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  Artist Title Label Price

Tone Loc

Format: Vinyl 12 Inch
Genre: Hip Hop

Loc'ed After Dark / Wild Thing

A1 Loc'ed After Dark (Vocal) (5:07)
A2 Loc'ed After Dark (Radio) (5:01)
AA1 Wild Thing (Vocal) (4:26)
AA2 Wild Thing (Wild Beats) (3:06)

Fourth & Broadway

Cat No: 12 BRW 121
Released: 1988

£7.00

TQ

Format: Vinyl 12 Inch
Genre: Hip Hop

Ride On/Superbitches

A1 Ride On (4:17)
A2 Ride On (Clean) (4:17)
A3 Ride On (Instrumental) (4:17)
B1 Superbitches (3:44)
B2 Superbitches (Clean) (3:44)
B3 Superbitches (Instrumental) (3:44)

Clockwork Entertainment

Cat No: XPR 3390
Released: 1999

£4.50

MN8

Format: Vinyl 12 Inch
Genre: Hip Hop

Tuff Act To Follow

A1 Tuff Act To Follow (M. Doc's Mix)
A2 Tuff Act To Follow (Silk&Doc's Tuff Mix)
B1 Tuff Act To Follow (Silk's House Mix)
B2 Tuff Act To Follow (Best Kept Secret Mix)

Columbia

Cat No: XPR 2310
Released: 1996

£6.00
£3.00

Spooks

Format: Vinyl 12 Inch
Genre: Hip Hop

Faster Than You Know

A1 Faster Than You Know (Album Version) (3:47)
A2 Faster Than You Know (Instrumental) (3:45)
A3 Crazy (Album Version) (3:49)
B1 Crazy (Instrumental) (3:43)
B2 In On It (Radio Edit) (3:51)
B3 In On It (Full Version) (6:48)

KOCH Records

Cat No: SPOOKSVP1
Released: 2003

£5.00

Various

Format: Vinyl 12 Inch
Genre: Hip Hop

Kick It! The Def Jam Sampler Volume One

A1 Beastie Boys Rock Hard (4:56)
A2 Jazzy Jay Def Jam (6:49)
A3 The Junkyard Band The Word / Sardines (Segue) (6:31)
A4 Original Concept Pump That Bass / Live (Get A Little Stupid... HO!) (3:08)
A5 Chuck Stanley The Finer Things In Life (3:46)
B1 LL Cool J I'm Bad (4:39)
B2 Tashan Read My Mind (4:51)
B3 Original Concept Can You Feel It (3:54)
B4 Public Enemy You're Gonna Get Yours (4:03)
B5 Oran 'Juice' Jones Here I Go Again (4:48)

Def Jam Recordings

Cat No: KIKIT1
Released: 1987

£4.50

Run-DMC

Format: Vinyl 12 Inch
Genre: Hip Hop

Walk This Way

A1 Walk This Way
B1 Walk This Way (Instrumental)
B2 My Adidas

London Records

Cat No: LONX 104
Released: 1986

£7.00

Young MC

Format: Vinyl 12 Inch
Genre: Hip Hop

Bust A Move

A1 Bust A Move (4:23)
A2 Know How (4:01)
A3 Got More Rhymes (4:51)
B1 Bust A Move (Instrumental) (4:23)
B2 Know How (Instrumental) (4:01)
B3 Got More Rhymes (Instrumental) (4:51)

Delicious Vinyl

Cat No: 61044-71908-1
Released: 1998

£7.00

Twin Hype

Format: Vinyl 12 Inch
Genre: Hip Hop

Do It To The Crowd

A Do It To The Crowd (5:02)
B1 Do It To The Crowd (Instrumental) (4:32)
B2 Do It To The Crowd (Bonus Beats) (3:05)

Profile Records

Cat No: PROFT 255
Released: 1989

£4.50

Galliano

Format: Vinyl 12 Inch
Genre: Hip Hop

Long Time Gone

A1 Long Time Gone (Extended Mix) (6:21)
A2 Long Time Gone (Palm Skin Productions Remix) (6:00)
B1 What Colour Our Flag (Part 1) (5:21)
B2 Rivers (6:59)

