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  Artist Title Label Price

X-Press 2

Format: Vinyl 12 Inch
Genre: House


A Lazy (Original Mix) (9:25)
AA1 Lazy (Acapella) (3:40)
AA2 Lazy (Reprise) (6:40)


Cat No: SKINT74
Released: 2002


Dexter McSweeney

Format: Vinyl Compilation
Genre: House

Blue Period

A1 Under The House
A2 Iam Somebody
A3 Somebody 93

I Can Fly Records

Cat No: ICFR002
Released: 1993



Format: Vinyl 12 Inch
Genre: House

Historias de Amor

A Historias De Amor (Violentia Mix) (5:28)
Written By - Jordi Sánchez , Miguel Arjona
B1 Historias De Amor (Smokin' Prog-Mix) (5:15)
Written By - Jordi Sánchez , Miguel Arjona
B2 Love For Music (Atmosphere Mix) (1:56)

Do It Yourself Entertainment (Italy)

Cat No: DIY 9605
Released: 1996



Format: Vinyl 12 Inch
Genre: House

All I Need Is Love

A1 All I Need Is Love (Paramour Catholic Mix) (6:32)
A2 All I Need Is Love (Paramour Impure Dub) (7:57)
B1 All I Need Is Love (Rainie's All I Need!) (9:23)
Remix - Eddie Perez
B2 All I Need Is Love (Paramour Agnostic Dub) (6:19)


Cat No: RISE 000
Released: 1998


DJ Disciple

Format: Vinyl 12 Inch
Genre: House

The Fixed EP

A1 Fixation
A2 Sona-Industry
Keyboards - Warren Clarke
B1 I'll Be There
Keyboards - Warren Clarke Vocals - Julie V
B2 Set You Free
Keyboards - Warren Clarke Vocals - Speedy


Released: 1997


Joe Roberts

Format: Vinyl 12 Inch
Genre: House

Come Together

A Come Together (City Light Mix) (9:05)
B1 Come Together (Extra Dubby Mix) (6:00)
B2 Come Together (Dubby Mix) (5:36)


Cat No: 857 925-1
Released: 1994


Disco Citizens

Format: Vinyl 12 Inch
Genre: House

Right Here Right Now

A Right Here Right Now (Original Mix)
B Right Here Right Now (C.J. Scott Mix)
Producer [Additional Production], Remix - C.J. Scott*


Cat No: 74321 29387 1
Released: 1995


MC 2000

Format: Vinyl 12 Inch
Genre: House

The Project

A 1 Unknown
A 2 Unknown
A 3 Unknown
B 1 Unknown
B 1 Unknown
B 3 Unknown

Grooven Ya Records

Cat No: GY2


Alex Party

Format: Vinyl 12 Inch
Genre: House

Don't Give Me Your Life

A Don't Give Me Your Life (Saturday Night MFS Edit)
B Don't Give Me Your Life (LWS Bitch Mix)


Cat No: UMM 174 PROMO 1
Released: 1994



Format: Vinyl 12 Inch
Genre: House

Dance To The Music

A Dance To The Music

Not On Label

Cat No: LOCK3


Urban Species

Format: Vinyl 12 Inch
Genre: House


A1 Listen
A2 Listen (Just Listen) (Ashley's South Of Delta Groove)
B1 Gotta Have It (Original Lick)
B2 Listen (Just Listen) (Guru's Mix)

Talkin' Loud

Cat No: TLKX 50
Released: 1994



Format: Vinyl 12 Inch
Genre: House

Lets Be Lovers Tonight

A Let's Be Lovers Tonight (Extended Dance Mix)
B1 Let's Be Lovers Tonight (LP Version)
B2 Do You Baby (3:23)

Warner Bros. Records

Cat No: W8146 T
Released: 1987



Format: Vinyl 12 Inch
Genre: House

Make It Real

A1 Make It Real (Mix2Inside Vocal Club) (8:00)
A2 Make It Real (Original Radio Edit Mix) (4:00)
B1 Make It Real (Matteo's Digital Funk Mix) (6:10)
B2 Make It Real (Groovy Mix (Extended)) (6:10)

Mix2inside Records

Cat No: MXI005


Saffron Hill & Ben Onono

Format: Vinyl 12 Inch
Genre: House

My Love Is Always

A My Love Is Always (Original Mix) (7:03)


Cat No: 12ILLHILL1
Released: 2003


Kym Sims

Format: Vinyl 12 Inch
Genre: House

Take My Advice

A1 Silky 70's Mix (7:02)
A2 Hurley's Ext. Mix (5:31)
A3 Urban 7" (3:59)
B1 E-Smoove's Late Nite Mix (6:15)
B2 E-Smoove's Late Dub (6:12)
B3 Maurice's Underground (6:02)

ATCO Records, WEA International Inc.

Cat No: B 8591 T, 7567-96205-0


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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.