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  Artist Title Label Price


Format: Vinyl Compilation
Genre: Hip Hop

Word Vol. 1

A1 Schoolly D Parkside 5-2 (5:48)
A2 Whodini Life Is Like A Dance (4:14)
A3 Kool Moe Dee No Respect (5:25)
A4 DJ Jazzy Jeff & The Fresh Prince He's The DJ, I'm The Rapper (6:12)
A5 Skinny Boys Skinny & Proud (3:40)
B1 Steady B Don't Disturb This Groove (4:09)
B2 The Classical Two New Generation (4:42)
B3 Dynasty & Mimi The Bugging Animal Farm (3:25)
B4 Jazzy Jeff King Heroin (Don't Mess With Heroin) (4:18)


Cat No: HOP 217
Released: 1987



Format: Vinyl 12 Inch
Genre: Hip Hop

Hardball (Motion Picture Soundtrack)

A1 Lil' Bow Wow & Lil Wayne & Lil' Zane & Sammie Hardball (LP Version) (3:59)
A2 Jagged Edge (2) Where The Party At (11-01-01 Dupri Remix) (3:52)
A3 Fundisha Insomnia (4:11)
B1 Da Brat Ball Game (4:39)
B2 RL (2) Ghetto (LP Mix) (4:22)
B3 Mobb Deep Play (3:50)


Cat No: xpr2770
Released: 2000


Blak Label

Format: Vinyl 12 Inch
Genre: Hip Hop

Rawww EP

A1 Changing Times (5:34)
A2 And I Love It (5:08)
B1 Brand Nu Funky Flava (5:13)
B2 Ain't That A Groove (4:03)

White Label

Cat No: MFFP 009
Released: 1994



Format: Vinyl 12 Inch
Genre: Hip Hop

Woman's Gotta Have It

A1 Woman's Gotta Have It (Radio Version) (4:04)
A2 Woman's Gotta Have It (Instrumental) (4:04)
B1 How Long (LP) (4:13)
B2 How Long (Instrumental) (4:13)
B3 How Long (Remix) (3:46)
B4 How Long (Remix Instrumental) (3:46)

Loud Records

Cat No: RPROLP 4415
Released: 2000


Eric B. & Rakim

Format: Vinyl 12 Inch
Genre: Hip Hop

I Know You Got Soul (The Derek On Eric Remix)

A I Know You Got Soul (The Derek On Eric Remix)
B1 I Know You Got Soul (The Double Trouble Remix)
B2 I Know You Got Soul (Original Version)


Cat No: COOLXR 146
Released: 1988


50 Cent & Mobb Deep

Format: Vinyl 12 Inch
Genre: Hip Hop

Outta Control (Remix)

A1 Outta Control (Remix) (Edited) (4:08)
A2 Outta Control (Remix) (Explicit) (4:08)
B1 Outta Control (Remix) (Instrumental) (4:08)
B2 Outta Control (Remix) (Acapella) (3:24)

Shady Records

Cat No: B0005439-11
Released: 2005


Double Trouble & Rebel MC

Format: Vinyl 12 Inch
Genre: Hip Hop

Just Keep Rockin' (Rmx)

A1 Just Keep Rockin' (Hiphouse Remix)
A2 Just Keep Rockin' (Dub Hiphouse Remix)
AA1 Just Keep Rockin' (Sk'ouse Remix)
AA2 Just Keep Rockin' (Dub Sk'ouse Remix)

Desire Records

Cat No: WANTX 9 R
Released: 1989


Ruthless Rap Assassins

Format: Vinyl 12 Inch
Genre: Hip Hop

And It Wasn't A Dream (Mixes)

A1 And It Wasn't A Dream (Norman Cooks Excursion On The Version)
A2 And It Wasn't A Dream (The Poets Version)
B1 And It Wasn't A Dream (Dubwise)
B2 And It Wasn't A Dream (Original Killer Album Version)


Cat No: 12 SYX 38
Released: 1990


Eastside Chapter

Format: Vinyl 12 Inch
Genre: Hip Hop

Sucka / Express Yourself

A1 Sucka (Vocal Mix)
A2 Sucka (Instrumental)
B1 Express Yourself (Vocal Mix)
B2 Express Yourself (Instrumental)

TUF - The Underground Family

Cat No: TUF 005
Released: 1990


Nina Sky

Format: Vinyl 12 Inch
Genre: Hip Hop

Unreleased Vol. 2

A1 Move Your Body (Kartel Remix)
A2 Move Your Body (Starting Something Remix)
B1 Holla Back (Street Mix)
B2 Time To Go (Remix)

Not On Label (Nina Sky)

Cat No: NS-002
Released: 2004



Format: Vinyl 12 Inch
Genre: Hip Hop

Where We Rock / Goin' Up

A1 Where We Rock (Vocal) (3:31)
A2 Where We Rock (Instrumental) (3:08)
B1 Goin' Up (Vocal) (3:45)
B2 Goin' Up (Instrumental) (3:15)


Cat No: HT 346
Released: 2003


The 45 King

Format: Vinyl 12 Inch
Genre: Hip Hop

Lati Rocks The Bells / Put The Funk Out

A1 Lati Rocks The Bells
A2 Lati Rocks The Bells (Bonus Edit)
B1 Put The Funk Out
B2 Put The Funk Out (Bonus Edit)

Blazin' Records

Cat No: BLAR 003
Released: 2001


Digital Underground

Format: Vinyl 12 Inch
Genre: Hip Hop

Doowutchyalike / Hip Hop Doll

A Doowutchyalike (Playhowyalike Mix) (8:54)
B1 Hip Hop Doll (Vocal Mix) (5:30)
B2 Doowutchyalike (Radio Mix) (4:46)

BCM Records

Cat No: BCM 330 X
Released: 1989


Rebel MC & Double Trouble

Format: Vinyl 12 Inch
Genre: Hip Hop

Street Tuff

A Street Tuff (Scar Mix)
AA Street Tuff (Club Mix)

Desire Records

Cat No: WANT X 18
Released: 1989


Digital Underground

Format: Vinyl 12 Inch
Genre: Hip Hop

The Humpty Dance

A1 The Humpty Dance (Hump Mix) (6:28)
AA1 The Humpty Dance (Mini-Hump Radio Mix) (4:40)
AA2 The Humpty Dance (Humpstrumental Mix) (3:16)

BCM Records

Cat No: BCM 364 X
Released: 1989


Page of 365 next >>

Information on the Hip Hop genre

Hip hop is a cultural movement incorporating i rockbreakdancing (B-boying), music, graffiti writing, DJing and MCing. It originated in the African American, Jamaican communities of New York City (with the South Bronx as the center) in the late 1970s. It was DJ Afrika Bambaataa that outlined the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Since first emerging in the Bronx, the lifestyle of hip hop culture has spread around the world. When hip hop music began to emerge, it was based around disc jockeys who created rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, which is now more commonly referred to as sampling. This was later accompanied by "rapping" (a rhythmic style of chanting or poetry more formally in 16 bar measures or time frames) and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJs. An original form of dancing and particular styles of dress arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.

Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting – or boasting impromptu poetry and sayings over music – which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's Good Times.
Kool DJ Herc is credited as being highly influential in the pioneering stage of hip hop music.

Herc, along with Grandmaster Flash was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.[citation needed] Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

In the late 1970s an underground urban movement known as "hip-hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, break dancing, rap music, and fashion, hip-hop became the dominant cultural movement of the African American and Hispanic communities in the 1980s. Tagging, rapping, and break dancing were all artistic variations on the male competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine, synthesizer technology as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.