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  Artist Title Label Price

Double Trouble & Rebel MC

Format: Vinyl 12 Inch
Genre: Hip Hop

Just Keep Rockin'

A Just Keep Rockin' (Sk'ouse Mix)
AA Just Keep Rockin' (Hip House Mix)

Desire Records

Cat No: WANT X 9
Released: 1989

£4.00

Ying Yang Twins

Format: Vinyl 12 Inch
Genre: Hip Hop

Wait (The Whisper Song)

A1 Wait (The Whisper Song) (Clean)
A2 Wait (The Whisper Song) (Non-Suggestive Radio Mix)
A3 Wait (The Whisper Song) (Street)
B1 Wait (The Whisper Song) (Instrumental)
B2 Wait (The Whisper Song) (Acapella)

TVT Records

Cat No: TV-2521-0
Released: 2005

£7.00

Queen Latifah

Format: Vinyl 12 Inch
Genre: Hip Hop

Bananas

A1 Bananas (Mickey P. Clean Main Mix)
A2 Bananas (Mickey P. Clean Dirty Mix)
B1 Bananas (Mickey P. Alternative Chorus Mix)
B2 Bananas (Mickey P. Instrumental)

Motown

Cat No: BANAN AS1
Released: 1998

£4.00

L.A. Mix

Format: Vinyl 12 Inch
Genre: Hip Hop

Check This Out

A Check This Out (Fierce Vocal) (5:50)
B1 Check This Out (Sweaty Cuban Mix) (5:08)
B2 Don't Stop (The Brutal Remix) (6:50)

Breakout

Cat No: USAT 629
Released: 1988

£4.00

Digital Underground

Format: Vinyl 12 Inch
Genre: Hip Hop

Doowutchyalike (Remix) / Packet Man

A1 Doowutchyalike (The "Just Throw A Break-Beat Up Under There" Remix)
A2 Doowutchyalike (Playhowyalike Mix)
B1 Packet Man (The D.J. Mark The 45 King Extended Mix)
B2 Packet Man (LP-Version)

BCM Records

Cat No: BCM 12463
Released: 1990

£6.00

Digital Underground

Format: Vinyl 12 Inch
Genre: Hip Hop

Doowutchyalike / Hip Hop Doll

A Doowutchyalike (Playhowyalike Mix) (8:54)
B1 Hip Hop Doll (Vocal Mix) (5:30)
B2 Doowutchyalike (Radio Mix) (4:46)

BCM Records

Cat No: BCM 12330
Released: 1990

£6.00

The Simpsons

Format: Vinyl 12 Inch
Genre: Hip Hop

Deep, Deep Trouble

A Deep Deep Trouble (Full Dance Mix)
B1 Deep Deep Trouble (LP Edit)
B2 Springfield Soul Stew


Geffen Records

Cat No: GEF 88T
Released: 1990

£5.00

Various

Format: Vinyl 12 Inch Picture Disc
Genre: Hip Hop

Shake Shake Shake Your Bootie

A1 Jungle Brothers I'll House You (The 1990 Re-recording)
A2 Richie Rich My DJ (Pump It Up Some)
B1 Jungle Brothers Because I Got It Like That (The Richie Rich Remix)
B2 Funtopia Freedom (Remix By Richie Rich)

Dolcis

Cat No: LF 001
Released: 1990

£4.00

Tony Scott

Format: Vinyl Album
Genre: Hip Hop

The Chief

1 The Chief (Remix) (4:39)
2 Get Into It (3:17)
3 A Little Message (2:53)
4 I Know You Want It (Dance) (3:56)
5 Somebody (2:56)
6 Gangsterboogie (4:06)
7 Don't Jack The Spot (3:38)
8 Still Climbing (3:18)
9 That's How I'm Living (5:17)
10 We're All In This Together (4:49)
11 Time Is Running (3:13)

CHAMPION

Cat No: CHAMP 1022
Released: 1990

£4.00

The Game

Format: Vinyl 12 Inch
Genre: Hip Hop

How We Do

A How We Do (3:55)
B1 Westside Story (3:44)
B2 How We Do (Instrumental) (4:04)

Aftermath Entertainment

Cat No: 9880368
Released: 2005

£4.00

Tairrie B.

Format: Vinyl 12 Inch
Genre: Hip Hop

Murder She Wrote

A1 Murder She Wrote (Godmutha Mix)
A2 Murder She Wrote (Mob Boss Mix)
B1 Murder She Wrote (Ruthless Mix)
B2 Murder She Wrote (Viva Italia Instrumental)

MCA Records

Cat No: MCAT 1455
Released: 1990

£4.00

Splash

Format: Vinyl 12 Inch
Genre: Hip Hop

I Need Rhythm (Remix)

A I Need Rhythm (Remix) (7:01)

EastWest

Cat No: YZ515
Released: 1990

£6.00

Mantronix

Format: Vinyl 12 Inch
Genre: Hip Hop

Take Your Time (Remix)

A Take Your Time (Beat You Down Mix) (7:08)
B1 Got To Have Your Love (Hurley's House Mix) (5:21)
Remix - Steve "Silk" Hurley
B2 Got To Have Your Love (Illinois Mix) (5:47)
Remix - Steve "Silk" Hurley

Capitol Records

Cat No: 12CLX 573
Released: 1990

£7.00

Ja Rule & Case

Format: Vinyl 12 Inch
Genre: Hip Hop

Livin' It Up

A1 Livin' It Up (Album Version) (4:20)
A2 Always On Time (Delight Camp Dub) (6:05)
B1 Always On Time (Agent X Mix) (5:10)

Def Jam Recordings

Cat No: 063 978-1
Released: 2002

£5.00

Mark Morrison

Format: Vinyl 12 Inch
Genre: Hip Hop

Crazy House 12

A1 Crazy (Mark's Full On Vocal) (7:38)
A2 Crazy (Mark's Full On Dub) (9:13)
B Crazy (Day & Night Dub) (10:16)

WEA International Inc.

Cat No: SAM 1814
Released: 1996

£6.00

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Information on the Hip Hop genre

Hip hop is a cultural movement incorporating i rockbreakdancing (B-boying), music, graffiti writing, DJing and MCing. It originated in the African American, Jamaican communities of New York City (with the South Bronx as the center) in the late 1970s. It was DJ Afrika Bambaataa that outlined the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Since first emerging in the Bronx, the lifestyle of hip hop culture has spread around the world. When hip hop music began to emerge, it was based around disc jockeys who created rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, which is now more commonly referred to as sampling. This was later accompanied by "rapping" (a rhythmic style of chanting or poetry more formally in 16 bar measures or time frames) and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJs. An original form of dancing and particular styles of dress arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.


Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting – or boasting impromptu poetry and sayings over music – which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's Good Times.
Kool DJ Herc is credited as being highly influential in the pioneering stage of hip hop music.

Herc, along with Grandmaster Flash was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.[citation needed] Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

In the late 1970s an underground urban movement known as "hip-hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, break dancing, rap music, and fashion, hip-hop became the dominant cultural movement of the African American and Hispanic communities in the 1980s. Tagging, rapping, and break dancing were all artistic variations on the male competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine, synthesizer technology as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.