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  Artist Title Label Price

Reel II Reel

Format: Vinyl 12 Inch
Genre: Hardcore

Test Press Vol. 1

A1 Cool Hand Flex Flexin'
A2 Uncle 22 Who Killed The Cat
B1 Cool Hand Flex Tell Me (What I Have To Do)
B2 A-Sides You Got Me Burnin'

Reel 2 Reel Productions

Cat No: RTR 009
Released: 1992

£4.00

Prodigy, The

Format: Vinyl Double Album
Genre: Hardcore

The Fat Of The Land

A1 Smack My Bitch Up (5:43)
A2 Breathe (5:35)
B1 Diesel Power (4:18)
B2 Funky Shit (5:16)
C1 Serial Thrilla (5:11)
C2 Mindfields (5:40)
C3 Narayan (9:06)
D1 Firestarter (4:40)
D2 Climbatize (6:38)
D3 Fuel My Fire (4:19)

new sealed

XL Recordings

Cat No: XLLP 121
Released: 2012
Out Of Stock

The Hypnotist

Format: Vinyl 12 Inch
Genre: Hardcore

The House Is Mine / Pioneers Of The Warped Groove

A The House Is Mine (8:41)
AA Pioneers Of The Warped Groove (8:29)

Rising High Records

Cat No: RSN 4
Released: 1991

£5.00

Unique 3

Format: Vinyl 12 Inch
Genre: Hardcore

Rhythm Takes Control (Remixes)

A Rhythm Takes Control (M602 Remix)
B1 Rhythm Takes Control
B2 Rhythm Takes Control (Beats And Bass Mix)

Ten Records Ltd. (10 Records)

Cat No: TENR 327
Released: 1990

£7.00

4 Hero

Format: Vinyl 12 Inch
Genre: Hardcore

No Sleep Raver / Marimba

Ai No Sleep Raver (The G And D Mix)
Aii No Sleep Raver (The M And I Mix)
AAi Marimba
AAii Marimba (The Stop And Start Mix)

Reinforced Records

Cat No: RIVET 1206
Released: 1991

£5.00

XON

Format: Vinyl 12 Inch
Genre: Hardcore

The Mood Set

That Side
A Midnight Express (6:31)
This Side
B1 Dissonance (4:54)
B2 Bopulate (6:43)

Network Records

Cat No: NWKT 17
Released: 1991

£20.00

Various

Format: Vinyl Compilation
Genre: Hardcore

Kaos Theory

A1 The Prodigy G Force (Energy Flow)
A2 Haywire Let Me Be Your Fantasy (No Fantasy Faze)
A3 Convert Nightbird
A4 Manix Feel Real Good (Remix)
A5 Turntable Symphony Instructions Of Life
A6 The Alcan Warriors Maniac
A7 Wishdokta Evil Surrounds Us
B1 Digital Orgasm Running Out Of Time (Milky Way Mix)
B2 Messiah There Is No Law
B3 Hackney Hardcore Dancehall Dangerous (Terrorise Mix)
B4 Shut Up & Dance The Green Man
B5 The Hypnotist Night Of The Living E Heads
B6 Noise Engineer Jelly Wobble (Blob A Lob A Mix)
B7 Kicks Like A Mule The Bouncer

Telstar

Cat No: STAR 2562
Released: 1992
Out Of Stock

M.I.C.

Format: Vinyl 12 Inch
Genre: Hardcore

Oobe 3 (Remix)

A Oobe 3 (Remix)
AA1 Oobe 1 (Ozzie G. Rap)
AA2 Oobe 4 (Acid)

Planet Pacific

Cat No: PPAC2TR
Released: 1990

£5.00

Ursa Major

Format: Vinyl 12 Inch
Genre: Hardcore

Listen To The Sound Of My Voice

A1 Verdi Loves House
A2 Listen To The Sound Of My Voice (Remix)
B1 O.K. Let's Do It
B2 Listen To The Sound Of My Voice (Org.)

Haunted House Records

Cat No: HH 192
Released: 1992

£4.00

Flex & Uncle

Format: Vinyl 12 Inch
Genre: Hardcore

Party Time / Odd Ball

A Party Time
B Odd Ball

i.e. Records

Cat No: IE-003
Released: 1991

£5.00

Cyanide 45

Format: Vinyl 12 Inch
Genre: Hardcore

Notice Me / Deep Thrust Telescopic Probe

A Notice Me
B Deep Thrust Telescopic Probe

Not On Label

Cat No: SYA-001
Released: 1992
Out Of Stock

Digital Sappers

Format: Vinyl 12 Inch
Genre: Hardcore

Pick-Mind

A Pick-Mind (Omni Version) (5:30)
B Pick-Mind (Reverse Mix) (5:30)

MGM Records

Cat No: MG 003
Released: 1992

£4.00

Mine The Rhythm

Format: Vinyl 12 Inch
Genre: Hardcore

Feel The Fear

A1 Feel The Fear
A2 Alas
B1 Break 3
B2 Unfinished

Stage

Cat No: STAGE 001
Released: 1992
Out Of Stock

Alcan Warriors

Format: Vinyl 12 Inch
Genre: Hardcore

Maniac

A1 Maniac
A2 Mystery Maniac
AA1 Funk-A-Drome
AA2 Frenzie

D-Zone

Cat No: DANCE 018
Released: 1991

£10.00

Greed

Format: Vinyl 12 Inch
Genre: Hardcore

Love

A Love (Italiano Mix)
B1 Love (Balaeric Mix)
B2 Love (Radio Edizone)

Listen

D-Zone Records

Cat No: DANCE011R
Released: 1991

£8.00

Page of 224 next >>

Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!


As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.