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  Artist Title Label Price

Lock&Burns

Format: Vinyl 12 Inch
Genre: House

Dance To The Music

A Dance To The Music

Not On Label

Cat No: LOCK3

£6.00
£3.00

Bedrock

Format: Vinyl 12 Inch
Genre: House

Voices (Part 1)

A Voices (Original Mix) (9:07)
B Voices (DJ Remy Mix) (9:29)

Bedrock Records

Cat No: BEDRT 005
Released: 2000

£6.00
£3.00

Cass & Slide

Format: Vinyl 12 Inch
Genre: House

Perception

A Perception (Kinesis Remix) (10:16)
AA Perception (Rogue Audio Remix) (9:53)

Additive

Cat No: 12AD 062
Released: 2000

£6.00
£3.00

SYT

Format: Vinyl 12 Inch
Genre: House

Pleasure

A1 Pleasure
B1 Pleasure Dub
B2 Breathless

Sabres Of Paradise

Cat No: PT003
Released: 1993

£6.00
£3.00

Innocence

Format: Vinyl 12 Inch
Genre: House

Natural Thing

A Natural Thing (Elevation) (10:02)
B Natural Thing (Creation) (6:40)

Cooltempo

Cat No: COOLX 201
Released: 1990

£6.00
£3.00

BT

Format: Vinyl Double 12 Inch
Genre: House

Never Gonna Come Back Down

A Never Gonna Come Back Down (Timo Maas Mix)
B Never Gonna Come Back Down (Eric Kupper 12" Mix)
C Never Gonna Come Back Down (Hybrid Echoplex Dub)
D Never Gonna Come Back Down (Steve Lawler Mix)

Ministry Of Sound

Cat No: MOSBT001DP
Released: 2001

£10.00
£5.00

Baby Bumps

Format: Vinyl 12 Inch
Genre: House

Burning

A Burning (Blocksters 12" Mix) (7:01)
Remix - Blockster Remix [Credited To], Producer [Additional] - Brandon Block , Fran Sidoli , Ricky Morrison
B Burning (Original 12" Mix) (8:30)

Delirious

Cat No: DELIX 10
Released: 1998

£6.00
£3.00

Karen Ramirez

Format: Vinyl 12 Inch
Genre: House

Looking For Love

A1 Looking For Love (Dave's Found You Edit) (6:11)
A2 Looking For Love (Original Version) (3:56)
B Looking For Love (Trouser Enthusiasts Joy Of Sex Mix) (10:40)

Manifesto

Cat No: FESX 44
Released: 1998

£7.00
£3.50

Michelle Weeks

Format: Vinyl 12 Inch
Genre: House

Don't Give Up (Part 2)

A Don't Give Up (K-Klassic 12" Mix)
Remix - K-Klass
B1 Don't Give Up (Matthew's Pipe Dream Mix)
Remix - Matthew Roberts
B2 Don't Give Up (M&S Ministry Dub Mix)
Remix - M&S

Ministry Of Sound

Cat No: MOSR122
Released: 1997

£6.00
£3.00

Yo Yo Honey

Format: Vinyl 12 Inch
Genre: House

Don't Come To Leave

A1 Don't Come To Leave (Rolex Mix) (6:48)
Remix - Tony Humphries
A2 Don't Come To Leave (Deep Soul Radio Mix) (4:15)
B1 Don't Come To Leave (Cling Free Mix) (6:40)
Remix - Tony Humphries
B2 Don't Come To Leave (Jazz Mon Mix) (5:30)
Remix - Tony Humphries
B3 Don't Come To Leave (Summer Fever Mix) (6:51)

Jive

Cat No: JIVE T 308
Released: 1992

£6.00
£3.00

Black Science Orchestra

Format: Vinyl 12 Inch
Genre: House

The Line (Black Science Magic Sessions Parts 1 & 2)

A The Line (Black Science Magic Session Part 1) (5:51)
B The Line (Black Science Magic Session Part 2) (6:29)

BMG UK & Ireland

Cat No: 74321 51137 1
Released: 1997

£6.00
£3.00

De-Code feat Beverli

Format: Vinyl 12 Inch
Genre: House

Wonderwall/Some Might Say

A1 Wonderwall
B1 Some Might Say

Neoteric Records Ltd

Cat No: NRL2

£6.00
£3.00

Solasso

Format: Vinyl Double 12 Inch
Genre: House

Really Saying Something

A Really Saying Something (Solasso Original Mix)
B Really Saying Something (Hardino Remix)
Remix - Hardino
C Really Saying Something (DJ Bomba & The Soul Seekerz Remix)
Remix - DJ Bomba , Soul Seekerz
D1 Really Saying Something (Kenny Hayes Sunshine Funk Remix)
Remix - Sunshine Funk (2)
D2 Really Saying Something (Giresse Remix)
Remix - Giresse

All Around The World

Cat No: 12DJ GLOBE 428
Released: 2005

£10.00
£5.00

Dannii Minogue

Format: Vinyl 12 Inch
Genre: House

Put The Needle On It

A1 Put The Needle On It (Original Extended Mix)
A2 Put The Needle On It (Zoo Brazil Dub)
Remix - Zoo Brazil
B1 Put The Needle On It (Zoo Brazil Vocal Mix)
Remix - Zoo Brazil
B2 Put The Needle On It (Mute8 Vocal Mix)
Remix - Mute8

London Records

Cat No: LOXXDJ 470
Released: 2002

£6.00
£3.00

Daniel Bedingfield

Format: Vinyl 12 Inch
Genre: House

Friday

A1 Friday (Solaris Vocal Mix)
A2 Friday (Solaris Accapella)
B1 Friday (Solaris Sneaky Dub 1)
B2 Friday (Solaris Sneaky Dub 2)

Polydor (UK)

Cat No: DB 15
Released: 2003

£6.00
£3.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.