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  Artist Title Label Price

Olav Basoski

Format: Vinyl 12 Inch
Genre: House

Opium Scumbagz EP

A Opium Scumbagz (8:00)
B1 Windjammer Landing (5:57)
B2 Opium Scumbeatz (5:50)

Work Records

Cat No: WORK 49
Released: 2000

£6.00

Jody Watley

Format: Vinyl 12 Inch
Genre: House

Real Love

A Real Love (Extended Version) (6:59)
B1 Real Love (Dub) (6:15)
B2 Real Love (Bassapella) (4:28)

MCA Records Ltd.

Cat No: MCAT 1324
Released: 1989

£6.00
£3.00

Mac Thornhill

Format: Vinyl 12 Inch
Genre: House

Who's Gonna Ease The Pressure

A1 Who's Gonna Ease The Pressure (Townhouse Cuts)
A2 Who's Gonna Ease The Pressure (Townhouse Edits)
B Who's Gonna Ease The Pressure (Sizzle House Canadian Club Mix)

Ten Records Ltd. (10 Records)

Cat No: TENX 214
Released: 1988

£5.00
£2.50

Mylo & Tocadisco

Format: Vinyl 12 Inch
Genre: House

In My Arms

A In My Arms (Tocadisco Remix)

Listen

Not On Label

Cat No: TOCA 001
Released: 2005

£6.00

Hi Tek 3

Format: Vinyl 7 Inch
Genre: House

Spin That Wheel (Turtles Get Real)

The Brothers Organisation

Cat No: 12 BORG 16

£6.00

Fatman

Format: Vinyl 12 Inch
Genre: House

Release Me

A1 Release Me (Original)
Featuring - Stella Mae
A2 Release Me (Radio)
Featuring - Stella Mae
B Release Me (Dub)

Cue Records (UK)

Cat No: TCUE-001

£6.00

Pussy 2000

Format: Vinyl 12 Inch
Genre: House

Ain't No Love Around The World / Funky Music

A Ain't No Love Around The World
B Funky Music

Spacefunk Recordings

Cat No: PUSSY001
Released: 1999

£7.00

Par-T-One vs. INXS

Format: Vinyl 12 Inch
Genre: House

I'm So Crazy

A I'm So Crazy (Original Mix) 8:00
B I'm So Crazy (Medicine Mix) 7:52



Credence

Cat No: 12creddj016
Released: 2001

£6.00

Grand Canyon

Format: Vinyl 12 Inch
Genre: House

God's Tears

A God's Tears

Not On Label

Cat No: Dream002

£6.00

Michael Jackson

Format: Vinyl 12 Inch
Genre: House

Scream (The Remixes By David Morales And Naughty By Nature)

Club Side
A1 Scream (Pressurized Dub Pt. 1) (10:06)
A2 Scream (Pressurized Dub Pt. 2) (6:32)
Street Side
B1 Scream (Album Version) (4:37)
B2 Scream (Single Edit #2) (4:04)
B3 Scream (Naughty Pretty-Pella) (5:51)
B4 Scream (Naughty Acapella) (4:40)

Epic

Cat No: 662127 8
Released: 1995

£10.00

DJ Duke

Format: Vinyl 12 Inch
Genre: House

The Unreleased Dubs Vol 2

A Get Up
B1 Hangin' On
B2 The Piano Boys
Listen

Power Music Records

Cat No: MUPR-003
Released: 1994

£10.00
£5.00

Unknown Artist

Format: Vinyl 12 Inch
Genre: House

Who's Bad.!.!.............. Till Proven Otherwize

A1 Who's Bad... Till Proven Otherwise (House Mix)
A2 Who's Bad... Till Proven Otherwise (Cuts&Sounds)
B1 Who's Bad... Till Proven Otherwise (Funk Mix)
B2 Who's Bad... Till Proven Otherwise (Accappella)

Not On Label

Cat No: BAD 001
Released: 2005

£6.00

Aaliyah Featuring Timbaland

Format: Vinyl 12 Inch
Genre: House

We Need A Resolution

A1 We Need A Resolution (4:02)
A2 We Need A Resolution (Instrumental) (4:02)
B1 We Need A Resolution (No Rap) (3:54)
B2 We Need A Resolution (Acappella) (4:03)

Blackground Entertainment

Cat No: VUSTFDJ 206
Released: 2001

£6.00
£3.00

TC 1993

Format: Vinyl 12 Inch
Genre: House

Harmony

A1 Harmony (FPI Funky Mix) (5:00)
A2 Harmony (Understand Mix) (4:20)
B1 Harmony (The Train Mix) (4:10)
B2 Harmony (Harmony Mix) (4:40)

Paradise Project Records

Cat No: PPR 025
Released: 1993

£4.00

Paris Red

Format: Vinyl 12 Inch
Genre: House

Promises

A1 Promises (Media Mix) (4:02)
A2 Promises (Cassandra Hi Fly Mix) (5:59)
B1 Promises (E-Smoove's Groovy Mix) (7:12)
B2 Promises (E-Smoove's Underground Dub) (4:42)

Columbia

Cat No: 659234 6
Released: 1993

£4.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.