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  Artist Title Label Price

DJ Rene & Sahar Zangilevich

Format: Vinyl 12 Inch
Genre: House

From Seven Till Haoman 17

A From Seven Till Haoman 17 (Original Version) (7:37)
B1 From Seven Till Haoman 17 (Marco V&Benjamin "Blow Your Mind" Mix) (8:07)
B2 Play The Music (6:52)

Digi White

Cat No: DIGI 022-12
Released: 1999

£7.00

M.L.B. Project

Format: Vinyl 12 Inch
Genre: House

Watch It!

A Watch It! (Original Version) (6:23)
B1 Watch It! (Klubbheads Mix) (7:55)
B2 Watch It! (Mark Van Dale With Enrico 'Amsterdam Panic' Mix) (7:07)

Mo'Bizz Recordings

Cat No: MBZZ 026-12
Released: 1999

£6.00

Blackwood

Format: Vinyl 12 Inch
Genre: House

Friday Night

A1 Club Mix
A2 Mellow Mix
B1 Intense Mix
B2 Marascia

A&D

Cat No: A&DS006
Released: 2002

£7.00

Amar

Format: Vinyl 12 Inch
Genre: House

Red Sky (Wamdue Mixes)

A Red Sky (Ananda Bird Of Paradise Remix) (8:18)
B Red Sky (Wamdue Lotempo Remix) (6:05)

Warner Music UK Ltd.

Cat No: SAM00180
Released: 1999

£7.00

Gloria Estefan

Format: Vinyl 12 Inch
Genre: House

1, 2, 3 (Extended Version)

A1 1, 2, 3 (Extended Version) (4:32)
A2 1, 2, 3 (Dub Mix) (4:44)
B Surrender (4:05)

Epic

Cat No: 652958 8
Released: 1988

£7.00

Zip Code

Format: Vinyl 12 Inch
Genre: House

Make It Right

A1 Original Mix
A2 Radio Edit
B1 New York Digital Instrumental
B2 New York Digital Dub

Patriot Records Inc

Cat No: PR001

£6.00

Mystic Karma

Format: Vinyl 12 Inch
Genre: House

Mystic Karma

A1 Mystic Karma (Club Mix) (6:33)
A2 Mystic Karma (Ballade) (4:08)
B1 Mystic Karma (Underground Mix) (5:39)
B2 Mystic Karma (Radio Mix) (3:28)

Sony Music Entertainment (Germany)

Cat No: MBOSAMPMS 4160
Released: 1997

£6.00

Friday Nite Traffik

Format: Vinyl Double 12 Inch
Genre: House

Body Music / Believe

A1 Body Music (Freeway Trip)
B1 Believe (Don't Walk Mix)
B2 Body Music (Impatient Drivers Edit)
C1 Body Music (Intersection Drum Mix)
D1 Believe (Sheer Weight Mix)

Sound Of Ministry

Cat No: SOMT028
Released: 1997

£7.00
£3.50

Modwheel Anthem

Format: Vinyl 12 Inch
Genre: House

The Starting Up EP

A I'm Gonna Get You (Original Version)
B1 Starting Up
B2 Swing Is King

Legato Records

Cat No: LGT 5048
Released: 2000

£6.00

Manchild

Format: Vinyl 12 Inch
Genre: House

Nothing Without Me

A Nothing Without Me (Original Mix) (6:16)
B1 Nothing Without Me (Spike Dub Mix) (4:50)
B2 Nothing Without Me (Dub Mix) (6:16)

One Little Indian

Cat No: 183TP 12P1
Released: 2001

£6.00
£3.00

Mirrorball

Format: Vinyl 12 Inch
Genre: House

Given Up

A Given Up (Original 12" Mix)
B Given Up (Hugstar Mix)

Multiply Records

Cat No: 12MULTY 46P
Released: 1998

£7.00
£3.50

Zero The Hero

Format: Vinyl 12 Inch
Genre: House

Get Down Tonight

A Get Down Tonight (Bonesy Labours The Point Mix)
AA Get Down Tonight (Pedro's Short But Not Sweet Mix)

Ugly Bug Records

Cat No: UBR010
Released: 1996

£6.00
£3.00

Sweet Tee

Format: Vinyl 12 Inch
Genre: House

It's Like That Y'all / I Got Da Feelin'

A1 It's Like That Y'all (4:57)
A2 It's Like That Y'all (Instrumental) (4:46)
AA1 I Got Da Feelin' (4:12)
AA2 I Got Da Feelin' (Instrumental) (4:18)

Cooltempo

Cat No: COOLX 160
Released: 1987

£4.50

Gianni Visnadi

Format: Vinyl 12 Inch
Genre: House

Racing Tracks

A Racing Tracks (Indianapolis Drive Mix) (6:53)
B Racing Tracks (Le Mans Race Mix) (4:50)

UMM

Cat No: UMM 108
Released: 1993

£20.00

Caspar Pound

Format: Vinyl 12 Inch
Genre: House

House

A1 House (Peter Parker & Mr.Tom Anderson Mix)
A2 House (Positive Science Underground Remix)
B1 House (Positive Science Overground Remix)
B2 House (Original Caspar Pound Mix)

Ascension Records

Cat No: ASC UK 7
Released: 1994

£7.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.