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  Artist Title Label Price

Disco Tips

Format: Vinyl 12 Inch
Genre: House

Buddy Nice

A Buddy Nice

Listen

FFRR

Cat No: DISCO TIPS

£6.00
£3.00

Dina Carroll

Format: Vinyl 12 Inch
Genre: House

So Close

A1 So Close
A2 Why Did I Let You Go?
B1 Ain't No Man (Brothers In Rhythm Remix)
B2 Special Kind Of Love (A Kinda Love Mix)

AM:PM

Cat No: AMY 0101
Released: 1992

£6.00
£3.00

Various

Format: Vinyl Double Album
Genre: House

Deep Heat 6 - The Sixth Sense

A1 Technotronic Get Up (Before The Night Is Over) (The Wing Command Mix)
A2 Anna G G'ding - G'ding (Do You Wanna Wanna?)
A3 Adeva Beautiful Love
A4 MC Miker G Show 'M The Bass
A5 Liaz This Time
A6 WestBam Hold Me Back
A7 Snap! The Power
A8 Adamski NRG
B1 Guru Josh Infinity
B2 Streetlife (2) Tearing Down The Walls
B3 Lil' Louis Blackout
B4 The Dawning Survival
B5 Adventures Of Stevie V. Dirty Cash
B6 Patti Day Right Before My Eyes
B7 Baby Ford Wigan
B8 Pressure Drop Feeling Good
C1 Izit Stories (I've A Novella Edit)
C2 De La Soul Magic Number
C3 Rob Base Turn It Out (Go Base) (Full Control Meltdown)
C4 DJ Atomico "Herbie" Atomic House (House Music Was Born)
C5 Donnell Rush Self Respect
C6 Cathy Dennis Just Another Dream
C7 Exclusive T Turn Up Those Party Lights
C8 Dionne Your Lies
D1 Various The Brits 1990 (Dance Medley)
D2 1 World Down On Love
D3 Gwen Dickey Wishing On A Star (The Wing Command Mix)
D4 A Man Called Adam Amoeba
D5 Poor Righteous Teachers Time To Say Peace
D6 2-Mad Don't Hold Back The Feeling (Don't Hold Back The Bass Mix)
D7 Gil Scott-Heron Space Shuttle
D8 Tribal House Motherland A-Fri-Ca

Telstar

Cat No: STAR 2412
Released: 1990

£4.00

Soft House Company

Format: Vinyl 12 Inch
Genre: House

What You Need...

A What You Need... (Club Mix)
B A Little Piano (Club Mix)

Global Village

Cat No: NORX 2
Released: 1990
Out Of Stock

Chad Jackson

Format: Vinyl 12 Inch
Genre: House

Hear The Drummer (Get Wicked)

A Hear The Drummer (Get Wicked) (Extended Version) (6:36)
B1 Hear The Drummer (Get Wicked) (Radio Edit) (3:43)
B2 High On Life (Live From Manchester) (6:46)

Big Wave

Cat No: BWRT 36
Released: 1990

£8.00

Unknown Artist

Format: Vinyl 12 Inch
Genre: House

Time Again

A Time Again

Not On Label

Cat No: 08 48061 20
Released: 2001

£3.00

My Thos

Format: Vinyl 12 Inch
Genre: House

Wait No More

A Wait No More
B1 Wait No More (Flash Version)
B2 Wait No More

Dig It International

Cat No: DMX 10010
Released: 1990

£6.50

Bob Sinclar

Format: Vinyl 12 Inch
Genre: House

Introducing... Champs Elysèes EP - (DISC 1 ONLY)

A I Feel For You (6:52)
B1 Save Our Soul (4:37)
B2 I Feel For You (Icanfeelapella) (4:30)

Yellow Productions

Cat No: YP 064
Released: 2000

£3.00

Q & Tracy Ackerman

Format: Vinyl 12 Inch
Genre: House

Get Here

A Get Here (12' Extended Mix) (6:13)
B1 Get Here (Reel Time Remix) (5:24)
B2 I Wish (4:49)

Arista

Cat No: Q1
Released: 1993

£5.00

Black Box

Format: Vinyl 12 Inch
Genre: House

You Got The Love

A1 Main Version (4:04)
A2 Jane's Extended Cut (5:59)
B1 Instrumental (4:12)
B2 Acapella (4:00)

B.I.G.

Cat No: BIG 5272-12
Released: 2005

£7.50

Unknown Artist

Format: Vinyl 12 Inch
Genre: House

Blow The Speakers

A1 Accelerator Mix
B1 Destruction & 7N Mixes

White Label

Cat No: 12NET001

£6.00

Freewheelin

Format: Vinyl 12 Inch
Genre: House

Franklin Drinks Iced T

White Label

Cat No: ICE001

£6.00

Cevin Fisher's Big Freak

Format: Vinyl 12 Inch
Genre: House

The Freaks Come Out

A1 The Freaks Come Out (Plastika Mix) (6:12)
A2 The Freaks Come Out (2000 Freaks Mix) (9:40)
B1 The Freaks Come Out (Freaks At Trade Mix) (8:52)
B2 The Freaks Come Out (Phat In London Mix) (6:58)

3345 Recordings

Cat No: 334503
Released: 1998

£5.00

Native ID

Format: Vinyl 12 Inch
Genre: House

Devotion

A Devotion (Original Mix)
B Devotion (Dark Side Mix)

Kaos Records

Cat No: K64
Released: 2003

£4.00

Big Black Beat

Format: Vinyl 12 Inch
Genre: House

SAM

A De SAM Para Las Flores
B SAMbaila

Rambla Sounds

Cat No: RS 00001
Released: 2003

£5.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.