Talkin' Loud

Cat No: TLKX 48
Released: 1994

£6.00

P.M. Dawn

Format: Vinyl 12 Inch
Genre: Hip Hop

A Watcher's Point Of View

A1 A Watcher's Point Of View (Don't Cha Think) (Youth Extended Mix)
A2 A Watcher's Point Of View (Don't Cha Think) (Youth Radio Mix)
B1 Twisted Mellow
B2 A Watcher's Point Of View (Don't Cha Think) (Acappella)

Gee Street

Cat No: GEET32
Released: 1991

£6.00
£3.00

I.G.T. feat Horace Brown

Format: Vinyl 12 Inch
Genre: Hip Hop

Word To Life

A1 Word To Life (Radio Version) (3:55)
A2 Word To Life (Instrumental) (3:54)
B Word To Life (Album Version) (3:55)

Loud Records

Cat No: CASS345454
Released: 2001

£6.00
£3.00

Silver Bullet

Format: Vinyl 12 Inch
Genre: Hip Hop

20 Seconds To Comply

A 20 Seconds To Comply (The Final Conflict) (6:12)
B1 20 Seconds To Comply (The Omen Mix) (6:06)
B2 Bring Forth The Guillotine (D.J. Beats) (6:07)

Tam Tam Records

Cat No: TTT 019
Released: 1989

£4.50

Kelly Rowland

Format: Vinyl 12 Inch
Genre: Hip Hop

Stole

A1 Stole (H&D New Soul Mix) (3:01)
A2 Stole (Album Version) (4:03)
B1 Stole (Azza New Soul Mix) (4:32)
B2 Stole (D. Elliott Dreambrotha Mix) (3:55)

Columbia

Cat No: XPR 3635
Released: 2002

£6.00

Dungeon Family

Format: Vinyl 12 Inch
Genre: Hip Hop

Trans DF Express

A1 Trans DF Express (Club Mix) (4:49)
A2 Trans DF Express (Instrumental) (4:49)
B1 Trans DF Express (Radio Mix) (4:49)
B2 Trans DF Express (Acapella) (4:19)

Arista

Cat No: ARDP-5046
Released: 2001

£6.00
£3.00

Princess Superstar

Format: Vinyl 12 Inch
Genre: Hip Hop

Bad Babysitter

A1 Bad Babysitter
A2 Bad Babysitter (Clean Version)
A3 Bad Babysitter (Instrumental)
B1 Bad Babysitter (45 King Remix)
B2 Bad Babysitter (45 King Remix Clean)

Rapster Records

Cat No: RR0007 EP
Released: 2002

£7.00
£3.50

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Information on the Hip Hop genre

Hip hop is a cultural movement incorporating i rockbreakdancing (B-boying), music, graffiti writing, DJing and MCing. It originated in the African American, Jamaican communities of New York City (with the South Bronx as the center) in the late 1970s. It was DJ Afrika Bambaataa that outlined the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Since first emerging in the Bronx, the lifestyle of hip hop culture has spread around the world. When hip hop music began to emerge, it was based around disc jockeys who created rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, which is now more commonly referred to as sampling. This was later accompanied by "rapping" (a rhythmic style of chanting or poetry more formally in 16 bar measures or time frames) and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJs. An original form of dancing and particular styles of dress arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.


Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting – or boasting impromptu poetry and sayings over music – which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's Good Times.
Kool DJ Herc is credited as being highly influential in the pioneering stage of hip hop music.

Herc, along with Grandmaster Flash was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.[citation needed] Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

In the late 1970s an underground urban movement known as "hip-hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, break dancing, rap music, and fashion, hip-hop became the dominant cultural movement of the African American and Hispanic communities in the 1980s. Tagging, rapping, and break dancing were all artistic variations on the male competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine, synthesizer technology as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.