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  Artist Title Label Price

Pierre De Terre

Format: Vinyl 12 Inch
Genre: House

DJ Spin

A Untitled
B Untitled

Disques Bleu

Cat No: DISB 03
Released: 1999

£6.00

Fatty Acid

Format: Vinyl 12 Inch
Genre: House

Fatty Acid E.P.

A1 In Space
A2 In Space (C&M's Roll-In Space Remix)
AA1 Love To Dance
AA2 Love To Dance (Blakkat Mix)

Defected

Cat No: DEFECT11
Released: 1999

£5.00

Fatty Acid

Format: Vinyl 12 Inch
Genre: House

Fatty Acid E.P.

A1 In Space
A2 In Space (C&M's Roll-In Space Remix)
AA1 Love To Dance
AA2 Love To Dance (Blakkat Mix)

Defected

Cat No: DEFECT11
Released: 1999

£5.00

Deep Freeze Productions

Format: Vinyl 12 Inch
Genre: House

Work It (Saturday Night)

A Work It (Saturday Night) Capricorn Groove (8:25)
B1 Work It (Saturday Night) - Iced Vocal (6:32)
B2 Submission Dub (7:55)

Go! Beat

Cat No: GOPRO 94
Released: 1992

£6.00

Chris Rea

Format: Vinyl 12 Inch
Genre: House

Espresso Logic

A1 Espresso Logic (Club 4 Life Mix)
A2 Espresso Logic (S'not On)
B1 Espresso Logic (Double Safe Dub)
B2 You Can Go Your Own Way

EastWest

Cat No: YZ835T
Released: 1994

£6.00
£3.00

Kamal Brown and Mandel Turner

Format: Vinyl 12 Inch
Genre: House

Joy and Pain

A Club Mix
B1 Radio Version
B2 A Cappella

BMG France

Cat No: 74321743051
Released: 2000

£6.00

Inner City

Format: Vinyl 12 Inch
Genre: House

(That Man) He's All Mine

A1 (That Man) He's All Mine (Kevin McCord's Shuffle Mix) (5:29)
A2 (That Man) He's All Mine (Technological Mix) (4:03)
A3 (That Man) He's All Mine (Kevin Saunderson Radio Mix) (4:16)
B1 (That Man) He's All Mine (Shake's Mix) (6:57)
B2 (That Man) He's All Mine (Goh's Phone Dub) (4:15)
B3 (That Man) He's All Mine (Goh's Instrumental Dub) (4:25)

Virgin Records America, Inc.

Cat No: 0-96413
Released: 1990

£6.00

Hot Drum

Format: Vinyl 12 Inch
Genre: House

Anymore

A1 Anymore (Dave&Huey's Deranged Mix) (8:33)
A2 Anymore (Dave&Huey's Deranged Edit) (3:52)
B1 Anymore (Floating Mix) (7:30)
B2 Anymore (Freelance Mix) (6:00)

Out On Vinyl

Cat No: 12 OOV 003
Released: 1994

£6.00

Second Crusade

Format: Vinyl 12 Inch
Genre: House

May The Funk Be With You - (DISC 2 ONLY)

C The Choice Is Yours (Rare Groove Mix) (6:35)
D The Choice Is Yours (Deep Disco Mix) (6:58)

Apricot Records

Cat No: 74321 605291
Released: 1998

£4.00

Force & Darryl D'Bonneau

Format: Vinyl 12 Inch
Genre: House

I Came Back

A I Came Back (Original Mix)
B I Came Back (Sullivans Groove)

Milo Records

Cat No: Milotest 1
Released: 2003

£6.00

D'Stephanie & Melissa Anckaert

Format: Vinyl 12 Inch
Genre: House

To Good To Be True

A1 To Good To Be True (Original Mix)
A2 To Good To Be True (2Soundz Remix)
B To Good To Be True (Soul Avengerz Remix)

Realbasic Recordings

Cat No: 008
Released: 2004

£7.00

MAN-D.A. & KEYB T.

Format: Vinyl 12 Inch
Genre: House

House Music

A1 House Music (MAN-D.A.Obsessive Club) (7:28)
A2 House Music (State Of Club) (6:44)
B1 House Music (Hard House Mix) (6:15)
B2 House Music (Hard House Dub) (5:12)

UMM

Cat No: UMM 192
Released: 1994

£7.00

Michael Jackson

Format: Vinyl 12 Inch
Genre: House

HIStory (Tony Moran Mixes)

A HIStory (Tony Moran's HIStory Lesson) (8:00)
B HIStory (Tony Moran's Historical Dub) (7:56)

Epic

Cat No: XPR 3159
Released: 1997
Out Of Stock

D Mob

Format: Vinyl 7 Inch
Genre: House

It Is Time To Get Funky

A It Is Time To Get Funky
B Trance Dance

FFRR

Cat No: F 107
Released: 1989

£6.00

Nicole J McCloud

Format: Vinyl 12 Inch
Genre: House

Runnin' Away

A1 Runnin' Away (E-Smoove House Mix) (10:17)
A2 Runnin' Away (E-Smoove House Dub) (6:32)
B1 Runnin' Away (Lisa Marie Experience Mix) (8:04)

Ore Music

Cat No: AG 18
Released: 1996

£6.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.