazee (Inbetween Minds Remix)


Jumpin & Pumpin

Cat No: 12TOT 9
Released: 1990



Format: Vinyl 12 Inch
Genre: Hardcore

Squad-E Remixes side a/b only

A Access 3 Promised Land
B Headtrippers Life On Life

Raver Baby

Cat No: BABY43
Released: 2006


Rum & Black

Format: Vinyl 12 Inch
Genre: Hardcore

F*ck The Legal Stations

A F*ck The Legal Stations
B I'm Not In Love

Shut Up And Dance

Cat No: 8
Released: 1990



Format: Vinyl Double Album
Genre: Hardcore

Control - some wear visiable

A1 Come Back
A2 Ruf Intelligence Revisited
B1 Lonely (Remix)
B2 My Mind
C1 Can't Be Trusted
C2 All Night Long
D1 Cruzin'
D2 Freedom

Suburban Base Records

Released: 1995


Secret Squirrel

Format: Vinyl 12 Inch
Genre: Hardcore

Essential Squirrel Beats Vol​ ​2

A1 Bogwoppa
A2 Go Crazy
B1 Fuck Cinderalla
B2 Its Outragous (2018 Nut Scratch Rmx)

Bogwoppa Records

Cat No: BOG 27
Released: 2018


Seduction & Al Storm

Format: Vinyl 12 Inch
Genre: Hardcore

Make The Track Spin / Listen To The Beat

A Make The Track Spin
B Listen To The Beat

Maximum Impact

Cat No: MAXIMP 09
Released: 2005


Homeboy/Hippy/Funky Dred

Format: Vinyl 12 Inch
Genre: Hardcore


A1 Revelations
A2 Now Is The Future
AA1 Drop It
AA2 Were Gonna Rock This Motha' F*cker


Rising High

Cat No: RSN28
Released: 1991


Jimmy J & Cru-L-T

Format: Vinyl 12 Inch
Genre: Hardcore

Six Days (Remixes)

A1 Six Days (Try Unity Cover Version)
A2 Six Days (Ant To Be Remix)
B1 Six Days (DJ Sc@r Remix)
B2 Six Days (Al Storm's 1999 Remix)

Remix Records

Cat No: REC 020
Released: 2018


Fantasy UFO

Format: Vinyl 12 Inch
Genre: Hardcore

Mind, Body, Soul

A1 Mind, Body, Soul (Live @ The Underground Mix)
B1 Mind, Body, Soul (24" Melt The Speaker Mix)
B2 Mind, Body, Soul (Jam Rock Style)


Cat No: YZ591T
Released: 1991



Format: Vinyl 12 Inch
Genre: Hardcore

Equilibrium - The Remix Project

A1 Equilibrium (Hyper Mix)
A2 Equilibrium (Break The Pressure Mix)
B1 Equilibrium (KZ1 Remix)
B2 Factor 7


Furious Records

Cat No: FRUT-005
Released: 1992


David Green

Format: Vinyl 12 Inch
Genre: Hardcore

Infrabass 3

A1 Punk's Not Dead (6:15)
A2 Skunk/Skunk-Kush (4:53)
B Sunday Morning (7:17)


Cat No: IBFTP 03
Released: 1999



Format: Vinyl 7 Inch
Genre: Hardcore

Stakker Humanoid

A Stakker Humanoid (3:40)
B Stakker Humanoid (Part 2) (4:00)

Westside Records

Cat No: WSR 12
Released: 1988



Format: Vinyl 7 Inch
Genre: Hardcore

3 A.M. Eternal (Live At The S.S.L.)

A 3 A.M. Eternal (Live At The S.S.L.)
AA 3 A.M. Eternal (Guns Of Mu Mu)

KLF Communications

Cat No: KLF 005
Released: 1991



Format: Vinyl 12 Inch
Genre: Hardcore

Spice, Inner Mind The Remixes

A Inner Mind (Deep Thought Mix) (4:31)
B1 Spice (Mordib vs The Baron Mix) (5:41)
B2 Inner Mind (Deep Thought Instrumental) (3:21)


Vinyl Solution

Cat No: STORM 27
Released: 1991


Page of 219 next >>

Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!

As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.