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  Artist Title Label Price

Tekno 2

Format: Vinyl 12 Inch
Genre: Hardcore

Psycho Annihilating Remix

A Psycho (Annihilating Remix)
AA Psycho (Nightmare's Revenge)

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Dance Zone

Cat No: DANCE 017R
Released: 1992

£10.00

Tronik House

Format: Vinyl 12 Inch
Genre: Hardcore

Straight Outta Hell - inc Kevin Saunderson, Stacy Pullen & 2 Bad Mice Mixes

A1 Straight Outta Hell (Hellbound Mix)
Remix - Kevin Saunderson
A2 Straight Outta Hell (Stacey's Back To Detroit Mix)
Remix - Stacey Pullen
A3 Straight Outta Hell (2 Bad Mice Remix)
Remix - 2 Bad Mice
A4 Straight Outta Hell (Back To Hell Mix)
Remix - DJ Tone

Network

Cat No: NWKT 61
Released: 1992

£10.00

Toxic Two

Format: Vinyl 12 Inch
Genre: Hardcore

Rave Generator (The Remixes)

A1 Rave Generator (Brooklyn Remix) (6:23)
A2 Rave Generator (Radio Edit) (5:48)
B1 Rave Generator (Club Remix) (6:30)
B2 Rave Generator (Original Version) (5:48)
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Dancefloor

Cat No: DF1240
Released: 1992

£12.00

DJ Fade & MC Smiley

Format: Vinyl 12 Inch
Genre: Hardcore

Rhythm Rider, Now you Know

A Rhythm Ryder
B Now You Know

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HVR

Cat No: 004
Released: 1995

£6.00

Silver Bullet

Format: Vinyl 12 Inch
Genre: Hardcore

Bring Forth The Guillotine (The Ben Chapman Mixes)

A Bring Forth The Guillotine (The Ben Chapman Remix) (6:32)
B1 Bring Forth The Guillotine (Mental Mix) (4:37)
B2 Bring Forth The Guillotine (Darkside Mix) (6:30)

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Tam Tam Records

Cat No: TTT 013
Released: 1989

£7.00

MS Six

Format: Vinyl 12 Inch
Genre: Hardcore

In The Jungle EP

A1 Top Riot
A2 Sixth Sensation
B1 Fabulous Works II
B2 Nitemares

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Absolute 2

Cat No: ABS DJ004
Released: 1992

£12.00

Altern 8

Format: CD Single
Genre: Hardcore

Evapor 8 (CD)

1 Evapor 8 (Inciner 8 Mix) (5:29)
Vocals - P.P. Arnold
2 Evapor 8 (Disintigr 8 Mix) (5:15)
Vocals - P.P. Arnold
3 Armageddon (Radi 8 Mix) (5:49)
4 Infiltrate 202 (The Altern 8 vs Asterix And Space Remix) (3:18)


Network

Cat No: NWK CD 38
Released: 1992

£10.00
£5.00

G Double E

Format: Vinyl 12 Inch
Genre: Hardcore

B-LINE FROM HELL EP

A B-Line From Hell
B1 Funky As A Funky Thing
B2 G -Theme Part 2 (Psychoanalyst)
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Hardcore Urban Music

Cat No: URBANEP2
Released: 1991

£9.00

Noize Creator

Format: Vinyl 12 Inch
Genre: Hardcore

Deferred Media

A1 Per Thousand (2:52)
A2 Deferred Media (4:02)
A3 Have A Piss (2:46)
B1 Broken Bar (4:20)
B2 Hate Cops (3:56)

Ambush

Cat No: 12
Released: 2001

£5.00

The Hypnotist

Format: Vinyl 12 Inch
Genre: Hardcore

Hardcore U Know The Score 2019

A Hardcore U Know The Score (Disintegrator Remix)
B1 Hardcore U Know The Score (Innercore Remix)
B2 Hardcore U Know The Score (Original Mix)

Rising High Records

Cat No: RSN 3032
Released: 2019

£10.00

Greed

Format: Vinyl 12 Inch
Genre: Hardcore

Love

A Love (Italiano Mix)
B1 Love (Balaeric Mix)
B2 Love (Radio Edizone)

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D-Zone Records

Cat No: DANCE011R
Released: 1991

£8.00
£4.00

Rhythmatic

Format: Vinyl 12 Inch
Genre: Hardcore

Frequency / Demons

A Frequency
B Demons

Network Records

Cat No: 10 NWK 13
Released: 1990

£10.00

Badman, The

Format: Vinyl 12 Inch
Genre: Hardcore

Magic Style

A1 Magic Style (Aroundabout Mix) (5:58)
A2 Magic Style (Sugar Lump Trip) (4:45)
AA Shape Dancing (Original Mix) (5:53)

City Beat

Cat No: CBE 1259
Released: 1991

£7.00

Mikee B & Urban Hype

Format: Vinyl 12 Inch
Genre: Hardcore

Jingle Bells

A Jingle Bells
B1 Relapse
B2 Relapsed

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Perception Records

Cat No: UNIE 23
Released: 1991

£7.00

Q Project

Format: Vinyl 12 Inch
Genre: Hardcore

Champion Sound (Remixes)

a Champion Sound (Darwin Remix) (6:20)
b Champion Sound (Warped Science Remix) (5:29)

Just Another Label

Cat No: JAL 43
Released: 2004

£4.00

Page of 218 next >>

Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!


As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.