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  Artist Title Label Price

Steve Walsh

Format: Vinyl 12 Inch
Genre: Hip Hop

I Found Lovin' (You What Megamix) / Na Na Hey Hey (Kiss Him Goodbye) (Large Mix)

A I Found Loving (Full Version)
AA Na Na Hey Hey (Kiss Him Goodbye) (Extended Version)

A.1. Records

Cat No: 12 A1 299
Released: 1987


Vanilla Ice

Format: Vinyl Album
Genre: Hip Hop

To The Extreme

A1 Ice Ice Baby
A2 Yo Vanilla
A3 Stop That Train
A4 Hooked
A5 Ice Is Workin' It
A6 Life Is A Fantasy
A7 Play That Funky Music
B1 Dancin'
B2 Go Ill
B3 It's A Party
B4 Juice To Get Loose Boy
B5 Ice Cold
B6 Rosta Man
B7 I Love You
B8 Havin' A Roni

SBK Records

Cat No: SBKLP9
Released: 1990


Rich Nice

Format: Vinyl 12 Inch
Genre: Hip Hop

Information To Raise A Nation

A1 The Rhythm, The Feeling (5:15)
A2 Outstanding (5:36)
A3 It's Time To Get Hype (4:14)
A4 So What You Gotta Man (3:26)
A5 Desperado (The Mexican) (4:15)
B1 Outlaw (4:50)
B2 Dead To The Knowledge (4:42)
B3 Trouble Man (5:16)
B4 Information To Raise A Nation (4:04)
B5 Two Seconds From Disaster (4:08)


Cat No: ZL72692
Released: 1990


Original Concept

Format: Vinyl 12 Inch
Genre: Hip Hop

Charlie Sez

A Charlie Sez (4:25)
B1 Runnin Yo' Mouth (3:52)
B2 Gottanotha Funky Break 4 U Hit It! (3:59)

Def Jam Recordings

Cat No: 653032 6
Released: 1988


DJ Jazzy Jeff & The Fresh Prince

Format: Vinyl 12 Inch
Genre: Hip Hop

Girls Ain't Nothing But Trouble

A Girls Ain't Nothing But Trouble (Laidley & Oakenfold Mix) (4:36)
B Guys Ain't Nothing But Trouble (4:28)


Cat No: CHAMP 12-18
Released: 1986


Rich Fresh

Format: Vinyl 12 Inch
Genre: Hip Hop

Time To Build / Party Rocker

A Time To Build (4:35)
B1 Party Rocker (5:06)
B2 Party Rocker (Instrumental Mix) (5:14)

City Beat

Cat No: CBE 1232
Released: 1988


Definition Of Sound

Format: Vinyl 12 Inch
Genre: Hip Hop

Now Is Tomorrow

A Now Is Tomorrow (Shabba Soul Mix)
B1 Now Is Tomorrow (Give The Bass Some Space Mix) (7:26)
B2 Now Is Tomorrow (Shabba Soul Instrumental)


Cat No: YRTX 66
Released: 1991


The Simpsons

Format: Vinyl 12 Inch
Genre: Hip Hop

Deep, Deep Trouble

A Deep Deep Trouble (Full Dance Mix)
B1 Deep Deep Trouble (LP Edit)
B2 Springfield Soul Stew

Geffen Records

Cat No: GEF 88T
Released: 1990


Shaquille O'Neal

Format: Vinyl 12 Inch
Genre: Hip Hop

I'm Outstanding

A1 I'm Outstanding (LP Version) (4:07)
A2 I'm Outstanding (808 Instrumental) (4:04)
B1 I'm Outstanding (Funk Lord Remix) (3:55)
B2 I'm Outstanding (Funk Lord Remix Instrumental) (3:56)


Cat No: Jive T 349
Released: 1994


Vanilla Ice & Naomi Campbell

Format: Vinyl 12 Inch
Genre: Hip Hop

Cool As Ice (Everybody Get Loose)

A1 Cool As Ice (Everybody Get Loose)
A2 Cool As Ice (Naomi Get Loose)
B1 Cool As Ice (Everybody Get Loose) (Radio Edit)
B2 Cool As Ice (Everybody Get Loose) (Instrumental)

SBK Records

Cat No: V-19746
Released: 1991


Busta Rhymes

Format: Vinyl 12 Inch
Genre: Hip Hop

Make It Clap

A1. Make It Clap (3:43)
A2. Make It Clap (Instrumental) (3:40)
B1. Make It Clap (Remix) (4:03)

J Records

Cat No: 82876502061
Released: 2002


Well Red

Format: Vinyl 12 Inch
Genre: Hip Hop


A M.F.S.B. (In Full Effect) (6:12)
B System (First Cut) (4:02)


Cat No: VST 1079
Released: 1988


MC Wac

Format: Vinyl 12 Inch
Genre: Hip Hop

Murder 1

A Murder 1
B Murder 1 (Instrumental)

Hammer Records

Cat No: HZZT6
Released: 1990


Nikki D

Format: Vinyl 12 Inch
Genre: Hip Hop

Daddy's Little Girl

A1 Daddy's Little Girl (Main Mix) (4:18)
A2 Daddy's Little Girl (Dub) (4:22)
B1 Lettin' Off Steam (Club Mix) (5:09)
B2 Lettin' Off Steam (Dub-Ola) (3:48)

Def Jam Recordings

Cat No: 656734 6
Released: 1991



Format: Vinyl Album
Genre: Hip Hop


A1 Real Niggaz Don't Die
A2 Niggaz 4 Life
A3 Protest
A4 Appetite For Destruction
A5 Don't Drink That Wine
A6 Alwayz Into Somethin'
A7 To Kill A Hooker
A8 One Less Bitch
B1 Findum, Fuckum & Flee
B2 Automobile
B3 She Swallowed It
B4 I'd Rather Fuck You
B5 Approach To Danger
B6 1-900-2 Compton
B7 The Dayz Of Wayback

Ruthless Records

Cat No: 00602547148681
Released: 2015


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Information on the Hip Hop genre

Hip hop is a cultural movement incorporating i rockbreakdancing (B-boying), music, graffiti writing, DJing and MCing. It originated in the African American, Jamaican communities of New York City (with the South Bronx as the center) in the late 1970s. It was DJ Afrika Bambaataa that outlined the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Since first emerging in the Bronx, the lifestyle of hip hop culture has spread around the world. When hip hop music began to emerge, it was based around disc jockeys who created rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, which is now more commonly referred to as sampling. This was later accompanied by "rapping" (a rhythmic style of chanting or poetry more formally in 16 bar measures or time frames) and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJs. An original form of dancing and particular styles of dress arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.

Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting – or boasting impromptu poetry and sayings over music – which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's Good Times.
Kool DJ Herc is credited as being highly influential in the pioneering stage of hip hop music.

Herc, along with Grandmaster Flash was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.[citation needed] Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

In the late 1970s an underground urban movement known as "hip-hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, break dancing, rap music, and fashion, hip-hop became the dominant cultural movement of the African American and Hispanic communities in the 1980s. Tagging, rapping, and break dancing were all artistic variations on the male competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine, synthesizer technology as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.