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  Artist Title Label Price

Erick Sermon

Format: Vinyl 12 Inch
Genre: Hip Hop

Love Iz

A1 Love Iz (Main Mix)
A2 Love Iz (Instr.)
B1 Hold Up Dub (Radio Mix)
B2 Hold Up Dub (Club Mix)

J Records

Cat No: J1PV-21256-1
Released: 2002


Rebel MC & Double Trouble

Format: Vinyl Double Album
Genre: Hip Hop

Twenty One Mixes

A1 Just Keep Rockin (Sk'ouse Radio Mix) (3:14)
A2 Just Keep Rockin (Hiphouse Mix) (5:00)
A3 Just Keep Rockin (DMC Mix) (6:00)
A4 Just Keep Rockin (Sk'ouse Remix) (5:39)
A5 Just Keep Rockin (Hiphouse Dub) (3:22)
B1 Just Keep Rockin (Hiphouse Radio Mix) (3:25)
B2 Just Keep Rockin (Sk'ouse Mix) (4:55)
B3 Just Keep Rockin (Robin Albers Mix) (5:16)
B4 Just Keep Rockin (Hiphouse Remix) (5:22)
B5 Just Keep Rockin (Sk'ouse Dub) (2:52)
C1 Street Tuff (Scar Radio Mix) (3:28)
C2 Street Tuff (Club Mix 12") (5:03)
C3 Street Tuff (Norman Cook Mix) (5:26)
C4 Street Tuff (Robin Albers Mix) (5:40)
C5 Street Tuff (Bass Heavy Mix) (5:45)
D1 Street Tuff (Club Radio Mix) (3:27)
D2 Street Tuff (Scar 12" Mix) (4:58)
D3 Street Tuff (Ruff Mix) (4:20)
D4 Street Tuff (Longsy D Mix) (5:20)
D5 Street Tuff (Norman Cook Instrumental Mix) (5:11)
D6 Street Tuff (Time To Rock - The Trouble Dub) (3:13)

Desire Records

Cat No: LUV 4
Released: 1989


Various & Alex And The City Crew

Format: Vinyl Album
Genre: Hip Hop


1. Break To The Music
A1 Original Street Machine Breakdance Party
A2 Rapologists Kids' Rap (The Hip Hop Beat)
A3 Raydio Kaves Automatic
A4 B.T. & The City Slickers Rockit
A5 Joy And The Sticks Lets Hear It For The Boy
A6 10 Speed Tour De France
2. Learn To Break
B1 Alex And The City Crew Electric Shocks
B2 Alex And The City Crew Space Walk Action
B3 Alex And The City Crew Rap-O-Lution
B4 Alex And The City Crew Scratch Walk
B5 Alex And The City Crew Shake Your Arm Up And Down With The Boogie Speed
B6 Alex And The City Crew Boogie Head
B7 Alex And The City Crew Let Electro Beat Make Your Body Move
B8 Michael Holman The New York City Breakers


Cat No: NE 1276
Released: 1984


Brian Harvey

Format: Vinyl 12 Inch
Genre: Hip Hop

Straight Up (No Bends) (Test Pressing)

A Straight Up (No Bends) (Ignorants Remix Vocal)
B Straight Up (No Bends) (Ignorants Remix Instrumental)

Not On Label

Cat No: B144838-01
Released: 2000


Warren G

Format: Vinyl 12 Inch
Genre: Hip Hop

What's Love Got To Do With It?

A What's Love Got To Do With It? (Album Version)
B1 What's Love Got To Do With It? (Radio Version)
B2 What's Love Got To Do With It? (Instrumental)

Interscope Records

Cat No: INT-97008
Released: 1996


Unit 3

Format: Vinyl 12 Inch
Genre: Hip Hop

We Are Family

A1 12" Remix
A2 We All Into Peace Club Mix
B1 Ragga Club Mix
B2 Ragga Vocal Club Dub Mix


Cat No: UNIT1



Format: Vinyl 12 Inch
Genre: Hip Hop

Ms. Winey Winey (Life Of Da Party)

A1 Ms. Winey Winey (Life Of Da Party) (Laced Mix) (3:41)
A2 Ms. Winey Winey (Life Of Da Party) (Majette's Mix) (4:01)
B1 Ms. Winey Winey (Life Of Da Party) (Mo Bee Mix) (4:20)
B2 Ms. Winey Winey (Life Of Da Party) (Laced Instrumental) (4:42)

Next Plateau Records Inc.

Cat No: NP PROMO 163
Released: 1996


Groove Collective

Format: Vinyl 12 Inch
Genre: Hip Hop


A1 Single Remix (5:48)
A2 Deep in It Mix (5:51)
B1 Radio Mix (4:17)
B2 Bonus Beats (3:10)
B3 LP Version (6:29)

Reprise Records

Cat No: Sam 1398


Tairrie B.

