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  Artist Title Label Price

Starlight

Format: Vinyl 12 Inch
Genre: House

Numero Uno

A Numero Uno (Club Mix) (6:04)
B Numero Uno (Alternative Mix) (6:12)

City Beat

Cat No: CBE 1242
Released: 1989

£5.00

Jamiroquai

Format: Vinyl 12 Inch
Genre: House

Space Cowboy

A1 Space Cowboy (Album Version) (6:25)
A2 Space Cowboy (Instrumental) (3:46)
A3 Space Cowboy (Radio Edit) (3:36)
B1 Space Cowboy (Classic Club Remix) (7:52)
B2 Space Cowboy (Babinstrumental) (6:45)
B3 Space Cowboy (Classic Radio Remix) (4:01)

Work

Cat No: 42 77827
Released: 1995

£15.00

101

Format: Vinyl 12 Inch
Genre: House

Just As Long As I Got You - House Mix

A Just As Long As I Got You (4:25)
B I Got Rock' N Roll (4:30)

Speed

Cat No: SPEED 003
Released: 1989

£5.00

Fierce Ruling Diva

Format: Vinyl 12 Inch
Genre: House

A Great Man Once Said... (Disc 1)

A1 Love Your Enemies (Sound Factory Garage) (4:41)
A2 Get Funky With Me (Extended Radio) (4:41)
B1 Gimme Your Body (Seriously Club Minded) (4:52)
B2 You Better Take This (Trance) (5:26)

Lower East Side Records

Cat No: LES 9303
Released: 1993

£10.00

Cry Sisco!

Format: Vinyl 12 Inch
Genre: House

Afro Dizzi Act

A1 Afro Dizzi Act (6:05)
AA1 Afro Dizzi Act (Kool Kaz Bah Mix) (6:02)
AA2 Ki Ton Ko (4:05)

Escape Records

Cat No: AWOLT 1
Released: 1988

£4.50

The Mixmaster

Format: Vinyl 12 Inch
Genre: House

Grand Piano

A Grand Piano (6:05)
B Piano Groove (5:10)

Out

Cat No: OUT 3247
Released: 1989

£5.00

Various

Format: Vinyl 12 Inch
Genre: House

Cooltempo Remixed (Album Sampler)

A Juliet Roberts I Want You (Grant Nelson's 95 Revival Mix)
B1 Kenny Thomas Trippin' On Your Love (Tall Paul Mix)
B2 Monie Love The Power (Mrs Wood's Dub)

Cooltempo

Cat No: CTLPDJX 49
Released: 1995

£6.00

ABC

Format: Vinyl 12 Inch
Genre: House

One Better World (Pickering Park Mix)

A One Better World (Pickering Park Mix)
B1 One Better World (Organ Mix)
B2 One Better World (Percapella Mix)

Neutron Records

Cat No: NTXR 114
Released: 1989

£6.00

Cappella

Format: Vinyl 12 Inch
Genre: House

Push The Beat

A Push The Beat (The Better Beat Mix)
B Push The Beat (Instrumental Mix)

Fast Globe

Cat No: 12FGL 1
Released: 1988

£7.00
£3.50

The Mixmaster

Format: Vinyl 12 Inch
Genre: House

Grand Piano

Over
A Grand Piano (6:05)
Here
B Piano Groove (5:11)

BCM Records

Cat No: BCM 344 X
Released: 1989

£3.00

TC 1991

Format: Vinyl 12 Inch
Genre: House

1991 'Berry' (The Remixes)

A1 1991 (Re-Fratty Re-Energy Version) (5:15)
A2 1991 (Classic Remix) (5:35)
B1 1991 (Fratty Energy Version) (5:00)
B2 1991 (Fish Mix) (4:45)
B3 1991 (Continuamos Mix) (4:35)

Union City Recordings

Cat No: UCRT 1
Released: 1992

£5.00

Lo-Fi-Fnk

Format: Vinyl 12 Inch
Genre: House

Change Channel

A1 Change Channel (3:22)
A2 Change Channel (Jitset Remix) (6:37)
B1 Change Channel (Danton Eeprom Remix) (9:15)
B2 Change Channel (Kaos Remix) (7:00)

Moshi Moshi Records

Cat No: moshi42
Released: 2007

£5.00

Sub Sub

Format: Vinyl 12 Inch
Genre: House

Respect

A Respect (Original Mix)
B1 Respect (Dasilva/McCready Mix)
B2 Respect (Dasilva's Acid Dub)

Robs Records

Cat No: 12 ROB 19
Released: 1994

£5.00

Sub Sub

Format: Vinyl 12 Inch
Genre: House

Respect

A Respect (Original Mix)
B1 Respect (Dasilva/McCready Mix)
B2 Respect (Dasilva's Acid Dub)

Robs Records

Cat No: 12 ROB 19
Released: 1994

£5.00

Shena

Format: Vinyl 12 Inch
Genre: House

More Than Woman

A1 More Than Woman (Yojo Club Edit)
A2 More Than Woman (Trouble's Thumpstrumental)
AA1 More Than Woman (Trouble's Own Mix)
AA2 More Than Woman (Nelson's Diversive Dub)

VC Recordings

Cat No: VCRT13
Released: 1996

£3.50

Page of 978 next >>

Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.