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Artist | Title | Label | Price | |
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StarlightFormat: Vinyl 12 InchGenre: House |
Numero UnoA Numero Uno (Club Mix) (6:04)B Numero Uno (Alternative Mix) (6:12) |
City BeatCat No: CBE 1242Released: 1989 |
£5.00 |
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JamiroquaiFormat: Vinyl 12 InchGenre: House |
Space CowboyA1 Space Cowboy (Album Version) (6:25)A2 Space Cowboy (Instrumental) (3:46) A3 Space Cowboy (Radio Edit) (3:36) B1 Space Cowboy (Classic Club Remix) (7:52) B2 Space Cowboy (Babinstrumental) (6:45) B3 Space Cowboy (Classic Radio Remix) (4:01) |
WorkCat No: 42 77827Released: 1995 |
£15.00 |
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101Format: Vinyl 12 InchGenre: House |
Just As Long As I Got You - House MixA Just As Long As I Got You (4:25)B I Got Rock' N Roll (4:30) |
SpeedCat No: SPEED 003Released: 1989 |
£5.00 |
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Fierce Ruling DivaFormat: Vinyl 12 InchGenre: House |
A Great Man Once Said... (Disc 1)A1 Love Your Enemies (Sound Factory Garage) (4:41)A2 Get Funky With Me (Extended Radio) (4:41) B1 Gimme Your Body (Seriously Club Minded) (4:52) B2 You Better Take This (Trance) (5:26) |
Lower East Side RecordsCat No: LES 9303Released: 1993 |
£10.00 |
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Cry Sisco!Format: Vinyl 12 InchGenre: House |
Afro Dizzi ActA1 Afro Dizzi Act (6:05)AA1 Afro Dizzi Act (Kool Kaz Bah Mix) (6:02) AA2 Ki Ton Ko (4:05) |
Escape RecordsCat No: AWOLT 1Released: 1988 |
£4.50 |
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The MixmasterFormat: Vinyl 12 InchGenre: House |
Grand PianoA Grand Piano (6:05)B Piano Groove (5:10) |
OutCat No: OUT 3247Released: 1989 |
£5.00 |
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VariousFormat: Vinyl 12 InchGenre: House |
Cooltempo Remixed (Album Sampler)A Juliet Roberts I Want You (Grant Nelson's 95 Revival Mix)B1 Kenny Thomas Trippin' On Your Love (Tall Paul Mix) B2 Monie Love The Power (Mrs Wood's Dub) |
CooltempoCat No: CTLPDJX 49Released: 1995 |
£6.00 |
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ABCFormat: Vinyl 12 InchGenre: House |
One Better World (Pickering Park Mix)A One Better World (Pickering Park Mix)B1 One Better World (Organ Mix) B2 One Better World (Percapella Mix) |
Neutron RecordsCat No: NTXR 114Released: 1989 |
£6.00 |
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CappellaFormat: Vinyl 12 InchGenre: House |
Push The BeatA Push The Beat (The Better Beat Mix)B Push The Beat (Instrumental Mix) |
Fast GlobeCat No: 12FGL 1Released: 1988 |
£
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The MixmasterFormat: Vinyl 12 InchGenre: House |
Grand PianoOverA Grand Piano (6:05) Here B Piano Groove (5:11) |
BCM RecordsCat No: BCM 344 XReleased: 1989 |
£3.00 |
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TC 1991Format: Vinyl 12 InchGenre: House |
1991 'Berry' (The Remixes)A1 1991 (Re-Fratty Re-Energy Version) (5:15)A2 1991 (Classic Remix) (5:35) B1 1991 (Fratty Energy Version) (5:00) B2 1991 (Fish Mix) (4:45) B3 1991 (Continuamos Mix) (4:35) |
Union City RecordingsCat No: UCRT 1Released: 1992 |
£5.00 |
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Lo-Fi-FnkFormat: Vinyl 12 InchGenre: House |
Change ChannelA1 Change Channel (3:22)A2 Change Channel (Jitset Remix) (6:37) B1 Change Channel (Danton Eeprom Remix) (9:15) B2 Change Channel (Kaos Remix) (7:00) |
Moshi Moshi RecordsCat No: moshi42Released: 2007 |
£5.00 |
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Sub SubFormat: Vinyl 12 InchGenre: House |
RespectA Respect (Original Mix)B1 Respect (Dasilva/McCready Mix) B2 Respect (Dasilva's Acid Dub) |
Robs RecordsCat No: 12 ROB 19Released: 1994 |
£5.00 |
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Sub SubFormat: Vinyl 12 InchGenre: House |
RespectA Respect (Original Mix)B1 Respect (Dasilva/McCready Mix) B2 Respect (Dasilva's Acid Dub) |
Robs RecordsCat No: 12 ROB 19Released: 1994 |
£5.00 |
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ShenaFormat: Vinyl 12 InchGenre: House |
More Than WomanA1 More Than Woman (Yojo Club Edit)A2 More Than Woman (Trouble's Thumpstrumental) AA1 More Than Woman (Trouble's Own Mix) AA2 More Than Woman (Nelson's Diversive Dub) |
VC RecordingsCat No: VCRT13Released: 1996 |
£3.50 |
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Information on the House genre
House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.
House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.
House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.
The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.
Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.
Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.