Format: Vinyl 12 Inch
Genre: Hip Hop

Murder She Wrote

A1 Murder She Wrote (Godmutha Mix)
A2 Murder She Wrote (Mob Boss Mix)
B1 Murder She Wrote (Ruthless Mix)
B2 Murder She Wrote (Viva Italia Instrumental)

MCA Records Ltd.

Cat No: WMCAT 1455
Released: 1990


Father MC

Format: Vinyl 12 Inch
Genre: Hip Hop

This Is For The Players

Mission Records

Cat No: LP Mish3
Released: 1995


Johnny Kemp

Format: Vinyl 12 Inch
Genre: Hip Hop

Just Got Paid

A1 Just Got Paid (5:25)
A2 Just Got Paid (7" Version) (3:35)
B1 Just Got Paid (Dub Mix) (5:20)
B2 Just Got Paid (Instrumental) (5:25)


Cat No: 44 07588
Released: 1988



Format: Vinyl Album
Genre: Hip Hop


A1 Real Niggaz Don't Die
A2 Niggaz 4 Life
A3 Protest
A4 Appetite For Destruction
A5 Don't Drink That Wine
A6 Alwayz Into Somethin'
A7 To Kill A Hooker
A8 One Less Bitch
B1 Findum, Fuckum & Flee
B2 Automobile
B3 She Swallowed It
B4 I'd Rather Fuck You
B5 Approach To Danger
B6 1-900-2 Compton
B7 The Dayz Of Wayback

Ruthless Records

Cat No: 00602547148681
Released: 2015


Public Enemy

Format: Vinyl Album
Genre: Hip Hop

Fear Of A Black Planet

A1 Contract On The World Love Jam (Instrumental) (1:44)
A2 Brothers Gonna Work It Out (5:05)
A3 911 Is A Joke (3:17)
A4 Incident At 66.6 Fm (Instrumental) (1:37)
A5 Welcome To The Terrordome (5:24)
A6 Meet The G That Killed Me (0:44)
A7 Pollywanacracka (3:52)
A8 Anti-Nigger Machine (3:17)
A9 Burn Hollywood Burn (2:46)
A10 Power To The People (3:48)
B1 Who Stole The Soul? (3:52)
B2 Fear Of A Black Planet (3:40)
B3 Revolutionary Generation (5:43)
B4 Can't Do Nuttin' For Ya Man (2:45)
B5 Reggie Jax (1:35)
B6 Leave This Off Your Fu*kin Charts (Instrumental) (2:32)
B7 B Side Wins Again (3:39)
B8 War At 33 ⅓ (2:13)
B9 Final Count Of The Collision Between Us And The Damned (Instrumental) (0:48)
B10 Fight The Power (4:42)

Def Jam Recordings

Cat No: 00602537998647
Released: 2014



Format: Vinyl Album
Genre: Hip Hop

100 Miles And Runnin' Hologram sleeve

A1 100 Miles And Runnin'
A2 Just Don't Bite It
B1 Sa Prize (Part 2)
B2 Real Niggaz
B3 Kamurshol

Ruthless Records

Cat No: B0023135-01
Released: 2015



Format: Vinyl Album
Genre: Hip Hop


40 Side North
A1 The Genesis (1:45)
A2 N.Y. State Of Mind (4:53)
A3 Life's A Bitch (3:29)
A4 The World Is Yours (4:50)
A5 Halftime (4:20)
41st Side South
B1 Memory Lane (Sittin' In Da Park) (4:07)
B2 One Love (5:24)
B3 One Time 4 Your Mind (3:18)
B4 Represent (4:13)
B5 It Ain't Hard To Tell (3:22)


Cat No: 475959 1
Released: 2006


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Information on the Hip Hop genre

Hip hop is a cultural movement incorporating i rockbreakdancing (B-boying), music, graffiti writing, DJing and MCing. It originated in the African American, Jamaican communities of New York City (with the South Bronx as the center) in the late 1970s. It was DJ Afrika Bambaataa that outlined the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Since first emerging in the Bronx, the lifestyle of hip hop culture has spread around the world. When hip hop music began to emerge, it was based around disc jockeys who created rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, which is now more commonly referred to as sampling. This was later accompanied by "rapping" (a rhythmic style of chanting or poetry more formally in 16 bar measures or time frames) and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJs. An original form of dancing and particular styles of dress arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.

Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting – or boasting impromptu poetry and sayings over music – which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's Good Times.
Kool DJ Herc is credited as being highly influential in the pioneering stage of hip hop music.

Herc, along with Grandmaster Flash was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.[citation needed] Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

In the late 1970s an underground urban movement known as "hip-hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, break dancing, rap music, and fashion, hip-hop became the dominant cultural movement of the African American and Hispanic communities in the 1980s. Tagging, rapping, and break dancing were all artistic variations on the male competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine, synthesizer technology as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.