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  Artist Title Label Price

Ce Ce Peniston

Format: Vinyl 12 Inch
Genre: House

We Got A Love Thang

A1 Silky House Thang
A2 Silky Dub Thang
A3 Hurleys Silky 7"
B1 Maurices 12"
B2 E-Smooves Groovy Mix
B3 LP Version

A&M Records

Cat No: 75021 2395 1
Released: 1992

£6.00

Fedde Le Grand

Format: Vinyl 12 Inch
Genre: House

Put Your Hands Up For Detroit

A1 Put Your Hands Up For Detroit (Club Mix)
A2 Put Your Hands Up For Detroit (DJ Delicious & Till West Remix)
B1 Put Your Hands Up For Detroit (TV Rock & Dirty South Melbourne Militia Remix)
B2 Put Your Hands Up For Detroit (Claude Von Stroke Packard Plant Remix)
B3 Put Your Hands Up For Detroit (Acappella)

Data Records

Cat No: DATA140T
Released: 2006

£4.50

Lee Marrow

Format: Vinyl 12 Inch
Genre: House

Pain

A Pain
B Pain

Discomagic Records

Cat No: MIX 371
Released: 1989

£5.00

The Love Bite

Format: Vinyl 12 Inch
Genre: House

Take Your Time

A1 Take Your Time (Illicit Vocal Mix)
A2 Take Your Time (Vinylwatch Reduction Mix)
B1 Take Your Time (Illicit Dub)
B2 Take Your Time (Electro Dub)

AM:PM

Cat No: 12 AMPMXDJ 134
Released: 2000

£5.00

M1

Format: Vinyl 12 Inch
Genre: House

E.F.2000

A E.F.2000 (Roger's Electronic Distortion Mix)
B E.F.2000 (Kaje Remix)

Jinxx Records

Cat No: JX 023
Released: 1999

£5.00

Wayne Marshall

Format: Vinyl 12 Inch
Genre: House

G-Spot

A1 Aaron B G Swing Mix
A2 Benito House Mix
B1 Aaron B Swing Dub Mix
B2 Benito Dub

Inter Action

Cat No: INTER1206

£6.00

Matt Dimaria

Format: Vinyl 12 Inch
Genre: House

E.F. 2000

A E.F. 2000 (Roger's Electronic Distortion Mix)
B E.F. 2000 (Kaje Remix)

Jinxx Records

Cat No: JX 023
Released: 1999

£7.00

Tom Novy

Format: Vinyl 12 Inch
Genre: House

Your Body

A Your Body (Club Mix) (6:38)
B Your Body (Paul Harris Remix) (7:48)
Remix - Paul Harris

Data Records

Cat No: DATA 102P2

£7.00
£3.50

Sadoman

Format: Vinyl 12 Inch
Genre: House

Trip

A Trip
B Strings

Aspro

Cat No: ASPRO 004
Released: 1995

£7.00

FPI Project & Sharon Dee Clarke

Format: Vinyl 12 Inch
Genre: House

Rich In Paradise (Vocal And Instrumental Remixes)

A1 Going Back To My Roots (Vocal Remix)
A2 Rich In Paradise (Original Version)
AA1 Going Back To My Roots (Remix)
AA2 Salsa In Paradise (Boom Boom Version)

Rumour Records

Cat No: RUMAX 9
Released: 1989

£4.00

Subliminal Cuts

Format: Vinyl 12 Inch
Genre: House

Le Voie Le Soleil - (DISC 2 ONLY)

C Le Voie Le Soleil (Way Out West Summer Of Love Mix)
D Le Voie Le Soleil (Original Mix)

XL Recordings

Cat No: XLR 53 DJ
Released: 1996

£4.50

Despina Vandi

Format: Vinyl 12 Inch
Genre: House

Gia (The Milk & Sugar Remixes)

A1 Gia (Milk & Sugar Rmx)
A2 Gia (Acapella Tools)
B1 Gia (Milk & Sugar Dub)
B2 Gia (Percussion Tools)

Motivo Productions

Cat No: MT 004
Released: 2003

£4.50

Coldcut

Format: Vinyl 12 Inch
Genre: House

Doctorin' The House

A Doctorin' The House (Vocal)
B Doctorin' The House (Speng)

Sanni Records

Cat No: CCUT 2
Released: 1988

£7.00
£3.50

Bob Marley & MC Lyte

Format: Vinyl 12 Inch
Genre: House

Jammin' (Remixes)

A1 Jammin' (The Island Remix) (6:42)
A2 Jammin' (Ghetto Youths Remix) (5:37)
B Jammin' (Olav Basoski Remix) (6:49)

Tuff Gong

Cat No: 12 TGX 9
Released: 2000

£7.00

Soul II Soul

Format: Vinyl 12 Inch
Genre: House

Keep On Movin'

A1 Keep On Movin' (Katt Club Mix) (5:55)
A2 Keep On Movin' (Booker T's Club Classic) (8:04)
A3 Keep On Movin' (Original Version) (3:38)
B1 Keep On Movin' (Soap Opera Dub Mix) (11:48)
B2 Keep On Movin' (M Beat Mix) (5:02)
B3 Keep On Movin' (M Beat Bonus Mix) (4:21)

Virgin Records

Cat No: VST 1612
Released: 1996

£7.00
£3.50

Page of 938 next >>

Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.