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  Artist Title Label Price

Mariah Carey

Format: Vinyl 12 Inch
Genre: House


A1 Loverboy (Remix) (4:32)
A2 Loverboy (MJ Cole Remix) (5:50)
B Loverboy (Club Of Love Remix) (9:05)

Virgin Records America, Inc

Cat No: VUST 211, 7243 8 97839 64
Released: 2001


Inner City

Format: Vinyl 12 Inch
Genre: House

Hallelujah '92

Ai Hallelujah (Leftfield On High Vocal)
Aii Hallelujah (Leftfield Instrumental)
Aiii Hallelujah (Leftfield Glory Mix)
Bi Hallelujah (Leftfield Zoom Dub)
Bii Hallelujah (Spiritual Sample Mix)
Biii Hallelujah (Leftfield Bonus Beats)

10 Records

Cat No: TENX 398
Released: 1992


MC 2000

Format: Vinyl 12 Inch
Genre: House

The Project

Grooven Ya Records

Cat No: GY2



Format: Vinyl 12 Inch
Genre: House

Sweet Thing

A1 Sweet Thing (Kamasutra Vocal Mix) (8:31)
A2 Sweet Thing (Triple X Choco Rhumba FM Cut) (3:00)
B1 Sweet Thing (Triple X Rhumba Extended Mix) (6:00)
B2 Sweet Thing (Alex Neri's Pressure) (8:29)


Cat No: RISE 077
Released: 2000


Chad Jackson

Format: Vinyl 12 Inch
Genre: House

Hear The Drummer (Get Wicked)

A Hear The Drummer (Get Wicked) (Extended Version)
B1 Hear The Drummer (Get Wicked) (Radio Edit)
B2 High On Life (Live From Manchester)


Cat No: BWRT 36
Released: 1990


Cass & Slide

Format: Vinyl 12 Inch
Genre: House


A Perception (Kinesis Remix) (10:16)
AA Perception (Rogue Audio Remix) (9:53)


Cat No: 12AD 062
Released: 2000


Balearic Soul

Format: Vinyl 12 Inch
Genre: House

Be Together

A1 Be Together (New Vocal Mix) (7:33)
A2 Be Together (Dub Mix) (6:53)
B Be Together (New Instrumental Mix) (7:33)

House No.

Cat No: HNO 5075-12
Released: 2001


House Of Downtown

Format: Vinyl 12 Inch
Genre: House

Feel It

A1 Feel It
B1 Tapa
B2 Downtown Groove

State House Records

Cat No: ST8 002
Released: 2001


TC 1995

Format: Vinyl 12 Inch
Genre: House

Just Get Up And Dance

A Just Get Up And Dance (FPI Funky Mix) (5:45)
B Just Get Up And Dance (Hot Mix) (4:20)

Paradise Project Records

Cat No: PPR 048
Released: 1995



Format: Vinyl 12 Inch
Genre: House

After The Playboy Mansion - Laidback Selection (White)

A Jephté Guillaume Ibo Lele (Ginen Tet Red Remix)
B Grace Jones Feel Up


Cat No: VISA 8696
Released: 2002



Format: Vinyl 10 Inch
Genre: House

Back To Love (Luca Cassini Remixes)

A Back To Love (Luca Cassani Club Remix) (5:55)
B1 Back To Love (Luca Cassani Superfigo Mix) (4:55)
B2 Back To Love (Luca Cassani Radio Remix) (3:41)

Airplane! Records

Cat No: ARP 21059
Released: 1999


Michael Jackson

Format: Vinyl 12 Inch
Genre: House

Rock My World

A Rock My World (Untitled Remix I)
B Rock My World (Untitled Remix II)

Not On Label (Michael Jackson)

Cat No: JACKO-001
Released: 2001


Disco Darlings

Format: Vinyl 12 Inch
Genre: House


A Freaks (Vox)
B Freaks (Dub)

Audio Friction

Cat No: AUDIOF 004
Released: 2005



Format: Vinyl 12 Inch
Genre: House


A1 Pleasure
B1 Pleasure Dub
B2 Breathless

Sabres Of Paradise

Cat No: PT003
Released: 1993


Route 66

Format: Vinyl 12 Inch
Genre: House


A Revolution (Maverick Mix)
B1 Revolution (Bunker Edit)
B2 Revolution (Live At Dub City)

Stress Records

Cat No: 12 STR 39
Released: 1994


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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.