Stock Level:
[ reset ]
14221 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ]
Page of 949 next >>
  Artist Title Label Price

Sarah Washington

Format: Vinyl Double 12 Inch
Genre: House


A1 Heaven (Serial Diva Heavenly Club)
A2 Heaven (Fathers Of Sound Sunday Night Dub)
B1 Heaven (Jazz 'N' Groove 'Soulfuric' Vocal)
B2 Heaven (Fathers Of Sound XS Dub)
C1 Heaven (Fathers Of Sound Vocal Mix)
C2 Heaven (Jazz 'N' Groove Dub)
D1 Heaven (Serial Diva Heavenly Dub)
D2 Heaven (Jazz 'N' Groove 'Soulfuric' Dub)


Cat No: AMPMDJ 037
Released: 1996


Raze & Lady J & Secretary Of Entertainment, The

Format: Vinyl 12 Inch
Genre: House

All 4 Love (Break 4 Love 1990)

A1 All 4 Love (Break 4 Love 1990) (Club Mix) (5:12)
A2 All 4 Love (Break 4 Love 1990) (Dub Instrumental) (4:27)
B1 All 4 Love (Break 4 Love 1990) (Robs Rap Mix) (5:25)
B2 All 4 Love (Break 4 Love 1990) (Acapella) (4:33)


Cat No: CHAMP 12-228
Released: 1990


Sound Bluntz, The

Format: Vinyl 12 Inch
Genre: House

Billie Jean

A Billie Jean (12" Beat Mix) (6:19)
B1 Billie Jean (12" White Label Mix) (6:25)
B2 Billie Jean (Original) (4:52)


Cat No: CENT51T
Released: 2002


Oval Emotion

Format: Vinyl 12 Inch
Genre: House

Go Go / Lies

A1 Go Go (Killer Club Mix) (5:10)
A2 Go Go (Groovey Mo-Mix) (5:34)
Mixed by - Michael Ova
A3 Go Go (Classic Airwaves Mix) (4:11)
A4 Go Go (Deep Destruction Dub) (3:40)
B1 Lies (Classic Club Mix) (6:02)
B2 Lies (Deadly Intro Pianopella Boom Mix) (2:27)
B3 Lies (Jammin D.J. Dub) (5:34)

Hi-Bias Records Inc.

Cat No: HB-002
Released: 1991


Carleen Anderson

Format: Vinyl 12 Inch
Genre: House

True Spirit (The Remixes)

A1 True Spirit (K-Klassic Mix)
A2 True Spirit (Pharmacy Dub)

B1 True Spirit (Domino Mix)
B2 True Spirit (Ronin Mix)
B3 True Spirit (DJ Pogo Mix)

Circa Records Ltd.

Cat No: YRTDJ 118
Released: 1994


Enzo Cicala

Format: Vinyl 12 Inch
Genre: House

Our Family

A1 Our Family
B1 Big Crush


Cat No: Peng 24
Released: 2002


Gems For Jem

Format: Vinyl 12 Inch
Genre: House

Lifting Me Higher

A1 Lifting Me Higher (Peak Energy Mix) (7:33)
A2 Lifting Me Higher (Re-incarnation Mix) (6:08)
B1 Lifting Me Higher (Tall Paul Mix) (8:01)
B2 Lifting Me Higher (Euro Jem Mix) (4:16)

Box 21

Cat No: 12 BOKS 3R
Released: 1995



Format: Vinyl 12 Inch
Genre: House


A Hunter (MJ Cole Remix) (6:12)
Keyboards [Remix] - MJ Cole Remix - MJ Cole
B Hunter (Francois K Remix) (9:12)
Drums [Remix] - Rob Rives Keyboard [Remix] - Eric Kupper Percussion [Remix] - Cyro Baptista Remix - François K*

Cheeky Records

Cat No: CHEEKY007C
Released: 2001



Format: Vinyl Compilation
Genre: House

House Masters - UK vs. USA Showdown

Yankee Jacks
A1 West Phillips Tell Me (Crucial Mix)
A2 Denise Motto I-M-N-X-T-C (Original Mix)
A3 Thomas Davis Git Da Hole
A4 Gil De La Paz Casa (Latin House Mix)
A5 Hollywood (3) Funk Me, Jack Me (House Nation Mix)
Union Jacks
B1 T-CUT-F House Reaction (Robin Hood Mix)
B2 Scooby Swift, 2 Brummies, A Cockney, and a Mancunian & Denise Motto Doing It Properly Is XTC
B3 Liaz Mission Impossible (Remix)
B4 Colm III Take Me High
B5 Remote (3) Feels So Good

Kool Kat

Cat No: KL1
Released: 1987


Chantay Savage

Format: Vinyl 12 Inch
Genre: House

I Will Survive

A1 I Will Survive
A2 Phantom Blurred
B1 Donna Summer- I Feel Love

Not On Label

Cat No: Q001


Baby Ford

Format: Vinyl 12 Inch
Genre: House

In Your Blood

A In Your Blood (5:36)
B1 In Your Blood (Mix 2) (5:36)
B2 In Your Blood (Charge It) (4:45)


Cat No: BFORD 8
Released: 1991



Format: Vinyl 12 Inch
Genre: House

My Vision

A My Vision (Joey Negro Club Mix) (7:47)
B My Vision (Layo&Bushwacka! Vocal Mix) (8:03)

Rulin Records

Cat No: RULIN26T
Released: 2002



Format: Vinyl 12 Inch
Genre: House

Sleep Talk

A Sleep Talk (ATFC's Bad Nights Sleep)
B1 Sleep Talk (ATFC's Hard Nights Sleep)
B2 Sleep Talk (Meri Vocal Mix)


Cat No: DFECT43
Released: 2001


Magnetic Soul

Format: Vinyl 12 Inch
Genre: House


A Wispo-Tech (Deep Dub)
B1 Wispo-Tech (Vocal Mix)
B2 Pacific Dub (Original Mix)

Tinted Records

Cat No: TINT 007


Frank 'O Moiraghi

Format: Vinyl 12 Inch
Genre: House

Dance Now

A1 Dance Now (Club Mix)
A2 Dance Now (F.M. Mix)
B1 Dance Now (Tribe Mix)
B2 Dance Now (Dub Mix)


Cat No: UMM 203
Released: 1995


Page of 949 next >>

Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.