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  Artist Title Label Price


Format: Vinyl Double Album
Genre: House

The Mixdown Part 1

A1 T La Rock Housin' With The T'S
A2 T La Rock T-N-OFF
A3 Too Badd Cumin' Up
A4 Cash Money & Marvelous Real Mutha For Ya
B1 Tricky Tee Johnny The Fox
B2 Hanson & Davis Hungry For Your Love
B3 EPMD I'm Housin'
B4 Ann-Marie With Or Without You
C1 Just-Ice Lyric Licking
C2 Kariya Let Me Love You For Tonight
C3 The Todd Terry Project Weekend
C4 Jamaica Girls Need Somebody New
D1 Nicole (4) Happiness
D2 Dinosaur L Go Bang #5
D3 Cash Money & Marvelous The Mighty Hard Rocker
D4 Stezo To The Max (Remaxed)

Sleeping Bag Records

Cat No: SBUKLP 6
Released: 1989


The Goats

Format: Vinyl 12 Inch
Genre: House

Aaah D Yaaa

Hangerhead Side
A1 Aaah D Yaaa (7" Remix) (3:26)
A2 Aaah D Yaaa (Winking House Groove Mix) (7:08)
Chicken Little Side
AA1 Typical American (LP Version) (4:37)
AA2 Typical American (Baked Potatoe Mix) (5:20)

Ruffhouse Records

Cat No: 659303 6
Released: 1992


Juliet Roberts

Format: Vinyl 12 Inch
Genre: House

Caught In The Middle

A1 Caught In The Middle (Gospel Revival Mix)
A2 Caught In The Middle (Monster Club Mix)
AA1 Caught In The Middle (Heartbeat Mix)
AA2 Caught In The Middle (Fire Island Mix)


Cat No: 12cool 272
Released: 1993


Poppers & Aura

Format: Vinyl 12 Inch
Genre: House

Every Little Time

A1 Every Little Time (Quiet Storm Mix) (7:27)
A2 Every Little Time (Quiet Storm Dub) (7:27)
D1 Every Little Time (Greenlight Vocal Mix) (7:03)
D2 Every Little Time (Greenlight Dub) (7:03)

VC Recordings

Cat No: WBADJ28
Released: 1997



Format: Vinyl 12 Inch
Genre: House


A1 Hipswinger (New York Remix)
B1 Hipswinger (Solid Bass Dub)
B2 Hipswinger (Original Edit)

Graduate Music

Cat No: GRAD 003
Released: 1995


Kimara Lovelace

Format: Vinyl 12 Inch
Genre: House

Only You (Joey Musaphia Mixes)

A Only You (Joey Musaphia's Unlimited Mix) (9:46)
B Only You (Joey's Libertine Dub) (7:11)


Cat No: DANUP17
Released: 1996


Patti Day

Format: Vinyl 12 Inch
Genre: House

Inch By Inch

A1 A Few Inches More (6:45)
A2 Drive It Home (3:55)
B1 Measure Of Pleasure Mix (6:5)
B2 Voices (5:54)
B3 Down&Dirty Beat (4:40)

Starway Records, Inc.

Cat No: SW1203-12
Released: 1988



Format: Vinyl Double Album
Genre: House

Deep Heat '89 - Fight The Flame

Hit Blitz And Anthems
A1 Rob Base & DJ E-Z Rock Get On The Dancefloor
A2 Royal House Can You Party (Club Mix)
A3 Inner City & Kevin Saunderson Big Fun
A4 S'Express Hey Music Lover
A5 Coldcut & Lisa Stansfield People Hold On
A6 Adeva Respect
A7 Monie Love I Can Do This (Uptown Mix)
A8 LNR Work It To The Bone
A9 Black Riot A Day In The Life
B1 A Guy Called Gerald Voodoo Ray
B2 De La Soul Me Myself And I
B3 Wee Papa Girl Rappers Wee Rule
B4 Joe Smooth Promised Land
B5 The Beatmasters & Merlin Who's In The House
B6 Lisa Stansfield This Is The Right Time
B7 Farley \"Jackmaster\" Funk & The Hip House Syndicate Free At Last (Hip-Appella Mix)
B8 Donna Allen Joy And Pain
B9 Raze Break 4 Love
Euro Beat And Latin Heat
C1 Starlight Numero Uno
C2 Sueño Latino & Carolina Damas Sueno Latino (The Latin Dream Mix)
C3 Technotronic & Felly Pump Up The Jam
C4 Raúl Orellana The Real Wild House (Wild Mix)
C5 Hithouse Jack To The Sound Of The Underground (Acid Mix)
C6 Humanoid Stakker Humanoid (Snowman Mix)
Cool Grooves And Nu Moves
D1 Rhythim Is Rhythim Strings Of Life
D2 Digital Underground Doowutchyalike (Radio Edit)
D3 Kimiesha Holmes Love Me True (Radio Lovers Mix)
D4 Jo Ann Jones I Don't Need Your Love
D5 Kelly Charles & James Bratton Keep On Reachin'
D6 Mac Thornhill Diana
D7 Humanoid Tonight
D8 The Housemaster Boyz & The Rude Boy Of House Do It Fast


Cat No: STAR 2380
Released: 1989


Blue Boy

Format: Vinyl 12 Inch
Genre: House

Remember Me

A1 Remember Me (Sure Is Pure 7\\" Edit)
A2 Remember Me (Sure Is Pure 12\\" Remix)
B1 Remember Me (Original 12\\" Mix)
B2 Remember Me (Rae And Christian Remix)


Cat No: 12PHARM1
Released: 1997


Lisa Marie Experience

Format: Vinyl 12 Inch
Genre: House

Keep On Jumpin'

A1 Keep On Jumpin' (Bizarre Inc Remix) (7:35)
A2 Keep On Jumpin' (The Lisa Marie Vocal Experience) (7:55)
B1 Keep On Jumpin' (The Lisa Marie Sequential Dub) (7:36)
B2 Keep On Jumpin' (The Lisa Marie Dub Sequential) (8:15)


Cat No: FX 271
Released: 1996


Slo Moshun

Format: Vinyl 12 Inch
Genre: House

Help My Friend

A1 Help My Friend (DJ Pierre Remix)
B1 Bells Of New York (House 2 House Mix)
B2 Help My Friend (Hustlers Convention Full Length Disco Affair)

6 x 6 Records

Cat No: SixTR117
Released: 1994


Vinyl Fever

Format: Vinyl 12 Inch
Genre: House

Born In Heaven / The Prophet

A Born In Heaven (6:25)
B The Prophet (6:45)


Cat No: VRT 006
Released: 2001



Format: Vinyl 12 Inch
Genre: House


A Damentag
B Pyjama (Long Version)

Studio !K7

Cat No: !K7180 ep
Released: 2005


Judy Cheeks

Format: Vinyl 12 Inch
Genre: House


A1 Respect (The Ultimate Anthem Mix)
A2 Respect (Dream Team TNT Mix)
B1 Respect (Bottom Dollar Club Mix)
B2 Respect (Bottom Dollar Dub Mix)


Cat No: 12TIV 28
Released: 1995


Secret Life

Format: Vinyl 12 Inch
Genre: House

As Always

This Side
A1 As Always (Gospel Mix)
A2 As Always (Secret Life Mix)
That Side
AA1 As Always (Junior Style Remix)
AA2 As Always (Junior Style Dub)

Cowboy Records

Cat No: RODEO 9
Released: 1992


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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.