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  Artist Title Label Price

Pluto

Format: Vinyl 12 Inch
Genre: House

Can I Get A...

A1 Can I Get A... DND Edit
A2 Can I Get A... Sovereign Mix
A3 Robbie Riviera 's Mix

Edel Records (UK)

Cat No: 0141130ERE
Released: 2002

£4.00

Sérgio Mendes

Format: Vinyl 12 Inch
Genre: House

Mas Que Nada

A Mas Que Nada (The Justin Strauss Remix) (6:48)
B1 Mas Que Nada (Just Right Dub Mix) (6:25)
B2 Mas Que Nada (Percapella) (5:42)

Breakout

Cat No: USAT 672
Released: 1989

£5.00

The Mixmaster & Indian Ocean

Format: Vinyl 12 Inch
Genre: House

Grand Beat / Treehouse

A The Mixmaster Grand Beat
B Indian Ocean Treehouse (Extended Edit)

Demo Music Ltd

Cat No: DM 9884
Released: 1989

£4.00

Sneaker Pimps

Format: Vinyl 12 Inch
Genre: House

Post Modern Sleaze

A1 Post Modern Sleaze (Phunk Phorce Mix) (8:41)
A2 Post Modern Sleaze (Sneak's A Pimp Mix) (7:58)
B1 Post Modern Sleaze (Salt City Orchestra Nightclub Mix) (8:43)
B2 Post Modern Sleaze (Reprazent Mix) (7:11)

Listen

Clean Up Records

Cat No: CUP038
Released: 1997

£6.00

2 Examples

Format: Vinyl 12 Inch
Genre: House

Just Can't Help Me (Remix)

A1 Just Can't Help Me (Evolution Remix)
B1 Just Can't Help Me (Evolution's Elevating Remix)
B2 Just Can't Help Me (Club Remix)

!Hype

Cat No: 12YPER002
Released: 1993

£3.00

U.S. Of Milano Area

Format: Vinyl 12 Inch
Genre: House

The Dark Side Of The Vibe EP

A1 Club Runner (6:58)
A2 Pure Music (6:08)
B1 Plastik Area (4:10)
B2 Vibe Station (6:26)

Underground Music Department (UMD)

Cat No: UMD 183
Released: 1995

£6.00

J. Max*

Format: Vinyl 12 Inch
Genre: House

Cosmic

A Cosmic (Dance Club Version)
B Cosmic (Instrumental Version)

Vrs

Cat No: VRS 09
Released: 1990

£6.00

J. Max*

Format: Vinyl 12 Inch
Genre: House

Cosmic

A Cosmic (Dance Club Version)
B Cosmic (Instrumental Version)

Vrs

Cat No: VRS 09
Released: 1990

£6.00
£3.00

Reese Project, The

Format: Vinyl 12 Inch
Genre: House

Direct Me Remixes

A1 Direct-Me (Sasha's 3am Drop Mix)
Remix - Sasha
B1 Direct-Me (Danny Taurus rmx)
Remix - Danny Taurus
B2 Direct-Me (Joey Negro's rmx)
Remix - Joey Negro

Network Records

Cat No: NWKT 87
Released: 1995

£7.00

Sacred Spirit

Format: Vinyl 12 Inch
Genre: House

Yeha-Noha

A1 Yeha-Noha (Buffalo Bump Mix)
A2 Yeha-Noha (Tribal Totem Mix)
B1 Tor-Cheney-Nahana (Love To Infinity Survival Mix)
B2 Yeha-Noha (Deep Recess Pow Wow Mix)

Virgin

Cat No: VST 1514
Released: 1995

£6.00

Unknown Artist

Format: Vinyl 12 Inch
Genre: House

I'm Coming Out

Secret Service (White Label)

£4.00

Sugarpussy

Format: Vinyl 12 Inch
Genre: House

Paradise On Fire

A1 Dub

Sugarpussy Records

Cat No: SK2

£5.00

Judge Jules & Paul

Format: Vinyl 12 Inch
Genre: House

Journeys By DJ 12

A1 Mukkaa Buruchacca
A2 Wildchild Jump To My Beat
A3 Mother All Funked Up
A4 Jump Funkaterium
A5 Myles Kayne Visions Of Love
A6 Total Eclipse (4) Come Together
B1 House Of Gypsies Makossa
B2 Crazy Mofos Crazy
B3 Kim Beacham Trouble
B4 Noobree project Music Please
B5 Maude Get On The Move

Journeys By DJ

Cat No: JDJT1

£6.00

Coma B

Format: Vinyl 12 Inch
Genre: House

Have Fun

A1 Have Fun (Original Mix)
A2 Have Fun (St. Peter&Heaven Remix)
AA1 Have Fun (Red Jerry Mix)
AA2 Have Fun (Itty Bitty Boozy Woozy Mix)

Wonderboy

Cat No: WBOY 001
Released: 1995

£6.00

Smoke Machine

Format: Vinyl 12 Inch
Genre: House

Disco Sound

A Disco Sound (Dull Mix) (7:02)
B1 Disco Sound (Bright Sound Version) (7:15)
B2 Disco Sound (Heavy Sound Version) (6:14)

Mantra Vibes

Cat No: MTR-2007
Released: 1995

£4.00

Page of 940 next >>

Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.