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  Artist Title Label Price

LL Cool J

Format: Vinyl 12 Inch
Genre: Hip Hop

The Boomin' System

A1 The Boomin' System (Radio 1) (3:41)
A2 The Boomin' System (Radio 2) (3:41)
B The Boomin' System (The Underground Mix) (4:31)

Def Jam Recordings

Cat No: 656133 8
Released: 1990


Proven Innocent

Format: Vinyl 12 Inch
Genre: Hip Hop

I'm Not The One

A1 I'm Not The One (Clark Kent Supermix) (4:00)
A2 I'm Not The One (LP Version) (4:10)
B1 I'm Not The One (House Dub Vocal) (4:13)
B2 I'm Not The One (House Dubstramental) (4:13)

First Priority Music

Cat No: 0-96186
Released: 1992


Jazzi P

Format: Vinyl 12 Inch
Genre: Hip Hop

Feel The Rhythm

A1 Feel The Rhythm (Club Mix)
A2 Feel The Rhythm (7" Mix)
B1 Feel The Rhythm (The Tunnel Mix)
B2 Feel The Rhythm (Instrumental)
B3 Feel The Rhythm (Acapella)

A&M Records

Cat No: USATDJ691
Released: 1990


Derek B

Format: Vinyl 12 Inch
Genre: Hip Hop

Get Down

A1 Get Down (Extended Remix) (5:40)
A2 Get Down (Drumapella) (4:20)
B1 Get Down (Lindens Dirty Dub) (5:00)
B2 Get Down (Instrumental) (4:30)

Music Of Life

Cat No: NOTE 007
Released: 1987


Rhymefest & Kanye West

Format: Vinyl 12 Inch
Genre: Hip Hop

Brand New

A1 Brand New (Clean Version) (3:39)
A2 Brand New (Instrumental) (3:37)
B1 Brand New (Main Version) (3:39)
B2 Brand New (Acappella) (3:39)

J Records

Cat No: J12-71979-1
Released: 2005


Double Trouble & Rebel MC

Format: Vinyl 12 Inch
Genre: Hip Hop

Just Keep Rockin'

A Just Keep Rockin' (Sk'ouse Mix)
AA Just Keep Rockin' (Hip House Mix)

Desire Records

Cat No: WANT X 9
Released: 1989


Brian Harvey & The Refugee Crew

Format: Vinyl 12 Inch
Genre: Hip Hop

Loving You (Olé Olé Olé)

A Loving You (Original Version) (4:05)


Cat No: 0132320EREP
Released: 2001


Toney Rome

Format: Vinyl 12 Inch
Genre: Hip Hop

Rock This Way

A Rock This Way
B1 Rock This Radio
B2 Rock This.. Version

Rhythm King

Cat No: LEFT 04T
Released: 1986


Queen, Wyclef Jean, Pras Michel & Free

Format: Vinyl 12 Inch
Genre: Hip Hop

Another One Bites The Dust

A Another One Bites The Dust (New LP Version) (4:23)
B1 Another One Bites The Dust (Team 1 Black Rock Star Main Pass Mix) (4:50)
B2 Another One Bites The Dust (Team 1 Black Rock Star Radio Edit) (4:19)

Dreamworks Records

Cat No: DRMT 22364
Released: 1998


Vanilla Ice

Format: Vinyl 12 Inch
Genre: Hip Hop

Play That Funky Music

A Play That Funky Music (Sky King's Funky Club Jam) (5:43)
B1 Play That Funky Music (Sky King's Groove Icetrumental) (4:34)
B2 Play That Funky Music (Sky King's Short & Sweet Funk) (5:50)

SBK Records

Cat No: 12SBK 20
Released: 1990


P.M. Dawn

Format: Vinyl 12 Inch
Genre: Hip Hop

I'd Die Without You

A1 I'd Die Without You
B1 On A Clear Day (Extended)
B2 On A Clear Day (7" Remix)

Gee Street

Cat No: GEET 39
Released: 1992


Rob 'N' Raz & Leila K

Format: Vinyl 12 Inch
Genre: Hip Hop

Rok The Nation

A1 Rok The Nation (Rok The Dance Floor) (6:58)
A2 Rok The Nation (Radio Edit) (3:45)
B1 Rok The Nation (SweMix Club Version) (5:22)
B2 Fonky Beats For Your Mind (2:35)


Cat No: 612 971
Released: 1990


Rob 'N' Raz & Leila K

Format: Vinyl 12 Inch
Genre: Hip Hop

Got To Get

A Got To Get (Extended Mix) (4:26)
B1 Got To Get (Motor City Mix) (5:20)
B2 Got To Get (Hitman's Home Mix) (5:25)


Cat No: 612 696
Released: 1989


Full Force

Format: Vinyl 12 Inch
Genre: Hip Hop

Alice, I Want You Just For Me!

A Alice, I Want You Just For Me! (6:09)
B1 Alice (Bang Zoom) (5:50)
B2 Alice (Ecrof's Special Mix) (5:42)


Cat No: TA 6640
Released: 1985


Snoop Dogg

Format: Vinyl 12 Inch
Genre: Hip Hop


A1 Vapors (Album Version)
A2 Vapors (Live Version)
B1 Snoops Inside Ya Head (Remix)
B2 Vapors (Album Instrumental)

Death Row Records

Cat No: INT 95530
Released: 1997


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Information on the Hip Hop genre

Hip hop is a cultural movement incorporating i rockbreakdancing (B-boying), music, graffiti writing, DJing and MCing. It originated in the African American, Jamaican communities of New York City (with the South Bronx as the center) in the late 1970s. It was DJ Afrika Bambaataa that outlined the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Since first emerging in the Bronx, the lifestyle of hip hop culture has spread around the world. When hip hop music began to emerge, it was based around disc jockeys who created rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, which is now more commonly referred to as sampling. This was later accompanied by "rapping" (a rhythmic style of chanting or poetry more formally in 16 bar measures or time frames) and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJs. An original form of dancing and particular styles of dress arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.

Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting – or boasting impromptu poetry and sayings over music – which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's Good Times.
Kool DJ Herc is credited as being highly influential in the pioneering stage of hip hop music.

Herc, along with Grandmaster Flash was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.[citation needed] Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

In the late 1970s an underground urban movement known as "hip-hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, break dancing, rap music, and fashion, hip-hop became the dominant cultural movement of the African American and Hispanic communities in the 1980s. Tagging, rapping, and break dancing were all artistic variations on the male competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine, synthesizer technology as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.